As the window falls to pieces a flood of light invades my cell, and I feel the warm air, and smell a perfume as of new-mown hay. For a moment I am blinded, suffocated, then with both hands I seize the iron bars and draw myself up to the narrow window ledge. A confused noise of breaking glass gradually passing away in the distance, and the cracking of wood fills the pure air of the glorious summer morning; while on all sides are heard the voices of anxious men and women, all asking the same questions, “What has happened? Why are we revolting?”

“shot him through the head.”

For a long time these questions remain unanswered, then at last a new and distant voice—at times rendered inaudible by the wind—announces that a warder, or a guard, has killed one of our comrades, the prisoner Ivanoff, in his cell, and that the prisoners in the other buildings are breaking the furniture and the cell doors.

This reply, which comrades transmit from window to window, petrifies me. After hearing the explosion and the words spoken in the corridor; after a long and anxious incertitude; after this announcement of a revolt in which I myself am taking part—the reply is not unexpected. And yet I understand nothing of the matter; I am thoroughly upset, and my brain refuses to understand and believe. Killed? Ivanoff, the youth whom, by the way, I do not know personally. Killed? But why? Without weapons and under lock and key, what can he have done to deserve death? Has he attempted to escape? But does one attempt such an enterprise in open day and under the eyes of sentries and warders? Besides, Ivanoff had committed no other crime than fetching from the post-office a letter intended for one of his friends whose name he refused to give, while the friend, arrested since, has assumed the responsibility of the correspondence. Ivanoff was to have been liberated on bail in the course of a few days, and do those in such a position attempt escape on the eve of their release? But why, why has he been killed?

These questions I ask myself while the sound of breaking glass continues. My neighbours appear to have been pursuing a train of thought similar to mine, for I hear several of them calling to our informant, and enquiring, “How and why was he killed?”

Then a long, long, anxious wait, and then the reply, “Yes, killed!” Not by a warder, but by a sentry on guard in the court-yard, who, seeing Ivanoff at his window, shot him through the head. The occupier of a neighbouring cell, also at that moment at his window, saw the shot fired. Others heard the fall of the body. Some have called to him, and received no reply; therefore Ivanoff is dead. As to why he was assassinated, nobody knows.

This recital, several times interrupted by noises and screams, is nevertheless clear and precise. My neighbours, one after the other, descend from their windows, and commence to break up furniture and attack the doors. I follow their example, and recommence my work of destruction. Water-bottle, glass, basin, the wicket in the door, and all that is fragile in my cell flies to pieces, and, with the broken glass from the window, covers the floor. In spite of the feverish haste with which I accomplish this sad task, my heart is not in the work. All this is so unexpected, so unreal, so violent, that it bewilders me. But through the bewilderment the questions, “Is it possible? And why?” continue to force their way. Then I say to myself, “If this man, this soldier, has really killed Ivanoff, it was, perhaps, in a fit of drunkenness; or, perhaps, his gun went off accidentally; or, perhaps, seeing a prisoner at a window, he thought it an attempt at escape.” While these ideas, rapid and confused, rush through my brain, I continue to break everything breakable that comes under my hands—because the others are doing the same—because, for prisoners, it is the only means of protest. The sentiment, however, which dominates me is not one of rage, but of infinite sadness, which presses me down and renders weak my trembling arms.

But now the uproar augments. Several prisoners have demolished their beds, and with the broken parts are attacking the doors. The noise of iron hurled with force against the oak panels dominates all others. Through my broken wicket, I hear the voice of the Commandant ordering the soldiers to fire on any prisoner leaving his cell, and to the warders to manacle all those who are attempting to break down their doors.