Of one of the colors of the spectrum I have failed to speak, because there was so little to say. Orange is a bright, warm color, not quite as intense as red, still one which the eye does not readily seek. Its suitableness in dress is confined mainly to children. Upon them our eye naturally seeks for bright, warm colors, and rests with a kind of pleasure upon rich hues. There is nothing upon which the public taste requires more education than upon the arrangement and modification of colors. Gardeners need it in setting their plants and putting in their seeds; florists, in the arrangement of their bouquets; furnishers, in the decoration of apartments; and especially the fashion leaders, who decide what colors or shades must or must not be worn together. Sometimes hues are conjoined by them, that, no matter how loudly proclaimed au fait, the height of style, or à la mode, are never artistic, and no dicta can make them so. A fashion framer should needs be a natural philosopher, and hold the rudiments of all science in her grasp. Botany, mineralogy, conchology should walk as handmaidens to philosophy; optics should steer the rudder of color's bark when launched upon the sea of taste.
If, when dressed, the aim is to present a light and graceful toilet, light and delicate shades of color must be worn; no crimson, dark green, purple, or indigo, but rose, light green, azure, or lavender, with a due admixture of white, must be the hues chosen. White serves as an admirable break, and prevents the appearance of violent transition. It is none the less requisite in bouquets, where no two shades of the same color should be allowed without either white or green as a separator. Very handsome self-colored bouquets can be arranged by giving a finish of the complementary shade. One of the most beautiful I ever remember to have seen was scarlet verbenas with a base of rose-geranium leaves, the whole set in a small antique green-and-gold vase.
Although the mature fall of the year clothes itself in gay colors, it is deemed an evidence of immaturity for women in the fall time of life to sport crimson and scarlet and orange. Sober grays (which mean old, mature), quiet brown, and even sombre blacks, are rather what are looked for. To dress young when people are old, deceives no one. There is a beauty of age as well as a beauty of youth. Those who live to be old have had their share of the former: why should they seek to deprive themselves of the latter? Aside from the appropriateness of color as to age, there are yet others as to size and complexion. Light-haired men should always wear very dark cravats, in order to give tone and expression to the face. Large women should wear warm colors, if they wish to create a pleasant impression. They cannot attain grace by any aid of color, while they will lose the dignity they might naturally claim if they confined themselves to warm, grave shades.
An unartistic arrangement of light or drapery in an apartment will totally destroy the harmony of the most carefully prepared toilet. Rooms can be toned warm or cold, but, unless some especial object is sought, neutral tints should predominate, and violent contrasts should be avoided.
Who has failed to notice the fantastic tricks played at times upon some body of worshippers, where light to the church is admitted through stained glass windows? A lambent red flame lighting up the hair of a man's head, while at the same moment his beard is blue and luminous. Over the shoulders of another, the purple mantle of royalty seems about falling, investing him for a moment with regal splendors, while perhaps the cadaverous hue of his next neighbor's face well fits him to be some imagined victim of his new majesty's anger.
Color ranks as one of the earliest arts. No nation is so low but it makes some attempt at decorative color, and we may be well assured it was one of the earliest, if not the earliest method employed in transmitting intelligence. When this country was first discovered, the Peruvians were making use of small knotted cords of various colors, termed quippu, as mediums of records and messages. Our own North American savages employed wampum, made from various colored shells, for a similar purpose. Color played its part in ancient Egyptian hieroglyphics. It speaks to the eye sooner than form. A black flag hoisted upon the battle field proclaims louder than words the demoniac cruelty that reigns, while a white signifies that submission has been decided upon. Joseph's coat of many colors proclaimed the father's favoritism to his brothers, and worked a mighty change in the history of the race to which he belonged. This very instance, if we possessed no other, would prove to us the high estimation in which color was held, and its symbolic meaning, in the most ancient times.
The ermine is an animal of such spotless purity it will tolerate no stain on its fur, and by this symbolic name we designate the judge, who should be stainless, unbiassed, and incorruptible.
The highest art of the florist is put forth to procure change of color. Self tulips are valueless beside sports, and to induce this breaking various methods are put in requisition, as there is no sporting of colors from natural causes among flowers. A green rose, a blue verbena, are hailed as triumphs, and secure the propagator an enviable name either as an amateur or professional florist.
Perhaps the most curious thing connected with color is that some stars give colored light; and in one instance, in a northern constellation, a double star gives forth blue rays from one and red from the other. How our fancy might be permitted to soar away beyond the stars themselves in wondering fancies as to the meaning of this—truth and love united in a star, not as a compound color, but each retaining its own hue of blue and red! What a happy abode of truthful, loving spirits we can imagine this the dwelling place! And may there not here be a symbol of such a union?
The art of color is yet in its infancy, and although Tyrian purple was magnificent and famous, and the highly prized Turkey red unfading, yet modern chemical discovery has opened a wide variety of hues unknown to the ancients.