ZANGWILL.
“I will show this Anglo-Jewish community that I am a man to be reckoned with. I will crush it—not it me. Then some day it will find out its mistake; and it will seize the hem of my coat, and beseech me to be its Rabbi. Then, and only then, shall we have true Judaism in London.
“The folk who compose our picture are children of the Ghetto. If they are not the children, they are at least the grandchildren of the Ghetto.”
—“Children of the Ghetto.”
Joseph Hatton on the art of tipping.
Almost everything has been reduced to an art. You can learn journalism outside a newspaper, playwriting by theory, French without a master. How to succeed in literature and how not; both ways have been laid down for the student. There is scarcely an art or a habit you cannot learn in books. Etiquette, how to make up, stock-jobbing, acting, gardening, and a host of intellectual pursuits, have their rules and regulations; but the mysterious and delicate art of tipping as yet remains unexploited in the social ethics of this much-taught generation. It is high time that the proper method of giving tips should be defined, its laws codified, its many possibilities of error guarded against, and some system set forth whereby the tipper may give the greatest satisfaction to the tipped at the most moderate, if not the least, outlay in current coin of the realm. The art could be illustrated with many examples from the earliest times. Pelagia’s tip to Hypatia’s father was the dancer’s cestus, which was jewelled with precious stones enough to stock the shop of a Bond Street jeweller of our own time. According to the truthful interpretation of the old English days which we find in the drama, the most popular method of tipping was to present your gold in a long, knitted purse, which you threw at the tippee’s feet or slapped into the palm of his hand; but this system seems to have lapsed; and no fresh regulation has been established in the unwritten laws of the douceur, which goes back even before the days when extravagant and unwilling tips were often enforced with pincers, racks, and other imperative inventions. Monte Cristo gave wonderful tips, and Monte Carlo is lavish to this day. The genius that wrecked Panama has an open hand. Promoters of London companies know how to be liberal. Not much art is required, I believe, to distribute largess of this kind. Nor are certain classes of American aldermen difficult to deal with. The art that should be made most clear is how to pay your host’s servants for your host’s hospitality; how to show your gratitude to a newspaper man without hurting his amour propre; how to meet the requirements of the middleman of life and labour without “giving yourself away”; how to tip the parson when you are married; and, in this connection, one may remark the consolation of dying; the tippee does not trouble you at your own funeral.