‘I couldn’t explain it to you, miss; I haven’t no power o’ language. Happen I’m unrasonable, as mother says. Dick and Tom and Bob they don’t ask no better’n to plough an’ sow an’ reap year in, year out; but with me ’tis different. Reckon as I’d go mazed if I was to stop home for always.’
‘I know what is the matter with you,’ said Miss Haseldine, smiling; ‘you’re bored.’
Well, that might be. The word was not included in Jan’s slender vocabulary, but perhaps he was capable of the sensation. Miss Haseldine told him that she was and that a vast number of persons were similarly afflicted. The recognised remedy was work; but, for obvious reasons, that was not applicable to his case. How about reading as a diversion? Did he ever open a book?
This chance shot unexpectedly scored. Jan’s big brown eyes lightened up as he answered that he loved nothing in the world so much as books to read. Unfortunately, he had exhausted the literature of Bratton Farm, which consisted of the Bible, sundry theological works, ‘Pilgrim’s Progress,’ an anthology entitled ‘Pearls from the Poets,’ and a few dilapidated volumes of the Family Herald.
Miss Haseldine said she could introduce him to a rather wider circle of writers than that. ‘Come up to the house after dinner this evening and I’ll lend you all the books you care to carry away.’
Jan was almost as grateful to the young lady as a starving man would have been for a loaf of bread; yet it was perhaps rather her looks and her voice than her kind offer that compelled his gratitude. Hitherto nobody had understood him—which was the less surprising because he had some difficulty in understanding himself—and he had observed a general disposition to treat him with the indulgence accorded to the mentally deficient. But here at last was a beautiful, beneficent being who not only did not call him a fool but clearly showed, without actually saying so, that she entered into his feelings and shared them. He had often seen her before, in church and elsewhere, but did not remember ever to have heard her speak. After she and her father had ridden away, he dropped his elbows upon the gate once more and for some time thought about her dreamily, with a pleasantly warmed heart, wondering why he had never before noticed her physical beauty. Then he stretched himself and strode off to get the cows in for milking.
Mildred Haseldine, if scarcely beautiful, was as pretty as golden hair, forget-me-not blue eyes, and neat little features could make her. Beneficent she might fairly be called, inasmuch as she was always glad to do a good turn to her neighbours, and this farm lad, with his odd craving for mental nourishment and his rebellion against the monotony of agricultural life, interested her. So as soon as she reached home she laid the library shelves under contribution, selecting ‘Ivanhoe,’ Tennyson’s Poems, Carlyle’s ‘Past and Present’ and Fitchett’s ‘Deeds that Won the Empire,’ as being a sufficiently comprehensive batch to begin with, and handed the volumes to her maid Judith, with instructions that they were to be given to young John Issel, if he should call for them. She observed that Judith blushed; but the circumstance made no impression upon her, Judith’s blushes being frequent and for the most part devoid of cause.
As a matter of fact, Judith Combe had some excuse for exhibiting self-consciousness at the sound of Jan Issel’s name. Not very much, it is true; for in her class of life the fact of ‘walking out’ with a young man on Sunday afternoons is not held to commit either of the walkers to subsequent matrimony, and certainly Jan did not consider himself in any way pledged to Judy Combe, whom he had chosen merely because, like his brothers and everybody else, he had to have a female companion of some sort. He liked the gentle, demure lass, was indifferently aware that she was nice-looking (she was in reality decidedly prettier than Miss Haseldine), and even supposed that he might marry her some day. But that, of course, would only be if he should stay at Bratton, instead of going out into the wide world—a contingency which he never cared to contemplate.
An access of shyness led him to ask for Judith when he went up to the great house that evening; but he was just a trifle disappointed when she joined him, bearing the promised armful of literature, and when he realised that he was not to see his benefactress. Nothing, however, forbade him to talk about her, nor did he say much about anybody or anything else during an interview which took place by starlight in the stable-yard. Judith, who was greatly attached to her mistress, was as laudatory as could be wished, if not particularly informing. Miss Mildred was always doing kind things; so Judith did not think it strange that she should lend books to Jan Issel if he wanted them; though it was perhaps rather strange that he should want them. She timidly intimated as much, but received no answer. It was, of course, impossible to explain to Judy Combe what the printed page meant to one who was consumed with curiosity respecting the world in which we dwell and who had no opportunities of coming into contact with a verbal interpreter. It would likewise have been difficult to bring home to her the motives that such a man might have for adopting the profession of arms; so that subject also was left untouched. For the rest, Jan was eager to say good-night, being still more eager to discover what Miss Mildred thought him capable of appreciating.
Miss Mildred, it may be conjectured, had not given a great deal of thought to the matter; but she bestowed quite as much pleasure upon her protégé as if she had. That night and on several successive nights Jan sat up, devouring the volumes by the light of a single candle long after all the other inmates of the farm were asleep. ‘Ivanhoe,’ which was pretty plain sailing, delighted him, as did also Fitchett’s stirring and admirably related yarns. If he could not always make out what Tennyson was driving at, he loved the rhythm and melody of his verse, just as he loved the sonorous grandeur of certain chapters in Isaiah and Ecclesiastes, the meaning of which was completely hidden from him. In like manner thousands of people derive genuine enjoyment from listening to a symphony, although they are ignorant of the structure of such compositions and cannot really follow them. But, oddly enough, it was with Carlyle that Jan was best pleased. The bygone abuses and social anomalies against which ‘Past and Present’ thunders naturally said nothing to him, nor could he trace much connection between them and the chronicle of Jocelin of Brakelond. It must also be admitted that he skipped a good many pages. What roused him to enthusiasm was not the writer’s theme but his mastery of language and the magnificent, disdainful carelessness with which he displayed it, as though feeling himself big enough to be independent of all rules. Jan Issel, it must be supposed, possessed the literary sense—which indeed, like every other artistic sense, is inborn, not to be acquired. When he went to Culme House to return the books and beg for more, he tried, not over-successfully, to express to Miss Mildred (who received him this time and took him into the library) the intensity of his admiration for a philosopher who is commonly considered to be above the heads of the simple.