I daresay you will have already seen, though perhaps not quite realised, the change, that dresses are now worn with bodices of the same material, and the sketch in question displays this alteration in style. The seated figure wears a Princess dress of brown cloth, with revers of cream-coloured satin, one of which overlaps the other so far as to close the gown on the side of the front, and the band of cream satin is continued across the front and terminates in a scroll. The satin has a scroll pattern braided on it with brown silk braid, and the cuffs are decorated in the same manner. To those who contemplate having a Princess gown, I would say, be careful to choose a good tailor or dressmaker, and a firm material of which to make your dress, in order to avoid dissatisfaction with your gown.
The second gown is of green face-cloth. The bodice and sleeves are tucked with small horizontal tucks all over them. The skirt is one of the new ones, and is in three tiers, cut away from the front, and each is edged with a small band of chinchilla fur.
LONG BASQUED COAT AND EMBROIDERED JACKET.
The second sketch shows a sac jacket of smooth blue serge, with a skirt to match. The jacket is beautifully braided and embroidered in black, both in front and on the shoulders. The hat is of blue felt, trimmed with blue velvet and feathers. The second figure wears a long basqued coat with a fur collar, and wide revers in front which taper down to the waist, and end in two tails. The cuffs are turned back in the new shape, and the collar is high and closes in front. The skirt worn is plain, and is cut in the umbrella style. The hat is a small velvet one, with fur trimmings and white or cream lace. The mixture of lace and fur indeed with all our winter trimmings this year is very remarkable, and contributes to the very light effect of all the millinery worn.
CAPE AND MUFF OF CHINCHILLA AND GREEN SILK.
The pretty sketch next in order represents a gown made of one of the new fancy materials trimmed with chinchilla; cape of chinchilla trimmed with green silk and cream lace, and muff to match. The hat is a very charming model, which is called by some milliners a Trelawnley. It droops in front, and is made of black velvet, round the crown a very handsome ostrich plume is laid, and under the brim of the hat is a cache peigne of pink roses. The new capes of this season are, many of them, pointed in front and back; and are often caught in at the waist behind. Violet cloth has been very much used for capes, and this is a colour that goes so well with fur of all kinds that it is likely to be popular. Where jackets are concerned, whether long or short in the basques, the latter must fit very snugly round the hips without fulness, or they will not give the effect of the newest style. Many of the basques are added with a seam just below the waist, and are marvels of careful fitting.
There is rather a strong tendency to use a great quantity of orange in the French millinery; the hue of the moment being of the reddest and most vivid flame colour. The other colours in vogue for the same purpose are green, some shades of red, golden brown, wallflower, and much blue in all shades. For capes and coats putty-colour and fawn are much used, and there is a large amount of white used for trimming.
I must not finish my chat without mentioning the ribbon trimmings which have so largely replaced lace, tulle, and chiffon ruches, especially upon bodices and blouses. Skirts as well as bodices are ornamented with gathered ribbons. The prettiest effect is given by using two ribbons together, a narrow and a wider one. These may be of two different colours, or of black and white, the latter being placed on the top. Plain bands of ribbon edged with black velvet, or with baby ribbon gathered, are also much used; in fact there seems no style of design which cannot be turned to account in this decoration.