This house and this neighbourhood should not be far from London—from the old centre of the old town. They should stand in Soho, or in Lincoln’s Inn Fields, or in Westminster, like Queen’s Square, near St. James’s Park; or even in Lambeth, like the Archbishop’s Palace. Better still if in the Strand, like Northumberland House; or in Fleet Street, like the Temple Gardens. What luxury would there be, almost equal to anything we read of in the Arabian Nights, in turning on one side from the busy crowd, unlocking a dingy door that promised to lead to nothing but a miserable court, and passing, at once, into a secret, secluded garden! What pleasures would be equal to those of hearing the splash of cool fountains; the sighing of the wind through lofty elms and broad beeches; of standing amongst the scent and colours of a hundred growing flowers; of sitting in an oaken room with a tiled fireplace, surrounded by old china in cabinets, old folios upon carved tables, old portraits of men and women in the costume of a bygone time, and looking out over a lawn of grass into a winding vista of trees, so contrived as to shut out all signs of city life, while the mellow hum of traffic came in at the open window, or through the walls, and you felt that you were within a stone’s throw of Temple Bar!
In such a house, on such a spot, a man might live, and his life be something more than a weary round of food and sleep. His nature would become subdued to what it rested in: the clay would happily take the shape of the mould. I believe more in the influence of dwellings upon human character, than in the influence of authority on matters of opinion. The man may seek the house; or the house may form the man; but in either case the result is the same. A few yards of earth, even on this side of the grave, will make all the difference between life and death. If our dear old friend Charles Lamb was now alive (and we all must wish he was, if only that he might see how every day is bringing him nearer the crown that belongs only to the Prince of British Essayists), there would be something singularly jarring to the human nerves in finding him at Dalston; but not so jarring in finding him a little farther off, at Hackney. He would still have drawn nourishment in the Temple and in Covent Garden; but he must surely have perished if transplanted to New Tyburnia. I cannot imagine him living at Pentonville (I cannot, in my uninquiring ignorance, imagine who Penton was that he should name a ville!), but I can see a certain appropriate oddity in his cottage at Colebrook Row, Islington. In the first place, we may agree that this London suburb is very old, without going into the vexed question of whether it was really very “merry.” In the second place, this same Colebrook Row was built a few years before our dear old friend was born—I believe, in seventeen hundred and seventy. In the third place, it was called a “Row,” though “Lane” or “Walk” would have been as old and as good; but “Terrace” or “Crescent” would have rendered it unbearable. The New River flowed calmly past, the cottage walls—as poor George Dyer found to his cost—bringing with it fair memories of Izaak Walton and the last two centuries. The house itself had also certain peculiarities to recommend it. The door was so constructed that it opened into the chief sitting-room; and this, though promising much annoyance, was really a source of fun and enjoyment to our dear old friend. He was never so delighted as when he stood on the hearthrug receiving many congenial visitors, as they came to him on the muddiest-boot, and the wettest-of-umbrella days. His immediate neighbourhood was also peculiar. It was there that weary wanderers came to seek the waters of oblivion. Suicide could pitch upon no spot so favourable for its sacrifices as the gateway leading into the river enclosure before Charles Lamb’s cottage. Waterloo Bridge had not long been built, and was not then a fashionable theatre for self-destruction. The drags were always kept ready in Colebrook Row, and are still so kept at a small tavern a few doors from the cottage. The landlord’s ear, according to his own account, had become so sensitive by repeated practice, that when aroused at night by a heavy splash in the water, he could tell by the sound whether it was an accident, or a wilful plunge. He never believed that poor George Dyer tumbled in from carelessness, though it was no business of his to express an opinion on the matter. After the eighth suicide, within a short period, Charles Lamb began to grow restless.
“Mary,” he said to his sister, “I think it’s high time we left this place;” and so they went to Edmonton. Those who are painfully familiar with the unfortunate mental infirmity under which they both laboured, will see a sorrowful meaning in words like these. Those who, like me, can see an odd harmony between our dear old friend and Colebrook Row, will lament, the sad necessity which compelled them to part company.
Without wishing for a moment to erect my eccentric taste in houses as an unerring guide for my fellow-creatures (especially as the ancient London dwellings are growing fewer every day, and I am still seeking my ideal toy), I must still be allowed to wonder at that condition of mind which can settle down, with seeming delight, in the new raw buildings that I see springing up on every side. I am not speaking of those who are compelled to practise economy (I am compelled to practise it myself), nor of those whose business arrangements require them to keep within a particular circle; but of those who have the power, to a certain extent, of choosing their ground, and choose it upon some principle that I am unable to understand.
I have a sensitive horror of regularity, of uniformity, of straight lines, of obtrusive geometrical forms. I prefer a winding alley to a direct street. I detest a modern, well-advertised building estate. The water-colour sketch of such a place is meant to be very fascinating and attractive as it hangs in the great house-agent’s office or window, but it has no charms for me. My theory is that a man must be perpetually struggling if he wishes to preserve his individuality in such a settlement. The water may be pure; the soil may be gravelly; the neighbourhood may be well supplied with all kinds of churches and chapels; the “red book” may not pass it by as being out of the fashionable circle; blue books may refer to it approvingly as a model of perfect drainage; it may be warmed up by thorough occupation; perambulators may be seen in its bare new squares; broughams may stand by the side of its bright level kerbstones; but the demon of sameness, in my eyes, would always be brooding over it. I should feel that when I retired to rest, perhaps eight hundred masters of households were slumbering in eight hundred bedchambers exactly the same size and the same shape as my own. When I took a bath, or lingered over the breakfast-table, I should be haunted by the knowledge that eight hundred people might probably be taking similar baths and similar breakfasts in precisely similar apartments. My library, my dining-room, and my drawing-room would correspond in shape and size with eight hundred other receptacles devoted to study, refreshment, and recreation. If I gazed from a window, or stood at a doorway, I should see hundreds of other windows, and hundreds of other doorways, that matched mine in relative position and design. I should look down upon the same infant shrubs, and the same even, level walls, or up at the same long, level parapets, without break, the same regular army of chimney-pots, without variety,—until I should feel as if I had settled in a fashionable penitentiary, to feed upon monotony for the rest of my days. My dreams at night would probably be a mixture of the past and the present, of my old tastes and my new sufferings. The builder, whose trowel seemed ever ringing in my ears, would dance over me in hoops and patches; and the whitewasher, whose brush seemed always flopping above my head, would be mixing his composition in my favourite punch-bowl. My old books, my old prints, my old china, my old furniture, my old servants, would pine away in such a habitation; and I should have to surround myself with fresh faces and fresh voices, according to the latest model. Finally, I should die of a surfeit of stucco, and be the first lodger entered in the records of the adjoining bleak, unfinished cemetery.
If I have little sympathy with those people who dwell in such tents as these,—who neither belong to the town nor the country,—who hang upon the skirts of London in mushroom suburbs that blend as inharmoniously with the great old city as a Wandsworth villa would blend with Rochester Castle,—I am totally unable to understand the character of those other people whose love for the modern carries them even farther than this, and who take a pride in planting damp and comfortless homes in the very centre of wild, unfinished neighbourhoods. Who are they? Have they human form and shape, with minds and hearts; or are they, as I have often suspected, merely window-blinds? If they are not policemen and laundresses in charge of bare walls and echoing passages; if they are not hired housekeepers put in to bait the trap, and catch unwary tenants; if they are not restless spirits, who, for an abatement of rent, are always willing to lead the advanced posts in suburban colonization,—whence springs that singular ambition which is always anxious to be literally first in the field, and the oldest inhabitant in a settlement of yesterday? Surely, there can be little pleasure in living, for months, amongst heaps of brick-dust, shavings, mortar and wet clay; in staring at hollow shops that are boarded up for years until they are wanted, and at undecided mansions which may turn out to be public-houses; or in being stared at, in a tenfold degree, by rows of spectral carcases and yawning cellars? There can be little pleasure in contemplating cold stucco porticos of a mongrel Greek type, that crack and fall to pieces in rain and frost; or gaping gravel-pits; or stagnant ponds; or lines of oven-like foundations waiting for more capital and more enterprise to cover them with houses. There can be just as little pleasure in seeing your scanty pavement breaking suddenly off before your door, and your muddy, hilly road tapering away in a few rotten planks that lead into a marshy, grassless field, where you may stand and easily fancy yourself the last man at the end of a melancholy, unsuccessful, deserted world, looking into space, with no one person or thing behind you.
The old places that I shall always cling to are unhappily often visited by decay; but it is the decay of ripe old age, which is always venerable. My ideal toy-house—the nearest approach to it that I can find—may become uninhabitable in the fulness of years, but it will still be picturesque; and those who may despise it as a dwelling will admire it upon canvas. In this form it is often brought within my humble reach, and I secure the shadow if I cannot obtain the substance. I still, however, look longingly at the reality, as my little girl looked at her toy-house in her morning’s walk; and, like her, I shall doubtless be swept past it, still looking back, until I am sucked into that countless crowd from which there is no returning.
FOOTNOTES
[14] The Town: its Memorable Characters and Events.