A spirit of commiseration underlies a good many of the remarks made by the bucolic. I went down on one occasion to see a couple of painters who had taken a small cottage at one and sixpence a week in order to paint some orchard pictures. When their neighbours, who were farm hands, got to know them a bit, they were very friendly disposed, and made them presents of vegetables, and one old fellow who was reputed to have “saved a smart bit o’ money,” said to one of the “painter chaps,” as they were called—
“There don’t seem much of a living in your business, sir. I s’pose trade’s a bit dull with ye, now folks is a spring cleaning. What do yer say now to paintin’ my cart in yer dinner hour? I shall want it done afore long, and I’d like to gie ye the job, for a shilling or two down’t come amiss to any of us. Do it now?”
Another job refused by these same artists was to clean and touch up an old picture that had been bought for a few shillings at a sale. The old chap who had purchased it went so far as to offer them a shilling to do the work, and that offer being declined, he threw in a pint of stout as an additional inducement.
A friend who had painted a 50 x 40 canvas outside during one summer, spending some five or six weeks upon it, told me that one old chap, who looked like a jobbing gardener, used to pass by every day, and invariably stayed to stare at the work, but always at a respectful distance, and it was not until the picture was nearly completed that he broke the silence.
“D’yer moind me ’aving a look at it, sir?”
“Oh, certainly not,” and my friend got off his camp-stool to let the critic have an uninterrupted view. The subject was a careful study of wild flowers and herbage, growing in the corner of an orchard. The old fellow seemed to take the picture in very carefully, and at length said:
“Is it a view in Ireland, sir?”