I could never be tired of Macaulay; but he contradicts people, and once made two ladies cry. They were introduced to me by an author to whom I owe much enjoyment, Miss Wetherell, of the State of New York. One was the bride of the Reverend John Humphreys, and the other Mrs. Guy Carleton. To be sure, I did not see why they should cry—unless from habit; but still, he ought not to have made them.
After dinner, those who show no signs of having talked themselves out, are rewarded and encouraged by being privately invited to prolong their stay, and meet a few other guests in the library.
Shakspeare always appears there among the first, collected and calm, but whether happy or not, his manner does not show. With regard both to his past and present life, his reserve is impenetrable. Like a mocking bird, he utters himself in so many different strains, that I can seldom make out which is most his own, except when he will sing one of his little lyrics; when, I must say, I never heard so sweet and rich a voice but that of Milton on such occasions, or those of Shelley's skylark and cloud. But yet, whether this voice of his own says that the heart out of which it comes is most glad or sad, I never can distinguish.
Dante comes with him, as tall, and, I think, as strong a man; but 'Pace' is still upon his lips and not upon his brow. He complains that heaven is a melancholy place to him. He has become better acquainted with Beatrice, and finds her not more beautiful than the rest of the angels, and otherwise rather a commonplace spirit.
To Goethe I usually have myself excused. To borrow a little slang from the critics, he 'draws' uncommonly well, especially when he draws portraits. But I do not care to have my eye trained much by an artist who has such an infirmity of color that he does not know black from white.
Schiller meets with many a welcome, and rarely a heartier one than when he brings his Wilhelm Tell or Jungfrau. I should be glad to ask some of those who are more intimate with him than I am, whether he is not a good deal like three wise men, whose plays Socrates and I used to go to see performed at Athens, two or three thousand years ago, when I was there. Further, I should be glad to ask whether it would not be better if, in one respect, he were more like them still. As he at least has seemed to me to do, they threw the strength of their invention into two or three impersonations; but as he sometimes does, they always—to steal a term from the nearest grocery—lumped all the merely necessary and accessary people, and called them simply 'Chorus.' Thus the wise men's ingenuities and our memories were spared the trouble of assigning and remembering a host of insignificant names; and there was no looking back to the dramatis personæ, or dramatos prosopa, as we called them then, to find out who was who.
A Government officer sometimes reports himself at my gates from Rydal, with a washing tub of ink on castors, which he pushes about with him wherever he goes, and in which, as in a Claude-Lorraine mirror, he contemplates everything that he can both on earth and above. He is constantly employed in fishing in it with a quill for ideas; and as often as he catches one, even if it is half drowned, my door-keeper opens to him.
Lady Geraldine was one of my most constant guests of an evening. But after her courtship and marriage, she was too apt to bring in her husband. I received him cordially enough two or three times, particularly when he came with 'the good news from Ghent.' But on other occasions his conversation was so far from agreeable, so unintelligible, or, 'not to put too fine a point upon it,' unedifying, that at last my porter was obliged to hand him out for immediate chastisement.[5] He never came again. I do not quite see why not; for, if others are willing to take pains for his good, he certainly should be no less so.
Mrs. Stowe does honor to one of the most honorable places in the assembly—her head crowned with an everlasting glory by the spirit of Uncle Tom.
Poor Charlotte Bronté is always present. She looks happy at last, with a happiness that is not of this world; and if her laurels are but earthly laurels, I often fancy that in the hand which smoothed her sisters' deathbeds, I can discern a heavenly palm. There are not many secular writers whom I would not turn away, if need were, to make room for her. If I do not always admire her characters, I do her mind. I do not altogether like her stories; but I want words to express my appreciation of the way in which she tells them.