'Fraxinum novi stantem,
Vocatem Ygdrasil
Proceram et sacram albe luto,
Hinc venit ros,
Qui in valles cadit,
Stat super virente
Urdar fonte.'
'Men call this the honey-dew, and it is the food of bees. There are also in this fountain two swans, which have produced all the birds of that species.'
Does the reader care to know the meaning of all this? It is hardly worth while, since to those who feel its grotesque poetry quite enough of the symbolism is already revealed. But let the plodding German Friedreich 'have his say.' 'The name of the Ash, Yggdrasil,' he tell us, 'signifies God's Horse, from Yggr, a name of the god Odin, and drasil, the poetic term for a horse. With this name one hath God's rule over all things, since he ruleth them even as a rider controls his steed, and by Yggdrasil is consequently signified the almighty power of God. The Ash is the Universe, its twigs are the Ether, spread over the World-all; the eagle is the Infinite glance, penetrating heaven and earth; and the squirrel the medium by which the deeds and condition of the Gods are brought to men. The stags, whose swiftness betokens the restless, rapid passions of man, are the ailments of the soul; and the green leaves which they devour, are sound, healthy thoughts.' According to Hauch (Die Nordische Mythenlehre, Leipsic, 1847, p. 28), these swift stags are the four winds of heaven which scatter the leaves. The snake is the destroying force in Nature, and in the clear fountain lies wisdom—which at least teaches us the highly respectable origin of the assertion that 'truth lies at the bottom of a well.' In the next spring lies the knowledge of the future—hinting at much fortune telling by means of pools, and faces of future husbands in basins of water and mirrors; while the three virgins are the Parcæ—the goddesses of destiny. You know these ladies, reader; but here they are grander, gloomier, diviner than were our old friends Clotho, Lachesis, and Atropos. And the endless strife between the eagle and the serpent, stirred up by the squirrel, is the 'ever-battling, interchangeable action between Spirit and Matter, the ever hence-and-hither rolling, as of waves, to good or evil in the human heart.'
Quaint enough, yet strong, wild, and beautiful. One more explanation is however worth the giving. In all countries and in all ages, writers, from Pliny and Dioscorides down to the genial poet-author of 'Elsie Venner,' have said or hinted that the Ash is abhorred by serpents—an antipathy ridiculed by Evelyn, yet which I have heard maintained to be true by an eminent botanist. In our Edda legend, we find an enmity between the Serpent—the evil principle, and a foe to life and peace—and the Ash—the tree of fresh, vigorous life; the first ever striving to destroy the latter. Is this the origin of the old belief? So in the 'Arcana against Enchantment,' a German book of 1715, we are told that 'the antipathy between the Ash tree, blessed of God, and the Serpent, which so hateth man, is so great that a serpent would rather spring into the fire than into the shadow of an Ash tree.' And in Froschmäusler the same idea is expressed in these quaint verses:
'Ich bin von den Alten gelart,
Der Eschenbaum hab diese Arth,
Dass keine Schlang unter ihm bleib;
Der Schatten sie auch hinweg treib,
Ja die Schlang eher ins Feuer hinleufft,
Ehe sie durch seinen Schatten schleyfft.'
'I have been by ancients told,
The Ash tree hath this gift of old,
That snake may never 'neath it stay,
The shadow drives it, e'en, away.
Sooner a snake in fire would dash,
Than through the shadow of an Ash.'
There is yet another strange superstition connected with the Ash, which one hardly cares to grapple with—so vast is the mass of obscure myths and doctrines which it involves. Let it suffice to say, that from tradition and monuments, in vast variety, it appears that in very ancient times the Passing Through anything was a ceremony of deepest significance and solemnity. To go through a door, to put on a ring, to pass between upright stones (as for instance, the dolmen, or those of the serpent circle of Stonehenge), to wear armlets, all referred to going from death into life, from ignorance to knowledge, from an unregenerate condition to reconciliation. It referred to the life passing into the womb and coming forth as birth. Going into an ark and quitting it, was one form of this Passing Through. Caves were also very holy, because they furnished apt illustrations of it. Spring was typified as going down into the womb or cave or ark or casket or goblet of the earth, and coming forth or being poured out again in fresh beauty. Hence it came that marriage was surrounded in earliest times by symbols of transit, or Passing Through. Lovers plighted their troth in Great Britain, as is yet done in some remote districts of Scandinavia, by joining their clasped hands through holes in the so-called Odin stones. As the Regenerate in the mysteries were obliged to pass through passages in rocks, it was naturally enough believed that those who were ill might be benefited in like manner. Of course the Ash—the tree of Odin and of all the gods—was hallowed in popular belief by healing virtues; and Evelyn tells us that 'the rupture, to which many children are obnoxious, is healed by passing the infant through a wide cleft made in the hole or stem of a growing Ash tree. It is then carried a second time round the Ash, and caused to repass the same aperture as before.' This act of being borne or passing around a stone or stick against the course of the sun, is a ceremony common to certain rites among almost all nations. It was known to Druids and Hindoos—traces of it may be found even among the debased Fetishism which lingers among American negroes. According to the old philosophy of planetary influences, the Ash tree is peculiar to the sun; whereas serpents are consecrated to dark and gloomy Saturn—another cause for the antipathy between them, and illustrative of the reason why the ailing child should be borne around in reference to the imaginary sympathetic solar rays of the tree.
All trivial enough, doubtless; no longer a matter worthy of deep research and wise marvelling. It is not even worth the while now for scholars to inveigh against the folly of such superstition. There was indeed enough of it. It was believed that by boring a hole in an ashen bough and imprisoning a mouse in it, a magic rod was obtained which would cure lameness and cramps in cattle—the ailments being transferred to the poor mouse, who was the supposed cause of them all. 'There is a proverb, says Loudon (Arboretum et Fruticetum Britannicum, p. 1223, edition of 1838), 'in the midland countries, that if there are no keys on the Ash trees, there will be no king within the twelvemonth.' Lightfoot says that in many parts of the Highlands of Scotland, at the birth of a child, the nurse or midwife puts one end of a green stick of this tree into the fire, and, while it is burning, gathering in a spoon the sap or juice, which oozes out at the other end, administers this as the first spoonful of food to the newly-born baby.' Trivial enough, yet worth noting as the fragments and humble remains of what was once the mighty mythology of the Northmen, hinting at the faith in the life-giving and life-preserving qualities of the great tree of life—the tree of knowledge of good and evil—the eritis sicut Deus of Runic lore.
Among the strangest and most beautiful after-echoes of this old Norse faith in the magic Ash as the great tree of life, is to my mind, one which has been preserved by Grimm in his 'Mythology' (2d edition, 2d book, page 912), and which the German poet Hoffmann has happily turned in a poem full of spirit and grace. The legend is as follows:
In the churchyard at Nortorf will one day be an Ash,
No human eye hath seen it, yet silently it grows
Among the graves, and every year it bears a single sprout.
Each New Year's night a rider white upon a snow-white steed,
Comes silently among the graves to hew the sprout away;
But there comes a coal-black rider upon a coal-black horse,
And he strives to save the new-born tree and drive the foe afar:
Long they fight till the New Year's dawn—until black knight yields,
And the foeman hews away the twig, and rides into the dawn,
But there will come a time,'tis said, when the white knight must yield,
And the twig will grow and its leaves will blow until the trunk is great:
So great that a proud war horse 'neath its lower branch may go.
And when the branch is grown and blown will come the world's great fight;
The fiercest of her battles, the last great strife of dread;
And the war horse of the mighty king will stand beneath the tree,
And the king will win, and all the world will be his heritage.
'The White Knight,' saith a commentator, 'is Freyr, one of the most glorious among Norse Asen, or children of the gods—he who rules over rain, sunshine, and earth's fruitfulness. His adversary is Surtur, the Black Demon—a pitiless foe of the Asen, who in the great battle will fight with the evil Loki—'the curse and shame of gods and men'—and set heaven and earth afire. But then there will come a new heaven and a new earth, in which eternal justice shall reign, and the 'Great King'—he whose steed shall wait beneath the Ash of Life—'will rule forever in peace and holiness.'