"What makes you fear this?" asked the Count.
"One idea. They might take it into their heads to examine separately all the inhabitants of the castle. First your Excellency, as its principal guest, then your humble servant, the gate-keeper, and even my assistant Crespo. If all did not tell the same story the Grand Judge would see some trick."
"You think so?" said the Count, moodily.
"I know so," said Pietro. "The Grand Judge, as the child's story-book says of ogres, loves fresh meat, and would see a spot on the brow of an angel. Now, I am not exactly an angel—and if he saw a spot, your excellency's head might be safe, but for want of a chicken he might twist my neck. The jailer would be the victim, and my friend the executioner would have to do with me. I know him. He would be enthusiastic in the operation, to make a vacancy in my place. He is bound up in his family."
For an instant the Count had not heard the jailer. One single name inspired him with the greatest terror, for it recalled one of the participators in his escape. This man held in his own hands his own and his accomplice's escape. Pietro had not foreseen all. This assistant, the character and dress of whom he had assumed, this Crespo, this mole, would be summoned before the magistrate. The keeper had seen and spoken to him, had opened the gate of the castle to suffer him to pass out, or at least fancied he had. What then would the man say? With great emotion, then, Monte-Leone said,
"The danger does not come from the place you apprehend. One witness, however, may ruin all."
"Of whom do you speak?" said Pietro, trembling.
"Of Crespo," said the Count.
"Ah—what have you to fear of Crespo?"
"Have you gained him over?"