Harry looked half-a-dozen bowie-knives at him. Besides the natural irritation produced by hunger, his wife and sister-in-law had been whipping him over each other's shoulders for the last half-hour, and now this last remark made him ready to boil over. For a few seconds his face wore an expression positively dangerous, but in another moment the ridiculous side of the case struck him. With a good-humored laugh he called for some wine—the only thing one was sure to get, as it was an extra, and a pretty expensive one, too, on the hills—and they drowned their hunger in a bumper of tolerable champagne.
The fact was, that the Bath Hotel had been a most excellent house three or four summers previous, and the "enterprising and gentlemanly" landlord (to borrow an American penny-a-liner's phrase) having made a fortune, as he deserved, had sold out his lease, with the good-will and fixtures of the establishment, to Mr. Grabster. The latter gentleman was originally a respectable farmer and market-gardener in the vicinity of Oldport; and having acquired by his business a fair sum of money, was looking about for some speculation in which to invest it. He commenced his new profession with tolerably good intentions, but having as much idea of keeping a hotel as he had of steering a frigate, and finding a balance against him at the end of the first season from sheer mismanagement, he had been endeavoring ever since to make up for it by screwing his guests in every way. People naturally began to complain. Two courses were open to him—to improve his living, or to tip an editor to puff him. He deemed the latter course the cheaper, and bought The Sewer, which, while uttering the most fulsome adulation of every thing connected with the Bath Hotel, frightened the discontented into silence through dread of its abuse. Ludlow, and some of the other exclusives, had, in the beginning of the present season, contrived a remedy, which, for the time, was perfectly successful. They held a private interview with the cook, and made up a weekly contribution for him, on condition of their having the best of every thing, and enough of it, for dinner; and the waiters were similarly retained. For a time this worked to a marvel, and the subscribers were as well fed as they could desire. But the other guests began to make an outcry against the aristocracy and exclusiveness of private dishes on a public table, and the servants soon hit upon a compromise of their own, which was to take the money without rendering the quid pro quo. This, of course, soon put an end to the payments, and things were on the old starvation footing again.
After dinner, every body who had horses rode or drove. The roads about Oldport were heavy and sandy, and terrible work the dust made with the ladies' fine dresses and the gentlemen's fine coats.
"Rather different from the drives about Baden-Baden," said Benson.
"Yes; but I suppose we must console ourselves on moral grounds, and remember, that there we owe the beautiful promenades to the gambling-table, while here we are without the roads, and also without the play."
"Ah, but isn't there play here! only all sub rosâ. Wait a while, and you'll find out."
And Ashburner did find out before many nights, when the footsteps and oaths of the young gamblers returning at four in the morning to their rooms in the "Colony," woke him out of his first sleep. After the drive, tea—still at the table-d'hôte—and after tea, dressing for the ball, which this night was at the Bellevue House, appropriately so called from commanding a fine view of nothing. As the Bellevue was not a fashionable hotel (although the guests were sufficiently fed there), some of the exclusive ladies had hesitated about "assisting" on the occasion; but the temptation of a dance was too strong to be resisted, and they all ultimately went. Le Roi accompanied the Bensons in the all-accommodating Rockaway. The Bellevue had a "colony," too, in the second story of which was the ballroom. As they ascended the stairs, the lively notes of La Polka Sempiternelle, composée par Josef Bungel, et dédiée à M. T. Edwards, reached their ears; and hardly were they over the threshold when Edwards himself hopped up before them, and without other preface or salutation than a familiar nod, threw his arm round Mrs. Benson's waist, and swung her off in the dance; while Sumner, who had simultaneously presented himself to Miss Vanderlyn, took similar possession of her.
"Do you dance?"
"No, I thank you."
While Benson asked the question, Le Roi dived at a girl and whirled her away: almost before Ashburner had answered it, his friend shot away from him, making point at a young married lady in the distance; and his bow of recognition ended in the back-step of the polka, as the two went off together at a killing pace. In five seconds from the time of entrance, Ashburner was left standing alone at one end of the room, and his companions were twirling at the other. For so habituated were the dancers to their fascinating exercise, that they were always ready to go at the word, like trained horses. And certainly the dancing was beautiful. He had never seen gentlemen move so gracefully and dexterously in a crowded room as these young Americans did. Le Roi and Röwenberg, who, by virtue of their respective nationalities, were bound to be good dancers, looked positively awkward alongside of the natives. As to the ladies, they glided, and swam, and realized all the so-often-talked-of-and-seldom-seen "poetry of motion." Indeed Ashburner thought they did it too well. He thought of Catiline's friend, commemorated by Sallust, who "danced better than became a modest woman." He thought some of their displays were a little operatic, and that he had seen something like them at certain balls in Paris—not the balls of the Faubourg St. Germain. He thought that the historian's aphorism might be extended to the male part of the company,—and that they danced better than became intelligent men. He thought—but as he prudently kept thoughts to himself, and as some of his foreign prejudice may have been at the bottom of them, we will not stop to record them all. By and by there was a quadrille for the benefit of the million, during which the exclusives rested, and Ashburner had full opportunity of observing them. The first thing that struck him was the extreme youth of the whole set, and more especially of the masculine portion of it. Old men there were none. The old women, that is to say, the mammas and aunts, were stuck into corners out of the way, and no one took any notice of them. Hamilton White was quite an old beau by comparison—almost superannuated. Sumner would have been nearly off the books but for his very superior dancing. Even Benson seemed a middle-aged man compared with the majority of "our set," who averaged between boys of seventeen and young men of twenty-four. And the more juvenile the youth, the larger and stiffer was his white tie. Some of these neck-fastenings were terrific to behold, standing out a foot on each side of the wearer. All the Joinvilles that Ashburner had ever seen, on all the gents in London or elsewhere, faded into insignificance before these portentous cravats. He could not help making some observations on this fashion to Benson, as he encountered him promenading with a fair polkiste.