“Oh! but surely there are original things painted and written nowadays?” said Conrad.
“It may appear so, sir. But ’tis only because the ignorant public does not know where lies hidden the musty parchment or worm-eaten canvas whence the so-called genius has stolen his prize. No, no; originality, in this age of the world, is the art of knowing how to pilfer. True originality is stark dead.” And the girl ended these words with a sigh, which proved that she, at least, believed what she said to be true.
“Well, if all copyists did their duty as faithfully as yourself,” pursued Conrad, “we might readily forego any more originals.” Then, while the bright color which this speech brought to her cheek was still glowing upon it, he added: “And now, gracious lady, let me remind you that I once asked if your picture was for sale, and you told me ‘yes.’ But we came to no bargain.”
“Well, what will you give me for it?” said Walburga, little dreaming what a weighty response her question would draw forth.
“A castle and my own poor self with it,” answered Conrad.
For full a minute the girl stayed silent; her brush fell to her lap, and, without giving him a glance, she bowed her head. Then presently, resuming her work: “Come back, sir,” she said, “in three days and you shall have my decision.”
“Oh! but why not to-day? now? at this moment? Nobody is near to hear what you say,” pleaded Conrad, and so fervent was his tone that Walburga’s resolution was half shaken. Then, while her right hand hung quivering upon the canvas, he seized it and pressed it to his lips.
The effect of this kiss was magical; it thrilled like lightning through every vein in her body, and from that instant Walburga’s heart was won.
But presently, to Conrad’s amazement, the glow faded from her cheek and she heaved a sigh; then came a tear.
“What can it mean?” he asked himself, strongly tempted to sweep the bright jewel away with another kiss. “What can it mean?” And again he implored her to end his suspense, to let him know his fate at once.