Why is it, in these days of up-to-date cricket reporting, no one has noticed the most striking characteristic of Ranjitsinhji's play? The pose of W. G. Grace's tip-tilted foot as he stands at the wicket, Abel's serio-comic expression as he cocks his eye and ambles from the pavilion, and Mr. Key's rotundity, are as familiar as Mr. Chamberlain's eye-glass even to the non-cricketing public; but the ballooning of Prince Ranjitsinhji's silk shirt has hitherto been allowed to lie in obscurity.

RANJI FIELDING.

About the silk shirt itself there is no particular mystery; dozens of other cricketers wear one exactly like it; but none of these garments "balloon" with the same unvarying persistence as Ranji's. Whether half a gale is blowing on the Hove ground, or there is not enough wind to move the flag at Lord's, the Indian prince's cricket shirt always presents the appearance of the mainsail of a six-tonner on a breezy day in the Solent. Anyone can satisfy himself as to the truth of this assertion by glancing at the first illustration on page 213. The batsman's face is concealed by his arm, and his attitude in playing the ball is almost identical with that of hundreds of other cricketers. Yet there is no mistaking the player. It's Ranji as plainly as if his name was printed all over it; the curve in his shirt gives him away at once. Unkind critics, indeed, declared that the secret of his success in Australia was that, while the rest of Mr. Stoddart's team were panting for a breath of fresh air with the thermometer at 100° in the shade, some mysterious Indian deity was perpetually blowing on Ranji with a thousand cooling zephyrs. Nowadays, Ranjitsinhji's critics are becoming more sane; but when first he burst into splendour, many of his weird strokes were attributed to some supernatural agency. Ranji's most telling stroke, as every cricketer knows, is what is technically known as the "hook" stroke. Most fine batsmen are content to stop short straight balls on a fast wicket. Ranji is more ambitious. When he sees a ball of this kind coming, he stands directly in front of his wicket, and at the moment when the ball is apparently on the point of going through his body, he "hooks" it round to leg.

How hazardous this proceeding is may be gathered from the obvious fact that if the batsman fails to get his bat exactly in the proper place in exactly the proper fraction of a second, he will infallibly have to retire either with a fractured skull or "leg before wicket."

While the cricket scribes used to regard Ranjitsinhji's good fortune in escaping a violent end while playing this speciality of his as a supernatural gift, practical cricketers consider the stroke bad form. "That leg stroke of yours," said an old player to him in the pavilion at Lord's, "is all very well now and then, but it's not cricket; it's far too risky. If you miss the ball, you're bound to be out leg before." "Quite so," replied Ranji; "but one would be out pretty frequently, clean bowled, if one missed the ball—every time a straight ball came, in fact."

Ranjitsinhji's batting has been variously described as satanic, electric, and elusive. "Serpentine" would be far more accurate. Anyone in the least familiar with the famous Indian's style will at once see the point of the epithet.

The line of beauty, we all know, is a curve; and the real secret of the attractiveness of Ranji's batting (from the spectators' point of view) is that every position he assumes seems to be laid out in a curve.

In the illustration on page 215. "Rip" has but very slightly exaggerated the effect of the sinuous curves into which Ranji's body resolves itself before he makes a stroke. That he can unbend faster than any other cricketer past or present is an incontestable fact. The yarn of how in a match at Cambridge he once brought off a catch with such amazing rapidity that the batsman, under the impression that the ball had travelled near the boundary, continued running till Ranji extracted the ball from his pocket, is most likely apocryphal; but to anyone who has seen him fielding slip the feat ascribed to him won't seem impossible.