The earliest and standard specimen of Roman coinage was the as, subdivided almost indefinitely, and originally weighing a pound. This ponderous coin subserved a purpose which our penny does to-day. It had upon the obverse the double-headed Janus, and upon the reverse the keel of a ship, rudely done, but answering the requirements of the light, juvenile gambling known as pitching coppers. Capita aut navem, 'Heads or the ship,' the Roman boys cried, as Young America cries now, 'Heads or tails.' It is an eminently conservative custom, and Master Freddy, as he tosses his new bronze cent, may summarily answer paternal reproof by showing that Master Tullius, two thousand years ago, pitched the as his father coined, and, for aught we know, grew to be a wise emperor and a great man.
Judea is represented upon several coins of the time of Titus and Vespasian by the figure of a woman with flowing hair and bared breasts, seated upon the ground in a posture of sorrow and captivity, above her the wide-spreading branches of the palm, and behind her a stalwart Roman soldier in mail, leaning upon his spear. Thus exactly did the Roman engraver follow out upon these coins the language of the Scriptures. The Psalmist describes this posture in the lamentations of the Jews over their captivity. 'By the waters of Babylon we sat down and wept.' Still more remarkable is it that the prophet, in a passage foretelling this identical captivity, likens Judea to a woman sitting upon the ground wrapped in sorrow.
It is not often that coins have been used as vehicles of wit or for plays upon words, but there are examples upon record. Some of the German coins represent in the legends the years in which they were minted. A coin of Gustavus Adolphus also is an excellent illustration of this practice. The legend is: 'ChrIstVs DVX ergo trIVMphVs.' Take the capitalized letters or numerals from the words, and arrange them in their proper order, and you have 1627, the year in which the coin was struck. Upon a coin of Trio Lucretius, a member of the Lucretia gens, who would have remained unknown to this day but for his coin, a case of punning by means of types occurs. The obverse has the head of Apollo; the reverse, the crescent moon and seven stars, or rather triones—the constellation of the Ursa Major. The sun and moon refer to the family name, while the triones are an allusion to the surname. Pope Urban VIII., with execrable taste and questionable wit, upon repairing certain roads, struck a medal with the legend: Beati qui custodiunt meas vias, 'Blessed are they who keep my ways.' The 'speaking types' of the ancient Grecian coins are very curious. The coinage of Rhodes has a rose for a type, which flower bears the same name as the island. The coins of Side have a pomegranate, in Greek, side (σιδἡ); Melos, the apple, in Greek, melon (μηλον); Ancona, in Italy, the elbow, in Greek, ancon (αγκον); Cardia, the heart, in Greek, cardia (καρδιἁ).
The coins of Constantine the Great, 306 A.D., will always remain of peculiar interest, as connected with the early history of Christianity. Constantine, after forcing his brother-in-law, Licinius, from his Eastern dominions, built Constantinople, and made Christianity the state religion. The principal emblem upon his coins is the Labarum, or sacred banner, bearing the monogram of Christ—the letters Χ and Ρ—being the initials of ΧΡΙΣΤΟΥ, the angles of which are occupied by the first and last letters of the Greek alphabet, Alpha and Omega, in allusion to Christ's declaration in Revelation. A rarer type of Constantine's coins has the monogram, and the legend, In hoc signo vinces. The signum was the vision of a beautiful cross in the heavens, which was presented to the view of Constantine, near Milan, during his march against Maxentius. To this cross he attributed both his victory and conversion. These Christian emblems remained upon the coins of his successors until the reign of Julian the Apostate, who removed them and substituted pagan emblems. Nor do they again appear until the accession of Michael Rhangabe (811-813), when the bust and sometimes the full length of Christ is on the obverse, with the nimbus, and the legend, Jesus Christus nica(tor) rex regnantium. Upon the reverse, the emperor, with a singular degree of boldness, is seated by the side of the Virgin, the two holding aloft the banner of the cross.
We come to more modern coins. England and Ireland were in continual trouble about the standard of coinage. On the accession of Mary, she declared the intention of restoring the old standard of silver coinage, viz., 11 oz. 2 dwt. fine, to 18 dwt. alloy; but, instead of that, the new coinage was a pennyweight lower than that of Edward. Nor did it mend matters that her handsome face and Philip's were on the obverse. The wits of the day had many a joke over it; and Butler's sarcastic pen could not omit the opportunity of writing:
'Still amorous, fond, and billing,
Like Philip and Mary upon a shilling.'
The first manifestation of displeasure between the mother country and the colonies was with Massachusetts, of course. The old Bay State was as impatient toward masters then as later in the Revolution against George, and still later with the slaveholders. Charles II. was displeased with the colonists for coining money, which he considered his royal prerogative, and intimated to Sir Thomas Temple that they must be punished, and the business stopped. Sir Thomas was considerable of a wag, and showed the king one of honest John Hull's shillings, on the reverse of which was the pine tree. The king asked him what sort of a tree that was. Upon which Sir Thomas replied that, of course, it was the royal oak, which had saved his majesty's life. The king smiled at the courtier's wit; but it is not reported that he allowed Hull to continue the coinage.
The proverbial misfortunes of Ireland have attended even her coinage, and her troubles in that direction commenced as early as the reign of Henry VII. He coined sixpences for Ireland worth only fourpence in England. Mary issued base shillings and groats for Ireland, and Elizabeth issued still baser ones, while she purified the coinage of England. James I. struck copper farthings of two sizes, that if they failed in England, they might be used in Ireland for pence and halfpence. Charles I. established a mint in Dublin, but, in the confusion attendant upon his death, the Irish lost it. Cromwell gave them tokens in place of coins of the realm; and James II. base silver money, made principally from brass cannon, and even this alloyed stuff was gradually diminished in size. White metal followed, then lead, and finally tin. George I. granted a patent to William Wood in 1737 for coining pence and halfpence for Ireland, but he coined them of smaller size than was stipulated in the patent. Dean Swift, with his merciless satire, drove them out of Ireland, and his majesty, having no use for them in England, sent them to his American colonies. Circulating media were scarce here at that time, and anything in the shape of coins was welcome. George II. did better for Ireland, and gave her honest coins. In 1760 the famous voce populi halfpenny appeared, a company of gentlemen in Dublin having obtained permission to issue them. There was a bit of quiet revenge in this halfpenny. The head of the sovereign, though apparently done in the usual manner of the king's portrait, was in reality a portrait of the Pretender. The coins attained a considerable circulation before the trick was discovered, and then they were suppressed.
Coins have figured in sermons. Bishop Latimer, on the 8th of March, 1549, delivered the following sarcastic sermon. On a previous occasion he had spoken jestingly of the new currency of Edward VI. For this he was accused of sedition, which charge he answered thus:
'Thus they burdened me even with sedition. And wot ye what? I chanced in my last sermon to speak a merry word of a new shilling, to refresh my auditory, how I was like to put away my new shilling for an old groat. I was therein noted to speak seditiously. ... I have now gotten one more fellowe, a companion of sedition; and wot you who is my fellowe? Esay (Isaiah) the prophet. I spake but of a little prettie shilling; but he speaketh to Jerusalem after another sort, and was so bold as to meddle with their coynes. 'Thou proud, thou haughty city of Jerusalem. Argentum tuum versum est in scoriam;' thy silver is turned into what? into testious scoriam, into dross,' Ah! seditious wretch! what had he to do with the mint? Why should he not have left that matter to some masters of policy to reprove? Thy silver is dross; it is not fine; it is counterfeit; thy silver is turned; thou hadst no silver. What pertained that to Esay? Marry, he replied a piece of diversity in that policy; he threateneth God's vengeance for it.