I discover I am treating my subject in a very desultory manner. Perhaps I should have stated that under the head of the complete genus, meal, there are three distinct species, public, social, and private. That the grand banquet, celebrating some great man's birth, or the success of some noble public enterprise, with its assemblages of the great and the good from every part of the country; the Fourth of July festival, in honor of our nation's independence, with its speeches, its drums, its toasts, and its cannon; the 'table d'hôte,' or in plain English, the hotel dinner-table, so remarkable for the multitude of its dishes and the meagreness of their contents; the harvest-feast, the exact opposite of the last-named, even to the mellow thirds and fifths that come floating over the valleys from the old-fashioned dinner-horn, calling in the tired laborers; its musical invitation in such striking contrast with the unimagined horrors of the gong that bellows its expectant victims to their meals; the family repast, where one so often feels gratified with the delicate compliment of a mother, a sister, or a wife, in placing some favorite dish or flower near his plate; the annual gatherings of jolly alumni; the delightful concourse of relatives and friends; the gleesome picnic lunch, with its grassy carpet and log seats; the luxurious oyster-supper, with its temptations 'to carry the thing too far;' the festival at the donation-party, which, in common parlance, would be called a dish of 'all sorts;' the self-boarding student's desolate corn-cake, baked in a pan of multifarious use: all these are so many modifications under their respective species.
Let me remark, in conclusion, that there are some meals from which I pray to be delivered. There is the noisy dinner of the country-town tavern or railroad station, where each individual seems particularly anxious that number one should be provided for, and where, in truth, he is obliged often to make pretty vigorous efforts, if he succeeds. Again, have you ever observed how gloomy is the look of those who for the first time gather around the table, after the departure of a friend? The breakfast was earlier than usual, and the dishes were suffered to stand and the beds to go unmade, and housemaid, chamber-maid, cook, and seamstress, all engaged in the mélée of packing up, and of course came in for their share of 'good-bys.' After the guests were fairly off, 'things took a stand-still' for a while. All hands sat down and rested, and looked very blank, and didn't know just where to begin. Slowly, confusion began to relax his hold, and order, by degrees, resumed her sway; (for the life of me, I can't bring myself to determine the genders in any other way.) But when, at last, the dinner-hour came, how strangely silent were the eaters! Ah! if the departed one have gone to his long home, how solemn is this first meeting of the family, after their return to their lonely home! It may be the sire whose place at the head of the table is now vacant, and whose silvery voice we no longer hear humbly invoking the divine blessing; or perhaps the mother, and how studiously we keep our eye away from the seat where her generous hand was wont to pour our tea. Perhaps the little one, the idol of the household, whose chirruping voice was wont to set us all laughing with droll remarks, expressed in baby dialect. How we miss the little high-chair that was always drawn up close by papa!' How our eyes will swim and our hearts swell up and choke us when we see it pushed back into the corner, now silent and vacant! Hast thou not wept thus? Be grateful. Thou hast been spared one of life's keenest pangs.
Thou speakest well. Dr. Doran has pleased us with his Table Traits, but a great book yet remains to be written on the social power of meals. The immortals were never so lordly as when assembled at the celestial table, where inextinguishable laughter went the rounds with the nectar. The heroes of Valhalla were most glorious over the ever-growing roast-boar and never-failing mead. Heine suggests a millennial banquet of all nations, where the French are to have the place of honor, for their improvements in freedom and in cookery, and Master Rabelais could imagine nothing more genial than when in the Moyen de Parvenir, he placed all the gay, gallant, wise, brave, genial, joyous dames and demoiselles, knights, and scholars of all ages at one eternal supper. Ah! yes; it matters but little what is 'gatherounded,' as a quaint Americanism hath it, so that the wit, and smiles, and good-fellowship be there.
It is stated in the newspapers—we know not on what authority—that Charles A. Dana, late of the New-York Tribune, will probably receive an important appointment in the army. A man of iron will, of indomitable energy, undoubted courage, and of an inexhaustible genius, which displays itself by mastering every subject as by intuition, Dana is one whom, of all others, we would wish to see actively employed in the war. We have described him in by-gone days as one who was 'an editor by destiny and a soldier by nature,' and sincerely trust that his career will yet happily confer upon him military honors. No man in America—we speak advisedly—has labored more assiduously, or with more sterling honest conviction in politics, than Charles A. Dana. The influence which he has exerted has been immense, and it is fit that it be recognized. Men who, like him, combine stern integrity with vigorous practical talent, have a claim to lead.
Among the most striking songs which the war has brought forth, we must class that grim Puritanical lyric, 'The Kansas John Brown,' which appeared originally in the Kansas Herald, and which is, as we are informed, extensively sung in the army. The words are as follows:
THE KANSAS JOHN BROWN SONG.
Old John Brown's body lies a-mouldering in the grave,
While the bondmen all are weeping whom he ventured for to save;
But though he lost his life a-fighting for the slave,
His soul is marching on.
Glory, glory, Hallelujah!
Glory, glory, Hallelujah!
Glory, glory, Hallelujah!
His soul is marching on.
John Brown was a hero undaunted, true and brave,
And Kansas knew his valor when he fought her rights to save;
And now, though the grass grows green above his grave,
His soul is marching on.
He captured Harper's Ferry with his nineteen men so few,
And frightened Old Virginia till she trembled through and through;
They hung him for a traitor—themselves a traitor crew,
But his soul is marching on.
John Brown was John the Baptist of the Christ we are to see;
CHRIST, who of the bondmen shall the Liberator be;
And soon through all the South the slaves shall all be free,
For his soul goes marching on.
John Brown he was a soldier—a soldier of the LORD;
John Brown he was a martyr—a martyr to the WORD;
And he made the gallows holy when he perished by the cord,
For his soul goes marching on.
The battle that John Brown begun, he looks from heaven to view,
On the army of the Union with its flag, red, white and blue;
And the angels shall sing hymns o'er the deeds we mean to do,
As we go marching on!
Ye soldiers of JESUS, then strike it while you may,
The death-blow of Oppression in a better time and way,
For the dawn of Old John Brown is a-brightening into day,
And his soul is marching on.
Glory, glory, Hallelujah!
Glory, glory, Hallelujah!
Glory, glory, Hallelujah!
His soul is marching on.
There! if the soldiers of Cromwell and of Ireton had any lyric to beat that, we should like to see it. Among its rough and rude rhymes gleams out a fierce fire which we supposed was long since extinct. Verily, old Father Puritan is not dead yet, neither does he sleep; and to judge from what we have heard of the effects of this song among the soldiers, we should say that grim Old John Brown himself, far from perishing, is even now terribly alive. There is something fearful in the inspiration which can inspire songs like this.