HODDER & STOUGHTON, LONDON
Copyright, 1913, by THE CENTURY CO.
THE DE VINNE PRESS
INDEX
TO
THE CENTURY MAGAZINE
VOL. LXXXVI NEW SERIES: VOL. LXIV
| PAGE | ||
| ADAMS, JOHN QUINCY, IN RUSSIA. (Unpublished letters.) | ||
| Introduction and notes by Charles Francis Adams. Portraits of John Quincy Adams and Madame de Staël | 250 | |
| AFTER-DINNER STORIES. | ||
| An Anecdote of McKinley. | Silas Harrison | 319 |
| AFTER-THE-WAR SERIES, THE CENTURY’S. | ||
| The Hayes-Tilden Contest for the Presidency. | Henry Watterson | [3] |
| Pictures from photographs and cartoons. | ||
| Another View of “The Hayes-Tilden Contest”. | George F. Edmunds | 192 |
| Portrait of Ex-Senator Edmunds. | ||
| AMERICANS, NEW-MADE. Drawings by | W. T. Benda | |
| Facing page 894 | ||
| ARTISTS SERIES, AMERICAN, THE CENTURY’S. | ||
| John S. Sargent: Nonchalance. | [44] | |
| Carl Marr: The Landscape-Painter. | [110] | |
| Frank W. Benson: My Daughter. | 264 | |
| AUTO-COMRADE, THE. | Robert Haven Schauffler | 850 |
| AVOCATS, LES DEUX. From the painting by | Honoré Daumier | |
| Facing page 654 | ||
| BALKAN PENINSULA, SKIRTING THE | Robert Hichens | |
| III. The Environs of Athens. | [84] | |
| Pictures by Jules Guérin and from photographs. | ||
| IV. Delphi and Olympia. | 224 | |
| Pictures by Jules Guérin and from photographs. | ||
| V. In Constantinople. | 374 | |
| Pictures by Jules Guérin and from photographs. | ||
| VI. Stamboul, the City of Mosques. | 519 | |
| Pictures by Jules Guérin, two printed in color. | ||
| BEELZEBUB CAME TO THE CONVENT, HOW | Ethel Watts Mumford | 323 |
| Picture by N. C. Wyeth. | ||
| “BLACK BLOOD.” | Edward Lyell Fox | 213 |
| Pictures by William H. Foster. | ||
| BOOK OF HIS HEART, THE | Allan Updegraff | 701 |
| Picture by Herman Pfeifer. | ||
| BORROWED LOVER, THE | L. Frank Tooker | 348 |
| BRITISH UNCOMMUNICATIVENESS. | A. C. Benson | 567 |
| BROTHER LEO. | Phyllis Bottome | 181 |
| Pictures by W. T. Benda. | ||
| BUSINESS IN THE ORIENT. | Harry A. Franck | 475 |
| CAMILLA’S FIRST AFFAIR. | Gertrude Hall | 400 |
| Pictures by Emil Pollak-Ottendorff. | ||
| CARTOONS. | ||
| Noise Extracted without Pain. | Oliver Herford | [155] |
| Foreign Labor. | Oliver Herford | 477 |
| Ninety Degrees in the Shade. | J. R. Shaver | 477 |
| A Boy’s Best Friend. | May Wilson Preston | 634 |
| “The Fifth Avenue Girl” and “A Bit of Gossip.” Sculpture by | Ethel Myers | 635 |
| The Child de Luxe. | Boardman Robinson | 636 |
| The “Elite” Bathing-Dress. | Reginald Birch | 797 |
| From Grave to Gay. | C. F. Peters | 798 |
| Died: Rondeau Rymbel. | Oliver Herford | 955 |
| A Triumph for the Fresh Air Fund. | F. R. Gruger | 957 |
| Newport Note. | Reginald Birch | 960 |
| CASUS BELLI. | 955 | |
| CENTURY, THE, THE SPIRIT OF | Editorial | 789 |
| CHOATE, JOSEPH H. From a charcoal portrait by | John S. Sargent | |
| Facing page 711 | ||
| CHRISTMAS, ON ALLOWING THE EDITOR TO SHOP EARLY FOR | Leonard Hatch | 473 |
| CLOWN’S RUE. | Hugh Johnson | 730 |
| Picture, printed in tint, by H. C. Dunn. | ||
| COLE’S (TIMOTHY) ENGRAVINGS OF MASTERPIECES IN AMERICAN GALLERIES. | ||
| Une Dame Espagnole. From the painting by | Fortuny | [2] |
| COMING SNEEZE, THE | Harry Stillwell Edwards | 368 |
| Picture by F. R. Gruger. | ||
| COMMON SENSE IN THE WHITE HOUSE. | Editorial | [149] |
| COUNTRY ROADS OF NEW ENGLAND. Drawings by | Walter King Stone | 668 |
| DEVIL, THE, HIS DUE | Philip Curtiss | 895 |
| DINNER OF HERBS,” “BETTER IS A. Picture by | Edmund Dulac | |
| Facing page 801 | ||
| DORMER-WINDOW, THE, THE COUNTRY OF | Henry Dwight Sedgwick | 720 |
| Pictures by W. T. Benda. | ||
| DOROTHY MCK——, PORTRAIT OF | Wilhelm Funk | 211 |
| DOWN-TOWN IN NEW YORK Drawings by | Herman Webster | 697 |
| ELEPHANT ROUND-UP, AN | D. P. B. Conkling | 236 |
| Pictures from photographs. | ||
| ELEPHANTS, WILD, NOOSING | Charles Moser | 240 |
| Pictures from photographs. | ||
| ELIXIR OF YOUTH, THE | Albert Bigelow Paine | [21] |
| Picture by O. F. Schmidt. | ||
| FLOODS, THE GREAT, IN THE MIDDLE WEST | Editorial | [148] |
| FRENCH ART, EXAMPLES OF CONTEMPORARY. | ||
| A Corner of the Table. From the painting by | Charles Chabas | [83] |
| GARAGE IN THE SUNSHINE, A | Joseph Ernest | 921 |
| Picture by Harry Raleigh. | ||
| GET SOMETHING BY GIVING SOMETHING UP, ON HOW TO | Simeon Strunsky | [153] |
| GHOSTS,” “DEY AIN’T NO | Ellis Parker Butler | 837 |
| Pictures by Charles Sarka. | ||
| GOING UP. | Frederick Lewis Allen | 632 |
| Picture by Reginald Birch. | ||
| GOLF, MIND VERSUS MUSCLE IN | Marshall Whitlatch | 606 |
| GOVERNMENT, THE CHANGING VIEW OF | Editorial | 311 |
| GRAND CAÑON OF THE COLORADO, THE | Joseph Pennell | 202 |
| Six lithographs drawn from nature for “The Century.” | ||
| GUTTER-NICKEL, THE | Estelle Loomis | 570 |
| Picture by J. Montgomery Flagg. | ||
| HARD MONEY, THE RETURN TO | Charles A. Conant | 439 |
| Portraits, and cartoons by Thomas Nast. | ||
| HER OWN LIFE. | Allan Updegraff | [79] |
| HOME. I. AN ANONYMOUS NOVEL. | 801 | |
| Illustrations by Reginald Birch. | ||
| HOMER AND HUMBUG. | Stephen Leacock | 952 |
| HYPERBOLE IN ADVERTISING, ON THE USE OF | Agnes Repplier | 316 |
| ILLUSION OF PROGRESS, THE | Kenyon Cox | [39] |
| IMPRACTICAL MAN, THE | Elliott Flower | 549 |
| Pictures by F. R. Gruger. | ||
| INTERNATIONAL CLUB, THE, ON THE COLLAPSE OF | G. K. Chesterton | [151] |
| JAPANESE CHILD, A, THE TRAINING OF | Frances Little | 170 |
| Pictures from photographs. | ||
| JAPAN, THE NEW, AMERICAN MAKERS OF | William Elliot Griffis | 597 |
| Pictures from photographs. | ||
| JEFFERSON, THOMAS. From the statue for the Jefferson Memorial in St. Louis by | Karl Bitter | [27] |
| JURYMAN, THE, THE MIND OF | Hugo Münsterberg | 711 |
| LADY AND HER BOOK, THE, ON | Helen Minturn Seymour | 315 |
| LAWLESSNESS IN ART. | Editorial | [150] |
| LIFE AFTER DEATH. | Maurice Maeterlinck | 655 |
| LITERATURE FACTORY. | E. P. Butler | 638 |
| LOUISE. Color-Tone, from the marble bust by | Evelyn Beatrice Longman | |
| Facing page 766 | ||
| LOVE BY LIGHTNING. | Maria Thompson Daviess | 641 |
| Pictures, printed in tint, by F. R. Gruger. | ||
| MANNERING’S MEN. | Marjorie L. C. Pickthall | 427 |
| MAN WHO DID NOT GO TO HEAVEN ON TUESDAY, THE | Ellis Parker Butler | 340 |
| MILLET’S RETURN TO HIS OLD HOME. | Truman H. Bartlett | 332 |
| Pictures from pastels by Millet. | ||
| MONEY BEHIND THE GUN, THE | Editorial | 470 |
| MORGAN’S, MR., PERSONALITY | Joseph B. Gilder | 459 |
| Picture from photograph. | ||
| MOVING-PICTURE, THE, THE WIDENING FIELD OF | Charles B. Brewer | [66] |
| Pictures from photographs. | ||
| MRS. LONGBOW’S BIOGRAPHY. | Gordon Hall Gerould | [56] |
| NEMOURS: A TYPICAL FRENCH PROVINCIAL TOWN. | Roger Boutet de Monvel | 844 |
| Pictures by Bernard Boutet de Monvel. | ||
| NEWSPAPER INVASION OF PRIVACY. | Editorial | 310 |
| NIAGARA AGAIN IN DANGER. | Editorial | [150] |
| NOTEWORTHY STORIES OF THE LAST GENERATION. | ||
| The Tachypomp. | Edward P. Mitchell | [99] |
| Portrait of the author, and drawings by Reginald Birch. | ||
| Belles Demoiselles Plantation. | George W. Cable | 273 |
| With portrait of the author, and new pictures by W. M. Berger. | ||
| The New Minister’s Great Opportunity. | C. H. White | 390 |
| With portrait of the author, and new picture by Harry Townsend. | ||
| ONE WAY TO MAKE THINGS BETTER. | Editorial | 471 |
| OREGON MUDDLE,” “THE | Victor Rosewater | 764 |
| PADEREWSKI AT HOME. | Abbie H. C. Finck | 900 |
| Picture from a portrait by Emil Fuchs. | ||
| PARIS. | Theodore Dreiser | 904 |
| Pictures by W. J. Glackens. | ||
| “PEGGY.” From the marble bust by | Evelyn Beatrice Longman | 362 |
| POLO TEAM, UNDEFEATED AMERICAN, BRONZE GROUP OF THE | Herbert Hazeltine | |
| Facing page 641 | ||
| PROGRESSIVE PARTY, THE | Theodore Roosevelt | 826 |
| Portrait of the author. | ||
| PUNS, A PAPER OF | Brander Matthews | 290 |
| Head-piece by Reginald Birch. | ||
| REMINGTON, FREDERIC, RECOLLECTIONS OF | Augustus Thomas | 354 |
| Pictures by Frederic Remington, and portrait. | ||
| ROMAIN ROLLAND. | Alvan F. Sanborn | 512 |
| Picture from portrait of Rolland from a drawing by Granié. | ||
| ST. BERNARD, THE GREAT | Ernst von Hesse-Wartegg | 161 |
| Pictures by André Castaigne. | ||
| ST. ELIZABETH OF HUNGARY. By Francisco Zubarán. Engraved on wood by | Timothy Cole | 437 |
| SCARLET TANAGER, THE. Printed in color from the painting by | Alfred Brennan | [29] |
| “SCHEDULE K”. | N. I. Stone | [111] |
| “SCHEDULE K,” COMMENTS ON | Editorial | 472 |
| SCULPTURE. | Charles Keck | 917 |
| SENIOR WRANGLER THE | 958 | |
| Snobbery—America vs. England. Our Tender Literary Celebrities. | ||
| SIGIRIYA, “THE LION’S ROCK” OF CEYLON. | Jennie Coker Gay | 265 |
| Pictures by Duncan Gay. | ||
| SOCIALISM IN THE COLLEGES. | Editorial | 468 |
| SPINSTER, AMERICAN, THE | Agnes Repplier | 363 |
| SUMMER HILLS,” THE, IN “THE CIRCUIT OF | John Burroughs | 878 |
| Portrait of the author by Alvin L. Coburn. | ||
| SUNSET ON THE MARSHES. From the painting by | George Inness | |
| Facing page 824 | ||
| “THEM OLD MOTH-EATEN LOVYERS”. | Charles Egbert Craddock | [120] |
| Pictures by George Wright. | ||
| TRADE OF THE WORLD PAPERS, THE | James Davenport Whelpley | |
| XVII. If Canada were to Annex the United States | 534 | |
| Pictures from photographs. | ||
| XVIII. The Foreign Trade of the United States | 886 | |
| T. TEMBAROM. | Frances Hodgson Burnett | [130] |
| Drawings by Charles S. Chapman. | 296, 413, 610, 767, 929 | |
| TWO-BILLION-DOLLAR CONGRESS, THE | Editorial | 313 |
| UNCOMMERCIAL TRAVELER, AN, IN LONDON | Theodore Dreiser | 736 |
| Pictures by W. J. Glackens. | ||
| UNDER WHICH FLAG, LADIES, ORDER OR ANARCHY? | Editorial | 309 |
| VENEZUELA DISPUTE, THE, THE MONROE DOCTRINE IN | Charles R. Miller | 750 |
| Cartoons from “Punch,” and a map. | ||
| VERITA’S STRATAGEM. | Anne Warner | 430 |
| VOYAGE OVER, THE FIRST | Theodore Dreiser | 586 |
| Pictures by W. J. Glackens. | ||
| WAGNER, RICHARD, IF, CAME BACK | Henry T. Finck | 208 |
| Portrait of Wagner from photograph. | ||
| WALL STREET, THE NEWS IN | James L. Ford | 794 |
| Pictures by Reginald Birch and May Wilson Preston. | ||
| WAR AGAINST WAR. | Editorial | 147 |
| WAR-HORSES OF FAMOUS GENERALS. | James Grant Wilson | [45] |
| Pictures from paintings and photographs. | ||
| WAR WORTH WAGING, A | Richard Barry | [31] |
| Picture by Jay Hambidge. | ||
| WASHINGTON, FRESH LIGHT ON | 635 | |
| WATTERSON’S, COLONEL, REJOINDER TO EX-SENATOR EDMUNDS | Henry Watterson | 285 |
| Comments on “Another View of ‘The Hayes-Tilden Contest.’” | ||
| WHISTLER, A VISIT TO | Maria Torrilhon Buel | 694 |
| WHITE LINEN NURSE, THE | Eleanor Hallowell Abbott | 483 |
| Pictures, printed in tint, by Herman Pfeifer. | 672, 857 | |
| WIDOW, THE. From the painting by | Couture | 457 |
| An example of French portraiture. | ||
| WORLD REFORMERS—AND DUSTERS. | The Senior Wrangler | 792 |
| Picture by Reginald Birch. | ||
| YEAR, THE MOST IMPORTANT | Editorial | 951 |
VERSE