Religion is opposed to this tendency, not only in its causes, but in its effects. It brings back to us the idea of a personal God. It makes no mention of nature, but simply says: 'The heavens declare the glory of God,' 'He sendeth his rain on the just and the unjust.' No laws of nature are spoken of as conditioning the action of God, but He sees the sparrow's fall and provides for it; He hears and answers the prayer of His children. It declares man to be more than a slave driven by motives, with every action necessitated; it declares him a creature of free volition, whose action can neither be calculated nor controlled. It declares him possessed of powers of love and hate, which defy mathematics; a being above all price, to whom honesty may be more than 'the best policy,' even the loving obedience of a child to a loving Father. It declares society to be no mere framework tied together by interest, but a brotherhood, like a living soul, having a common Father, Saviour, and Home. In place of supply and demand, policy, interest, it enunciates but one word, love.

It would be worse than useless if we had come so far in reasoning, and obtained no practical result, which might be embodied in each man's action. We have shown the existence of this tendency, and the powers that are antagonistic to it. We cannot prove the result, for there is no analogy in any preceding case which history affords; we cannot calculate the strength of the opposing powers, for the issue lies in man's volition, which is above mathematics. Yet practically, the result, as far as regards us individually, is as valuable as though this were possible. The result depends upon the world's decision, and each man is responsible for his part of that decision, whether he will give his heart to outward or inward prosperity. If he would have his children, to unnumbered generations, rise up to bless the age in which he lived, and him who lived therein; if he would do what he can to make his country's civilization perpetual, and his own life truly happy, let him give up all thought of laissez faire, 'it will last my time,' and begin to lead an earnest, thoughtful life, sacrificing, if need be, something of outward prosperity for the sake of fulfilling his duty in love and action to his fellow men and to God.


AN INDIAN LOVE-SONG.

From his ambush in thy shadowy eyes young Love an arrow shot,
When beneath thy father's wigwam my youthful brain grew hot.
My heart is all a-quiver, but hear me while I sing;
Oh let me be thy beau, and I will never snap the string!
Then clad in noiseless moccasons the feet of the years shall fall;
For I will cherish thee, my love, till Time shall scalp us all.
Not with the glittering wampum have I come thy smiles to woo;
But I offer a cabin passage down life's river in my canoe;
And to beguile the voyage, if thou wilt come aboard,
Till sunset fire the waters the fire-water shall be poured.
While clad in noiseless moccasons the feet of the years shall fall;
And I will cherish thee, my love, till Time shall scalp us all.
Though my pipe of peace thy cruelty has shattered, stem and bowl,
A thousand thongs from thy dear hide are knotted round my soul.
From every murderous tomahawk my dove shall shielded be;
And if famine stare us in the face, I'll jerk my heart for thee.
So, clad in noiseless moccasons the feet of the years shall fall;
And I will cherish thee, my love, till Time shall scalp us all.


LITERARY NOTICES.

Poems from the Inner Life. By Lizzie Doten. Boston: Wm. White & Co., 'Banner of Light' Office, 158 Washington street, New York: A. J. Davis, 274 Canal street.

This book was written from what is called 'the plane of spiritual experience' of which we, being neither clairvoyant, clairaudient, nor clairsentient, know positively nothing.' Miss Doten says: 'I claim both a general and particular inspiration. I know that many sincere and earnest souls will decide, in the integrity of their well-trained intellects, that my claim to an intercourse with the invisible world is an extravagant assumption, and has no foundation in truth. I cannot conscientiously deny that in the mysteries of my inner life I have been acted upon decidedly and directly by disembodied intelligences, and this sometimes by an inspiration characteristic of the individual, or by a psychological influence similar to that whereby mind acts upon mind in the body. Many of the poems were given by direct spirit influence before public audiences. For many of them I could not obtain the authorship, but for such as I could the names are given.'

Strange statements truly, and yet we see no reason to doubt that Miss Doten fully believes them to be simple records of facts known to herself. We do not doubt her truth and good faith; but we confess ourselves puzzled with the contradictory and inconsequent phenomena of modern spiritualism. These developments never bring any accession to our knowledge. In addition to the curious circumstances attending the creation of these poems, many of them are very beautiful. In those purporting to have been dictated by the spirit of Poe, the similarity of style is quite remarkable. His alliterations, his frequent assonances and rhymes, his chiming and ever-musical rhythms are wonderfully well reproduced. But has he learned nothing new to tell us in those 'supernal spheres'? Has he struck upon no new path in those weird regions, grasped no fresh and startling thought to weave into the perfect music of his lines? Nay, has he learned no new tunes, chimes, or rhythms 'where the angels' feet make music over all the starry floor'? Could he not lift for us the veil of Isis? The 'inspiration' from Shakspeare we regard as a total failure. He who never repeated himself on earth, comes to us who love him, after his long residence in heaven, and travesties his own matchless dramas by weak quotations from them, as if he had been cogitating only his own words through the new scenes of glory which had opened before him. Our great Shakspeare has grown none in the passing centuries—comes from the empyrean to gabble like a dotard of the visions of his youth? We quote from the poem: