CHAPTER II.
Mr. Ellin—the gentleman mentioned in the last chapter—was a man who went where he liked, and being a gossiping, leisurely person, he liked to go almost anywhere. He could not be rich, he lived so quietly; and yet he must have had some money, for, without apparent profession, he continued to keep a house and a servant. He always spoke of himself as having once been a worker; but if so, that could not have been very long since, for he still looked far from old. Sometimes of an evening, under a little social conversational excitement, he would look quite young; but he was changeable in mood, and complexion, and expression, and had chamelion eyes, sometimes blue and merry, sometimes grey and dark, and anon green and gleaming. On the whole he might be called a fair man, of average height, rather thin and rather wiry. He had not resided more than two years in the present neighbourhood; his antecedents were unknown there; but as the Rector, a man of good family and standing, and of undoubted scrupulousness in the choice of acquaintance, had introduced him, he found everywhere a prompt reception, of which nothing in his conduct had yet seemed to prove him unworthy. Some people, indeed, dubbed him “a character,” and fancied him “eccentric;” but others could not see the appropriateness of the epithets. He always seemed to them very harmless and quiet, not always perhaps so perfectly unreserved and comprehensible as might be wished. He had a discomposing expression in his eye; and sometimes in conversation an ambiguous diction; but still they believed he meant no harm.
Mr. Ellin often called on the Misses Wilcox; he sometimes took tea with them; he appeared to like tea and muffins, and not to dislike the kind of conversation which usually accompanies that refreshment; he was said to be a good shot, a good angler.—He proved himself an excellent gossip—he liked gossip well. On the whole he liked women’s society, and did not seem to be particular in requiring difficult accomplishments or rare endowments in his female acquaintance. The Misses Wilcox, for instance, were not much less shallow than the china saucer which held their teacups; yet Mr. Ellin got on perfectly well with them, and had apparently great pleasure in hearing them discuss all the details of their school. He knew the names of all their young ladies too, and would shake hands with them if he met them walking out; he knew their examination days and gala days, and more than once accompanied Mr. Cecil, the curate, when he went to examine in ecclesiastical history.
This ceremony took place weekly, on Wednesday afternoons, after which Mr. Cecil sometimes stayed to tea, and usually found two or three lady parishioners invited to meet him. Mr. Ellin was also pretty sure to be there. Rumour gave one of the Misses Wilcox in anticipated wedlock to the curate, and furnished his friend with a second in the same tender relation; so that it is to be conjectured they made a social, pleasant party under such interesting circumstances. Their evenings rarely passed without Miss Fitzgibbon being introduced—all worked muslin and streaming sash and elaborated ringlets; others of the pupils would also be called in, perhaps to sing, to show off a little at the piano, or sometimes to repeat poetry. Miss Wilcox conscientiously cultivated display in her young ladies, thinking she thus fulfilled a duty to herself and to them, at once spreading her own fame and giving the children self-possessed manners.
It was curious to note how, on these occasions, good, genuine natural qualities still vindicated their superiority to counterfeit, artificial advantages. While “dear Miss Fitzgibbon,” dressed up and flattered as she was, could only sidle round the circle with the crestfallen air which seemed natural to her, just giving her hand to the guests, then almost snatching it away, and sneaking in unmannerly haste to the place allotted to her at Miss Wilcox’s side, which place she filled like a piece of furniture, neither smiling nor speaking the evening through—while such was her deportment, certain of her companions, as Mary Franks, Jessy Newton, &c., handsome, open-countenanced little damsels—fearless because harmless—would enter with a smile of salutation and a blush of pleasure, make their pretty reverence at the drawing-room door, stretch a friendly little hand to such visitors as they knew, and sit down to the piano to play their well-practised duet with an innocent, obliging readiness which won all hearts.
There was a girl called Diana—the girl alluded to before as having once been Miss Sterling’s pupil—a daring, brave girl, much loved and a little feared by her comrades. She had good faculties, both physical and mental—was clever, honest, and dauntless. In the schoolroom she set her young brow like a rock against Miss Fitzgibbon’s pretensions; she found also heart and spirit to withstand them in the drawing-room. One evening, when the curate had been summoned away by some piece of duty directly after tea, and there was no stranger present but Mr. Ellin, Diana had been called in to play a long, difficult piece of music which she could execute like a master. She was still in the midst of her performance, when—Mr. Ellin having for the first time, perhaps, recognized the existence of the heiress by asking if she was cold—Miss Wilcox took the opportunity of launching into a strain of commendation on Miss Fitzgibbon’s inanimate behaviour, terming it lady-like, modest, and exemplary. Whether Miss Wilcox’s constrained tone betrayed how far she was from really feeling the approbation she expressed, how entirely she spoke from a sense of duty, and not because she felt it possible to be in any degree charmed by the personage she praised—or whether Diana, who was by nature hasty, had a sudden fit of irritability—is not quite certain, but she turned on her music-stool:—
“Ma’am,” said she to Miss Wilcox, “that girl does not deserve so much praise. Her behaviour is not at all exemplary. In the schoolroom she is insolently distant. For my part I denounce her airs; there is not one of us but is as good or better than she, though we may not be as rich.”
And Diana shut up the piano, took her music-book under her arm, curtsied, and vanished.
Strange to relate, Miss Wilcox said not a word at the time; nor was Diana subsequently reprimanded for this outbreak. Miss Fitzgibbon had now been three months in the school, and probably the governess had had leisure to wear out her early raptures of partiality.
Indeed, as time advanced, this evil often seemed likely to right itself; again and again it seemed that Miss Fitzgibbon was about to fall to her proper level, but then, somewhat provokingly to the lovers of reason and justice, some little incident would occur to invest her insignificance with artificial interest. Once it was the arrival of a great basket of hothouse fruit—melons, grapes, and pines—as a present to Miss Wilcox in Miss Fitzgibbon’s name. Whether it was that a share of these luscious productions was imparted too freely to the nominal donor, or whether she had had a surfeit of cake on Miss Mabel Wilcox’s birthday, it so befel, that in some disturbed state of the digestive organs Miss Fitzgibbon took to sleep-walking. She one night terrified the school into a panic by passing through the bedrooms, all white in her night-dress, moaning and holding out her hands as she went.