Naomi Torrente: The History of a Woman. By Gertrude F. de Vingut. 'Every dream of love argues a reality in the world of supreme beauty. Believe all that thy heart prompts, for everything that it seeks, exists.'—Plato. New York: John Bradburn (late M. Doolady), publisher, 49 Walker street.
Who could look on the fair high face, facing our title page, and have the heart to criticize the revelations of its soul? Naomi is a book of feeling, passion, and considerable, if not yet mature, power. It is dedicated to Sr. Dn. Juan Clemente Zenea, editor of La Charanga, Havana. Our authoress says in her dedication: 'It is to you, therefore; and those who like you have deeply felt, that the history of a woman's soul-life will prove more interesting than the mere narrative of the chances and occurrences that make up the every-day natural existence.' Naomi is a woman of artistic genius and passionate character, becalmed in the stagnation of conventional life, who, throwing off the fetters of an uncongenial and inconsiderate marriage, attempts to find happiness and independence in the cultivation of her own powers. She is eminently successful as prima donna, is brilliant and self-sustained—but fails to attain the imagined happiness, the Love-Eden so fervently sought.
Margaret and Her Bridesmaids. By the Author of 'The Queen of the Country,' 'The Challenge,' etc. 'Queen Rose of the Rosebud garden of girls.'—Tennyson. Loring, publisher, 314 Washington street, Boston. 1864.
A novel of domestic life, in which the plot, apparently simple, is yet artistic and skilfully managed. The thread of life of the bridesmaids is held with that of the bride, the development of character, distinctly marked in each, progresses through a series of natural events, until the young people reach the point of life when impulse settles into principle, amiability into virtue, generosity into self-abnegation, and we feel that each may now be safely left to life as it is, that circumstance can no longer mould character, and are willing to leave them, certain they will henceforth remain true to themselves, and to those whose happiness may depend upon them, whatever else may betide. The bride is a pure, sweet, generous woman, but the character of the book is decidedly Lotty. Childish, petite, and indulged, she is yet magnanimous, brave, and self-sacrificing; fiery, fearless, and frank, she is still patient, forbearing, and reticent; we love her as child, while we soon learn to venerate her as woman. She and her docile bloodhound, Bear, form pictures full of magic contrast, groups of which we never tire. The cordiality and heartiness of her admiring relatives, the Beauvilliers, are contagious; we live for the time in their life, and grow stronger as we read. The book is charming. Its moral is unexceptionable, its characters well drawn, its plot and incidents simple and natural, and its interest sustained from beginning to end.
Enoch Arden, etc. By Alfred Tennyson, D.C.L., Poet Laureate. Boston: Ticknor & Fields. 1864.
Tennyson has so many devoted admirers, that this volume cannot fail to receive due attention. The principal poem therein, Enoch Arden, is one of touching pathos and simplicity. Three children, Enoch Arden, Philip Ray, and Annie Lee, grew up together on the British coast a hundred years ago. Both youths loved Annie: she loved and married Enoch. They live happily together until three children are born to the house: then poverty threatens, and Arden leaves home to provide for the loved ones. He is cast away on an island, is not heard, from for ten years, and Annie reluctantly consents to marry Philip, who has been a father to her children during their long orphanage. Arden returns at last to his native village, so old, gray, and broken, that no one recognizes him. He hears how true his wife had been to him until all hope had died away, and how Philip cared for her peace, and cherished his children. The wretched man resolves to bear his grief in silence, and never to bring agony and shame to a peaceful home by disclosing his return. He does this in a spirit of Christian self-abnegation, lives near the unconscious darlings of his heart, earns his frugal living, watching round, but never entering the lost Paradise of his youth. He dies, and only at the hour of death, reveals to Annie how he had lived and loved. The theme of this tale has often been taken before. It has been elaborated with passion and power in the 'Homeward Bound' of Adelaide Procter, a poetess too little known among us.
There is great purity of delineation and conception in Enoch Arden. The characters stand out real and palpable in their statuesque simplicity. There is agony enough, but neither impatience nor sin. The epithets are well chosen; but the usual wildering sensuousness of Tennyson's glowing imagery is subdued and tender throughout the progress of this melancholy tale.
'Aylmer's Field,' about the same length, is a poem of more stormy mould. It hurls fierce rebukes at family pride, and just censures at tyrannical parents.
The volume contains many shorter poems, some of which are already familiar to our readers.
Azarian: An Episode. By Harriet Elizabeth Prescott, Author of 'The Amber Gods,' etc. Boston: Ticknor & Fields.