Answer.—By general agreement among art critics, Michael Angelo and Raphael stand at the head of the line of master painters. Conspicuous among the great paintings of the former are “The Last Judgment,” “The Conversion of St. Paul,” and “The Crucifixion of St. Peter;” and among those of the latter, “The Dispute Concerning the Sacrament,” the “Madonna di Foligno,” and the “Madonna del Pesce, or Virgin of the Fish.” The “Last Judgment” is a large fresco painting, sixty feet high by thirty feet wide, occupying the wall opposite the entrance of the Sistine Chapel, in the Vatican Palace at Rome. Over 300 figures are represented in “the most violent attitudes and most admired disorder.” “The Conversion of St. Paul” is another large fresco painting in the Vatican. “The Crucifixion of Peter,” also in the Vatican, is one of the last from the hands of Angelo. “The Dispute Concerning the Sacrament” is a fresco representing, above, a convocation of the saints around the Almighty, the Savior, and the Virgin, enveloped in heavenly glory, while beneath the ceremony of the consecration of the sacrament is depicted. This is found in the Camera della Segnatura of the Vatican, Rome. “The Madonna di Foligno,” in the Vatican gallery, derives its name from the city of Foligno, which is represented in the back-ground. The “Madonna del Pesce,” now in the gallery at Madrid, Spain, represents the Virgin and Child enthroned, with St. Jerome on one side and on the other an archangel with the young Tobit, who carries a fish, from which circumstance the name is derived. “The Madonna di San Sisto” is considered by many critics the best of Raphael’s works. It is located in the gallery of Dresden, Germany, and represents the Madonna standing upon the clouds surrounded with glory, holding in her arms the eternal Son. Saint Sixtus and Saint Barbara kneel at the sides. It was originally painted on wood, but has been transferred to canvas. The painting of “The Last Supper,” by Leonardo da Vinci, is recognized as one of the masterpieces. It was originally painted by order of the Duke of Milan on the walls of the refectory in the Dominican Convent of the Madonna delle Grazie. The picture is now in a state of decay, but several very fine copies have been made; one of them, at the Royal Academy, London, is considered almost, if not quite, as good as the original. Rubens’ paintings of the “Descent from the Cross” and “Elevation of the Cross,” at Antwerp, rank high as masterpieces. The “Adoration of the Trinity,” by Albert Durer, at Vienna, and his two pictures containing life-size figures of Peter and John, Mark and Paul, presented to the Council of Nuremberg, Germany, are also very famous. All of the above and many others, the productions of painters barely less noted, are classed as works of the great masters; and artists and amateurs are constantly going on pilgrimages to the temples and art galleries which are so favored as to enshrine them.
THE SCOTTISH POET, WM. KNOX.
Halstead, Kan.
Please give a short biographical sketch of William Knox.
Linnie Reed.
Answer.—William Knox, a Scottish poet, familiar to the readers of “Scott’s Diary,” was born at Roxburgh in 1789. Very little has been recorded concerning his life, which terminated at the comparatively early age of 36. He was very industrious, and in addition to his published volumes contributed to the Literary Gazette and to various other magazines. In 1818 he published a collection of poems under the title of “The Lonely Heath,” and in the succeeding year wrote “Mariomne,” “A Visit to Dublin,” “Songs of Israel,” and “The Harp of Zion.”
THE PLANETS IN FEBRUARY.
Wyanett, Ill.