Before entering upon the present narrative, may I take leave to inform a candid public, that though it is all true, there is not a word of truth in it; that though Lovel is alive and prosperous, and you very likely have met him, yet I defy you to point him out; that his wife (for he is Lovel the Widower no more) is not the lady you imagine her to be, when you say (as you will persist in doing), “Oh, that character is intended for Mrs. Thingamy, or was notoriously drawn from Lady So-and-so.” No. You are utterly mistaken. Why, even the advertising-puffers have almost given up that stale stratagem of announcing “Revelations from High Life.—The beau monde will be startled at recognizing the portraits of some of its brilliant leaders in Miss Wiggins’s forthcoming Roman de Société.” Or, “We suspect a certain ducal house will be puzzled to guess how the pitiless author of May Fair Mysteries has become acquainted with (and exposed with a fearless hand) certain family secrets which were thought only to be known to a few of the very highest members of the aristocracy.” No, I say; these silly baits to catch an unsuspecting public shall not be our arts. If you choose to occupy yourself with trying to ascertain if a certain cap fits one amongst ever so many thousand heads, you may possibly pop it on the right one: but the cap-maker will perish before he tells you; unless, of course, he has some private pique to avenge, or malice to wreak, upon some individual who can’t by any possibility hit again;—then, indeed, he will come boldly forward and seize upon his victim—(a bishop, say, or a woman without coarse, quarrelsome male relatives, will be best)—and clap on him, or her, such a cap, with such ears, that all the world shall laugh at the poor wretch, shuddering, and blushing beet-root red, and whimpering deserved tears of rage and vexation at being made the common butt of society. Besides, I dine at Lovel’s still; his company and cuisine are amongst the best in London. If they suspected I was taking them off, he and his wife would leave off inviting me. Would any man of a generous disposition lose such a valued friend for a joke, or be so foolish as to show him up in a story? All persons with a decent knowledge of the world will at once banish the thought, as not merely base, but absurd. I am invited to his house one day next week: vous concevez I can’t mention the very day, for then he would find me out—and of course there would be no more cards for his old friend. He would not like appearing, as it must be owned he does in this memoir, as a man of not very strong mind. He believes himself to be a most determined, resolute person. He is quick in speech, wears a fierce beard, speaks with asperity to his servants (who liken him to a—to that before-named sable or ermine contrivance, in which ladies insert their hands in winter), and takes his wife to task so smartly, that I believe she believes he believes he is the master of the house. “Elizabeth, my love, he must mean A, or B, or D,” I fancy I hear Lovel say; and she says, “Yes; oh! it is certainly D—his very image!” “D to a T,” says Lovel (who is a neat wit). She may know that I mean to depict her husband in the above unpretending lines: but she will never let me know of her knowledge except by a little extra courtesy; except (may I make this pleasing exception?) by a few more invitations; except by a look of those unfathomable eyes (gracious goodness! to think she wore spectacles ever so long, and put a lid over them as it were!), into which, when you gaze sometimes, you may gaze so deep, and deep, and deep, that I defy you to plumb half-way down into their mystery.

When I was a young man, I had lodgings in Beak Street, Regent Street (I no more have lived in Beak Street than in Belgrave Square: but I choose to say so, and no gentleman will be so rude as to contradict another)—I had lodgings, I say, in Beak Street, Regent Street. Mrs. Prior was the landlady’s name. She had seen better days—landladies frequently have. Her husband—he could not be called the landlord, for Mrs. P. was manager of the place,—had been, in happier times, captain or lieutenant in the militia; then of Diss, in Norfolk, of no profession; then of Norwich Castle, a prisoner for debt; then of Southampton Buildings, London, law-writer; then of the Bom-Retiro Cacadores, in the service of H. M. the Queen of Portugal, lieutenant and paymaster; then of Melina Place, St. George’s Fields, &c.—I forbear to give the particulars of an existence which a legal biographer has traced step by step, and which has more than once been the subject of judicial investigation by certain commissioners in Lincoln’s-inn Fields. Well, Prior, at this time, swimming out of a hundred shipwrecks, had clambered on to a lighter, as it were, and was clerk to a coal-merchant, by the river-side. “You conceive, sir,” he would say, “my employment is only temporary—the fortune of war, the fortune of war!” He smattered words in not a few foreign languages. His person was profusely scented with tobacco. Bearded individuals, padding the muddy hoof in the neighbouring Regent Street, would call sometimes of an evening, and ask for “the captain.” He was known at many neighbouring billiard-tables, and, I imagine, not respected. You will not see enough of Captain Prior to be very weary of him and his coarse swagger, to be disgusted by his repeated requests for small money-loans, or to deplore his loss, which you will please to suppose has happened before the curtain of our present drama draws up. I think two people in the world were sorry for him: his wife, who still loved the memory of the handsome young man who had wooed and won her; his daughter Elizabeth, whom for the last few months of his life, and up to his fatal illness, he every evening conducted to what he called her “academy.” You are right. Elizabeth is the principal character in this story. When I knew her, a thin, freckled girl of fifteen, with a lean frock, and hair of a reddish hue, she used to borrow my books, and play on the First Floor’s piano, when he was from home—Slumley his name was. He was editor of the Swell, a newspaper then published; author of a great number of popular songs, a friend of several music-selling houses; and it was by Mr. Slumley’s interest that Elizabeth was received as a pupil at what the family called “the academy.”

Captain Prior then used to conduct his girl to the Academy, but she often had to conduct him home again. Having to wait about the premises for two, or three, or five hours sometimes, whilst Elizabeth was doing her lessons, he would naturally desire to shelter himself from the cold at some neighbouring house of entertainment. Every Friday, a prize of a golden medal, nay, I believe sometimes of twenty-five silver medals, was awarded to Miss Bellenden and other young ladies for their good conduct and assiduity at this academy. Miss Bellenden gave her gold medal to her mother, only keeping five shillings for herself, with which the poor child bought gloves, shoes, and her humble articles of millinery.

Once or twice the captain succeeded in intercepting that piece of gold, and I daresay treated some of his whiskered friends, the clinking trampers of the Quadrant pavement. He was a free-handed fellow when he had anybody’s money in his pocket. It was owing to differences regarding the settlement of accounts that he quarrelled with the coal-merchant, his very last employer. Bessy, after yielding once or twice to his importunity, and trying to believe his solemn promises of repayment, had strength of mind to refuse her father the pound which he would have taken. Her five shillings—her poor little slender pocket-money, the representative of her charities and kindnesses to the little brothers and sisters, of her little toilette ornaments, nay necessities; of those well-mended gloves, of those oft-darned stockings, of those poor boots, which had to walk many a weary mile after midnight; of those little knicknacks, in the shape of brooch or bracelet, with which the poor child adorned her homely robe or sleeve—her poor five shillings, out of which Mary sometimes found a pair of shoes, or Tommy a flannel jacket, and little Bill a coach and horse—this wretched sum, this mite, which Bessy administered among so many poor—I very much fear her father sometimes confiscated. I charged the child with the fact, and she could not deny me. I vowed a tremendous vow, that if ever I heard of her giving Prior money again, I would quit the lodgings, and never give those children lolly-pop, nor peg-top, nor sixpence; nor the pungent marmalade, nor the biting gingerbread-nut, nor the theatre-characters, nor the paint-box to illuminate the same; nor the discarded clothes, which became smaller clothes upon the persons of little Tommy and little Bill, for whom Mrs. Prior, and Bessy, and the little maid, cut, clipped, altered, ironed, darned, mangled, with the greatest ingenuity. I say, considering what had passed between me and the Priors—considering those money transactions, and those clothes, and my kindness to the children—it was rather hard that my jam-pots were poached, and my brandy-bottles leaked. And then to frighten her brother with the story of the inexorable creditor—oh, Mrs. Prior!—oh, fie, Mrs. P.!

So Bessy went to her school in a shabby shawl, a faded bonnet, and a poor little lean dress flounced with the mud and dust of all weathers, whereas there were some other young ladies, fellow-pupils of hers, who laid out their gold medals to much greater advantage. Miss Delamere, with her eighteen shillings a week (calling them “silver medals,” was only my wit, you see), had twenty new bonnets, silk and satin dresses for all seasons, feathers in abundance, swansdown muffs and tippets, lovely pocket handkerchiefs and trinkets, and many and many a half-crown mould of jelly, bottle of sherry, blanket, or what not, for a poor fellow-pupil in distress; and as for Miss Montanville, who had exactly the same sal—well, who had a scholarship of exactly the same value, viz. about fifty pounds yearly—she kept an elegant little cottage in the Regent’s Park, a brougham with a horse all over brass harness, and a groom with a prodigious gold lace hat-band, who was treated with frightful contumely at the neighbouring cab-stand: an aunt or a mother, I don’t know which (I hope it was only an aunt), always comfortably dressed, and who looked after Montanville: and she herself had bracelets, brooches, and velvet pelisses of the very richest description. But then Miss Montanville was a good economist. She was never known to help a poor friend in distress, or give a fainting brother and sister a crust or a glass of wine. She allowed ten shillings a week to her father, whose name was Boskinson, said to be clerk to a chapel in Paddington; but she would never see him—no, not when he was in hospital, where he was so ill; and though she certainly lent Miss Wilder thirteen pounds, she had Wilder arrested upon her promissory note for twenty-four, and sold up every stick of Wilder’s furniture, so that the whole academy cried shame! Well, an accident occurred to Miss Montanville, for which those may be sorry who choose. On the evening of the 26th of December, Eighteen hundred and something, when the conductors of the academy were giving their grand annual Christmas Pant—I should say examination of the Academy pupils before their numerous friends—Montanville, who happened to be present, not in her brougham this time, but in an aërial chariot of splendour drawn by doves, fell off a rainbow, and through the roof of the Revolving Shrine of the Amaranthine Queen, thereby very nearly damaging Bellenden, who was occupying the shrine, attired in a light-blue spangled dress, waving a wand, and uttering some idiotic verses composed for her by the Professor of Literature attached to the academy. As for Montanville, let her go shrieking down that trap-door, break her leg, be taken home, and never more be character of ours. She never could speak. Her voice was as hoarse as a fishwoman’s. Can that immense stout old box-keeper at the —— theatre, who limps up to ladies on the first tier, and offers that horrible footstool, which everybody stumbles over, and makes a clumsy curtsey, and looks so knowing and hard, as if she recognized an acquaintance in the splendid lady who enters the box—can that old female be the once brilliant Emily Montanville? I am told there are no lady box-keepers in the English theatres. This, I submit, is a proof of my consummate care and artifice in rescuing from a prurient curiosity the individual personages from whom the characters of the present story are taken. Montanville is not a box-opener. She may, under another name, keep a trinket-shop in the Burlington Arcade, for what you know: but this secret no torture shall induce me to divulge. Life has its rises and its downfalls, and you have had yours, you hobbling old creature. Montanville, indeed! Go thy ways! Here is a shilling for thee. (Thank you, sir.) Take away that confounded footstool, and never let us see thee more!

Now the fairy Amarantha was like a certain dear young lady of whom we have read in early youth. Up to twelve o’clock, attired in sparkling raiment, she leads the dance with the prince (Gradini, known as Grady in his days of banishment at the T. R. Dublin). At supper, she takes her place by the prince’s royal father (who is alive now, and still reigns occasionally, so that we will not mention his revered name). She makes believe to drink from the gilded pasteboard, and to eat of the mighty pudding. She smiles as the good old irascible monarch knocks the prime minister and the cooks about: she blazes in splendour: she beams with a thousand jewels, in comparison with which the Koh-i-noor is a wretched lustreless little pebble: she disappears in a chariot, such as a Lord Mayor never rode in:—and at midnight, who is that young woman tripping homeward through the wet streets in a battered bonnet, a cotton shawl, and a lean frock fringed with the dreary winter flounces?

Our Cinderella is up early in the morning: she does no little portion of the house-work: she dresses her sisters and brothers: she prepares papa’s breakfast. On days when she has not to go to morning lessons at her academy, she helps with the dinner. Heaven help us! She has often brought mine when I have dined at home, and owns to having made that famous mutton-broth when I had a cold. Foreigners come to the house—professional gentlemen—to see Slumley on the first floor; exiled captains of Spain and Portugal, companions of the warrior her father. It is surprising how she has learned their accents, and has picked up French and Italian, too. And she played the piano in Mr. Slumley’s room sometimes, as I have said; but refrained from that presently, and from visiting him altogether. I suspect he was not a man of principle. His Paper used to make direful attacks upon individual reputations; and you would find theatre and opera people most curiously praised and assaulted in the Swell. I recollect meeting him, several years after, in the lobby of the opera, in a very noisy frame of mind, when he heard a certain lady’s carriage called, and cried out with exceeding strong language, which need not be accurately reported, “Look at that woman! Confound her! I made her, sir! Got her an engagement when the family was starving, sir! Did you see her, sir! She wouldn’t even look at me!” Nor indeed was Mr. S. at that moment a very agreeable object to behold.

Then I remembered that there had been some quarrel with this man, when we lodged in Beak Street together. If difficulty there was, it was solved ambulando. He quitted the lodgings, leaving an excellent and costly piano as security for a heavy bill which he owed to Mrs. Prior, and the instrument was presently fetched away by the music-sellers, its owners. But regarding Mr. S.’s valuable biography, let us speak very gently. You see it is “an insult to literature” to say that there are disreputable and dishonest persons who write in newspapers.

Nothing, dear friend, escapes your penetration: if a joke is made in your company, you are down upon it instanter, and your smile rewards the wag who amuses you: so you knew at once, whilst I was talking of Elizabeth and her academy, that a theatre was meant, where the poor child danced for a guinea, or five-and-twenty shillings per week. Nay, she must have had not a little skill and merit to advance to the quarter of a hundred; for she was not pretty at this time, only a rough, tawny-haired filly of a girl, with great eyes. Dolphin, the manager, did not think much of her, and she passed before him in his regiment of Sea-nymphs, or Bayadères, or Fairies, or Mazurka maidens (with their fluttering lances and little scarlet slyboots!) scarcely more noticed than private Jones standing under arms in his company when his Royal Highness the Field-marshal gallops by. There were no dramatic triumphs for Miss Bellenden: no bouquets were flung at her feet: no cunning Mephistopheles—the emissary of some philandering Faustus outside—corrupted her duenna, or brought her caskets of diamonds. Had there been any such admirer for Bellenden, Dolphin would not only not have been shocked, but he would very likely have raised her salary. As it was, though himself, I fear, a person of loose morals, he respected better things. “That Bellenden’s a good hhonest gurl,” he said to the present writer: “works hard: gives her money to her family: father a shy old cove. Very good family, I hear they are!” and he passes on to some other of the innumerable subjects which engage a manager.