“Madder and madder became the waltz. The music lagged behind: the musicians, unable to keep pace, ceased, and sat staring. The younger guests applauded, but the older faces began to grow anxious.

“‘Hadn’t you better stop, dear,’ said one of the women, ‘you’ll make yourself so tired.’

“But Annette did not answer.

“‘I believe she’s fainted,’ cried out a girl who had caught sight of her face as it was swept by.

“One of the men sprang forward and clutched at the figure, but its impetus threw him down on to the floor, where its steel-cased feet laid bare his cheek. The thing evidently did not intend to part with its prize easily.

“Had anyone retained a cool head, the figure, one cannot help thinking, might easily have been stopped. Two or three men acting in concert might have lifted it bodily off the floor, or have jammed it into a corner. But few human heads are capable of remaining cool under excitement. Those who are not present think how stupid must have been those who were; those who are reflect afterwards how simple it would have been to do this, that, or the other, if only they had thought of it at the time.

“The women grew hysterical. The men shouted contradictory directions to one another. Two of them made a bungling rush at the figure, which had the result of forcing it out of its orbit in the centre of the room, and sending it crashing against the walls and furniture. A stream of blood showed itself down the girl’s white frock, and followed her along the floor. The affair was becoming horrible. The women rushed screaming from the room. The men followed them.

“One sensible suggestion was made: ‘Find Geibel—fetch Geibel.’

“No one had noticed him leave the room, no one knew where he was. A party went in search of him. The others, too unnerved to go back into the ball-room, crowded outside the door and listened. They could hear the steady whir of the wheels upon the polished floor as the thing spun round and round; the dull thud as every now and again it dashed itself and its burden against some opposing object and ricocheted off in a new direction.

“And everlastingly it talked in that thin ghostly voice, repeating over and over the same formula: ‘How charming you are looking to-night. What a lovely day it has been. Oh, don’t be so cruel. I could go on dancing for ever—with you. Have you had supper?’