[*] “A sumptuous book, appearing as an imperial quarto, bound in half leather, with the British royal monogram in color on one side. The collection at Windsor castle is well-known for its fine specimens of Louis XIV., XV., and XVI. periods, as well as the best examples of the most famous craftsmen of the past two centuries—Jacob Chippendale, Riesener, André Bouille, Gaspar Teune, and many others. The introduction to the book treats of the starting of the collection and its growth, from the beginning of the seventeenth century down to the present day.... The illustrations, presenting pictures of the finest specimens in the collection, are in photogravure.”—N. Y. Times.

*+Int. Studio. 27: 185. D. ‘05. 120w.

[*] “It is evidently the work of one who has a good knowledge of technical history and an eye that can discriminate between original work and restorations.”

+ +Lond. Times. 4: 428. D. 8, ‘05. 360w.
*+N. Y. Times. 10: 834. D. 2, ‘05. 220w.

Lamb, Charles and Mary. [Works and letters, v. 6 and 7.] [*]$2.25. Putnam.

“Here certainly is the largest, richest edition of the ‘Letters’ which has been published, clearly superior to some in size, to others in the quality and scope of the notes, and to all as a book that is easy and pleasant to read. In short, Mr. Lucas seems to come near to an inaccessible perfection, as well as to have produced the best edition of the ‘Letters’.”

+ + +Acad. 68: 605. Je. 10, ‘05. 1890w. (Review of v. 6. and 7.)
+ + —Ath. 1905, 1: 680. Je. 3. 4290w.

“Mr. Lucas’s copious and most interesting notes are the fruit of years of loving study and research. To him Lamb is indeed ‘Saint Charles’; yet his chief editorial merit lies, perhaps, in giving us Saint Charles un-canonized.” William Archer.

+ +Critic. 47:50. Jl. ‘05. 1260w.
Dial. 38: 360. My. 16, ‘05. 150w.

“The editor has used extraordinary pains to make clear the innumerable allusions to persons and things well known to correspondents, but unknown to us.”