PAUL PRY.
Chicago, Ill.
Who was the author of Paul Pry and who was the original of the character?
Inquirer.
Answer.—The author was John Poole, an English dramatist, born in 1785. He was remarkably successful in the production of light drama, including some roaring farces, of which the most conspicuous was “Paul Pry;” “Hamlet Travestie,” with burlesque annotations; “Deaf as a Post;” “Turning the Tables,” and “The Wife’s Stratagem,” adapted from Shirley. It was long believed that Thomas Hill, the eccentric editor of the Dramatic Mirror, was the original of Poole’s Paul Pry, but Poole himself contradicts this notion in a biographical sketch of himself that appeared a few years before his death, which occurred in London, Feb. 5, 1872. In this sketch he says: “The character of Paul Pry was suggested by the following anecdote, related to me several years ago by a beloved friend: An idle old lady, living in a narrow street, had passed so much of her time in watching the affairs of her neighbors that she at length knew the sound of each particular knocker within hearing, and could tell to which house it belonged. It happened that she fell ill, and was for several days confined to her bed. Unable to observe in person what was going on outside, she stationed her maid at the window as her substitute for the performance of that task. But Betty soon grew weary of the occupation; she became careless in her reports, impatient and tetchy when reprimanded for her negligence. ‘Betty, what are you thinking about? Don’t you hear a double knock at No. 9? Who is it?’ ‘The first floor lodger, ma’am.’ ‘Betty! Betty! I declare I must give you warning. Why don’t you tell me what that knock is at No. 24?’ ‘Why, Lord, ma’am, it is only the baker with pies.’ ‘Pies! Betty? What can they want with pies at No. 24? They had pies yesterday!’ Of this very point I have availed myself. Let me add that Paul Pry was never intended as the representative of any one individual, but of a class. Like the melancholy of Jacques, he ‘is compounded of many samples,’ and I could mention five or six who were unconscious contributors to the character. That it should have been so often, though erroneously, supposed to have been drawn after some particular person is perhaps complimentary to the general truth of the delineation. With respect to the play generally, I may say that it is original; it is original in structure, plot, character, and dialogue—such as they are. The only imitation I am aware of is to be found in part of the business in which Mrs. Subtle is engaged; while writing those scenes I had strongly in my recollection Collin d’Harleville’s ‘Vieux Celibataire.’ But even the little I have adopted is considerably altered and modified by the necessity of adapting it to the exigencies of a different plot.”
THE VOTE LAST NOVEMBER.
Beloit, Wis.
What was the number of votes cast for the different parties in each of the States in the November election?
W. W. Lloyd.