The adornments of the rooms were, to Mr. Blanchet's thinking, atrocious. They were, indeed, only of the better class London lodgings style: mirrors, and gilt, and white, and damask. There were doors where there ought to have been curtains, carpets where artistic feeling would have prescribed mats or rugs; there were no fans, not to say on the ceiling, but even on the walls. The only suggestion of art in the place was a plaster cast of the Venus of the Louvre which Heron himself had bought, and which in all simplicity he adored. Mr. Blanchet held, first, that all casts were nefarious, and next, that the Venus of Milo as a work of art was beneath contempt. One of the divinities of his school had done the only Venus which art could acknowledge as her own. This was, to be sure, a picture, not a statue; but in Mr. Blanchet's mind it had settled the Venus question for ever. The Lady Venus was draped from chin to toes in a snuff-colored gown, and was represented as seated on a rock biting the nails of a lank, greenish hand; and she had sunken cheeks, livid eyes, and a complexion like that of the prairie sage grass. Any other Venus made Herbert Blanchet shudder.

The books scattered about were dispiriting. There were Shakespeare, Byron, and Browning. Mr. Blanchet had never read Shakespeare, considered Byron below criticism, and could hardly restrain himself on the subject of Browning. There were histories, and Mr. Blanchet scorned history; there were blue books, and the very shade of blue which their covers displayed would have made his soul sicken. It will be seen, therefore, how awful is the impressiveness of respectability when, with all these evidences of the lack of artistic taste around him, Mr. Blanchet still felt himself dwarfed somehow in the presence of the occupier of the rooms. It ought to be said in vindication of Mr. Heron, that that poor youth was in nowise responsible for the adornments of the rooms, except in so far as his plaster cast and his books were concerned. He had never, up to this moment, noticed anything about the lodgings, except that the rooms were pretty large, and that the locality was convenient for his purposes and pursuits.

The two young men had some soda and brandy, and smoked and talked. Blanchet was the poorest hand possible at smoking and drinking; but he swallowed soda and brandy in repeated doses, while his host's glass lay still hardly touched before him. One consequence was that his humbled feeling soon wore off, and he became eloquent on his own account, and patronizing to Heron. He set our hero right upon every point connected with modern literature and art, whereon it appeared that Heron had hitherto possessed the crudest and most old-fashioned notions. Then he declaimed some of his own shorter poems, and explained to Heron that there was a conspiracy among all the popular and successful poets of the day to shut him out from public notice, until Heron felt compelled, by a sheer sense of fellow-feeling in grievance, to start up and grasp his hand, and vow that his position was enviable in comparison with that of those who had leagued themselves against him.

"But you must hear my last poem—you shall hear it," Herbert said magnanimously.

"I shall be delighted; I shall feel truly honored," murmured Victor in perfect sincerity. "Only tell me when."

"The first reading—let me see; yes, the first reading is pledged to Miss Grey. No one," the poet grandly went on, "can hear it before she hears it."

"Of course not—certainly not; I shouldn't think of it," the dethroned ruler of St. Xavier's Settlements hastened to interpose. "What a noble girl Miss Grey is! You know her very well, I suppose?"

"I look upon her," said the poet gravely, "as my patron saint." He threw himself back in his chair, raised his eyes to the ceiling, murmured to himself some words which sounded like a poetic prayer, and swallowed his brandy and soda.

Victor thought he understood, and remained silent. His heart swelled with admiration, sympathy, and an entirely innocent, unselfish envy.

"Still," the poet said, rising in his chair again, "there is no reason why you should not hear the poem at the same time. I am going to-morrow to read the poem to Minola—to Miss Grey and Mary. I am sure they will both be delighted if you will come with me and hear it."