“Ah? No eggs, then, I suppose,” suggested Van mildly, pointing at the hens cackling in the yard. “No milk, either,” he added as the lowing of a cow sounded near by. “No berries to be had for love or money, eh? And of course there are no fish to be found in the sea.”
The woman actually laughed. “I’ll speak to Jake,” she said, then disappeared, and Van seated himself on the doorstep and waited her return without fear of disappointment.
“Jane and I can pick berries,” he said to himself; and then he trilled forth gaily, in a voice that was the envy and admiration of city circles:
“In the days when we went gipsying,
Long time ago.”
The melody pleased him; it chimed in well with the birds’ blithe song in the trees and the faint dash of the waves along the shore. He began the song and went through it all as blithely and carelessly as they.
“That’s handsome, now,” an uncouth voice behind him said when he stopped at last with a sense of buoyant delight in his own power. “That’s handsome, stranger. Sing like that, and you’re welcome here, and no mistake.”
This was “Jake,” then, shuffling, untidy, uncouth as his voice. A misgiving arose in Van’s mind. Would the house, the table, his room, be like Jake and Marm Escott? But he need stay no longer than he chose—no longer than one night; and it was now nearly six o’clock in the afternoon. So, all necessary arrangements being concluded, Jake trundled a dilapidated wheel-barrow, in some vague, slipshod fashion, to the road to “fetch the stranger’s traps,” and Mrs. Escott, going to the gate, called loudly, “Jane! Jane! I want ye, child.”
Van, waiting in the parlor for her coming, looked attentively about him. There was almost nothing in the room to show that any one ever came there who cared a whit more for beauty than Jacob Escott himself did. Rag mats of discordant hues covered squares and ovals and rectangular parallelograms of the pine floor; the walls were decorated with coarse prints of General Washington and of the prize ox of twenty years ago; on the table was a big family Bible and a Farmer’s Almanac illuminating the sombre cover with its sickly yellow, and on this was a half-knitted blue yarn stocking.
There was a cheap piano in one corner, but it looked as though it was never opened. The windows were not uncurtained, but, of all other things there, they set Van’s teeth on edge with their execrable attempts at some sort of a painted landscape; he seized the tassels vindictively, and pulled the curtains out of sight, thus letting in the superb view beyond.