| + + | Ath. 1905, 1: 758. Je. 17. 1260w. | |
| + + | Critic. 46: 186. F. ‘05. 130w. |
“The treatment is so cursory that the reader often finds little more than a list of monuments. Mr. Lethaby’s book as a whole shows no new grasp of the subject, no general principle or underlying philosophy whereby to coördinate many artistic movements.” George Breed Zug.
| — | Dial. 38: 320. My. 1, ‘05. 430w. |
“In Mr. Lethaby’s book we have an admirable summary of the two chief styles of medieval art—the eastward culmination, or Byzantine school, and the western, or Gothic.”
| + | Ind. 58: 1364. Je. 15, ‘05. 260w. | |
| Int. Studio. 25: sup. 16. Mr. ‘05. 50w. |
“Two apparent characteristics of Mr. Lethaby are a laudable willingness to take pains, and a marked readiness to adopt positive opinions—to reach final conclusions and avow them.”
| + + | Nation. 80: 339. Ap. 27, ‘05. 1230w. |
“His book is crowded with illustrations, yet there is not one too many.”
| + | Outlook. 79: 95. Ja. 7, ‘05. 110w. |
“It has one rather serious defect in the lack of clear bibliographical definitions of at least of all the more important books and sources referred to.”