'Nay, what is the use? Rather let me throw all regrets away, and strive not to think at all. Why not yield with a pleasant grace to the current, when we know that, in the end, struggle as we may, it will surely sweep us under?'

'Leta—dear Leta—'

'Not a word, dear Cleotos; it must not be. From this hour I banish all human affections from my heart, as I banish all hope. Could you remain here, you would see how relentless and fierce my nature will grow. Plots and schemes shall now be my amusement; for if I must be destroyed, others shall fall with me. This must be the last tender impulse of my life. I know not why it is, but I could now really weep. Cleotos, forgive me! I came hither, loving you not, but hoping to beguile you into receiving me again. I have failed, and I ought to hate you for it; and yet I almost love you instead. It is strange, is it not?

'But, Leta—'

'How my heart now feels soft and tender with our recollections of other days! Do you remember, Cleotos, how once, when children, we went together and stole the grapes from Eminides's vine? And how, when he would have beaten you, I stood before you, and prevented him? Who would then have thought that, in a few years, we should be here in Rome—slaves, and parting forever? We shall never again together see Eminides's vineyard, shall we?'

'O Leta—my sister—'

'There, there; speak not, but go at once, for some one comes near. Tarry no longer. If at home they ask after me, tell them I am dead. Farewell, dear Cleotos. Kiss me good-by. Do not grudge me that, at least. And may the gods bless you!'

He would still have spoken, would have claimed a minute to plead with her and try to induce her to leave the path she was pursuing, and go with him. But at that instant the voice of some one approaching sounded louder, and the tones of Sergias could be distinguished as he tried to troll forth the catch of a drinking melody. There was no time to lose. With a farewell pressure of her arm about Cleotos's neck, Leta pushed him through the aperture into the dark back street; and then, leaving the keys in the locks, turned back into the garden, and fled toward the house.


CREATION.