It is hardly worth while to state how so extraordinary a financier succeeded when he came to actual prospecting. It was currently reported that there was 'some pretty tall digging going on down in that swamp lot.' It required a lengthy series of geological arguments, with practical illustrations, to convince 'Squire Witherpee that the soil of East Hampton was somewhat feeble in the production of the precious metals—except, perhaps, in a metaphorical sense.
When he talked of 'taking the law on those rascals,' he found after all that the best thing he could do was not to move in the matter at all. Mr. Jones and his friend were no rascals, and took pleasure in contributing every cent of the money to the town fund for supporting the poor. Abijah Witherpee was since known to have acknowledged that though rather hard, it was no more than he had deserved, and the change that was wrought in his dealings gained him from that time no more faithful friends than the confederates, Jones and the Major.
FOOTNOTES:
[11] A gradual change is, indeed, observable, but as yet, it is only an incipient one.
REASON, RYHME, AND RYTHM.
CHAPTER III.—THE INFINITE.
The Divine Attributes are the base of all true Art.
No work of art can be considered truly beautiful unless it recalls or reproduces, even in its finite form, some of the divine attributes; not that the work must treat of them, or consciously suggest them to the intellect, but that they must enter into the creation of the artist, that the immediate and intuitive perception of beauty, always attached to their manifestation, may appeal to those faculties or instincts which ever answer in delight when these attributes are suggested to the human spirit; for, consciously or unconsciously, the soul yearns for a clearer view of the beauty of God.
Whatever good there may be desirable by man, more especially good belonging to his moral nature, there will be a corresponding agreeableness in whatever external object reminds him of such good, whether it remind him by arbitrary association, by typical resemblance, or by awakening intuitions of the divine attributes, which he was created to glorify and to enjoy eternally. Leibnitz says: