"This was almost more than she could bear, and she sat waiting the maid's return in sadness that was near despair. But when she did come, how the little miniaturist's sinking heart leaped; for the maid brought an invitation—the lady would see her in her own room." So a friend tells the tale.
Since then Miss Küssner has pained many of the English aristocracy, and gets £100 a miniature.
This is how Miss Küssner works. First comes the study of her sitter, and perhaps one entire sitting will be devoted to this. Then follows the sketching of the face on the ivory—a transcript of the form and spirit. Lastly comes the actual painting, with infinitesimally small brushes, each stroke made under a powerful magnifying glass.
Lady Dudley's marriage was quite a romance. She was the daughter of Mr. Gurney, of Norfolk, whose business reverses caused him to resign his partnership in the well-known Gurney Bank and surrender his possessions for the benefit of his creditors.
His wife came to London and opened a milliner's shop, and in this her two daughters served. But it was not a success, and so the daughters entered the employ of a well-known West End modiste. But the Duchess of Bedford and Lady Henry Somerset became interested in them; and it was as the adopted daughter of the Duke and Duchess of Bedford that Rachel Gurney married Lord Dudley.
Miss Winifred Hope Thomson, whose miniature of Miss Pamela Plowden we give, had the place of honour in the miniature room of the Academy this year. Simplicity of style is the feature of Miss Thomson's work, and probably the reason why her miniatures are considered like those of the great Cosway.
[By E. J. Harding.
"DAFFODIL."
[By Edith Maas.
HON. MRS. BENYON.