"A slight motion of acquiescence with my head, and an affirmative wave of my hand, a little leaning toward the majestic, announced to my unknown friend the accuracy of his conjecture."
The little old gentleman's face relaxed—he took off his broad-brimmed hat, and laid it down with his cane carefully on the table, then seized my hand and shook it heartily. People are so polite and friendly when about to ask a favor.
"My dear air," said he, "this is a pleasure I have long sought vainly. You must know, sir. I am the editor of a theatrical weekly—a neat thing in its way—here's the last number." He fumbled about in his pocket, and produced a red-covered pamphlet.
"I have been some time publishing it, and though it is admitted by all acquainted with its merits to be clearly the best thing of the kind ever started this side of the Atlantic, yet people do not seem to take much notice of it. Indeed, my friends tell me that the public are not fully aware of its existence. Pray let me be indebted to you for a notice. I wish to get fairly afloat. You see I have been too diffident about it. We modest fellows allow our inferiors to pass us often. I will leave this number with you. Pray, pray give it a good notice."
He placed in my hands the eleventh number of the "North American Thespian Magazine," devoted to the drama, and also to literature, science, history, and the arts. On reading over the prospectus, I found it vastly comprehensive, embracing pretty much every subject in the world. If so extensive a plan were decently filled up in the details, the "North American Thespian Magazine" was certainly worth the annual subscription money, which was only one dollar. I said so under my "literary notices" in the next impression of my journal; and, although I had not actually read the work, yet it sparkled so with asterisks, dashes, and notes of admiration, that it looked interesting. I added in my critique, that it was elegantly got up, that its typographical execution reflected credit on the publishers, that its failure would be a grievous reproach to the city, that its editor was a scholar, a writer, and a gentleman, and was favorably known to the literary circles by the eloquence, wit, and feeling of his former productions. What those productions were, I should have been rather puzzled to say, never having read, or even heard of them. This, however, was the cant criticism of the day, which is so exorbitant and unmeaning, and so universally cast in one mould, that I was in some tribulation, on reading over the article in print, to find that I had omitted the words, "native genius," which possesses a kind of common-law right to a place in all articles on American literary productions. Forth, however, it went to the world, and I experienced a philanthropic emotion in fancying how pleased the little, hard-faced old gentleman would be with these flattering encomiums on his "Thespian Magazine."
The very day my paper was out, as I was sitting "full fathom five" deep in an article on "The Advantages of Virtue" (an interesting theme, upon my views of which I rather flattered myself), I was startled by three knocks at the door, and my "Come in" exhibited to view the broad-brimmed hat of the hard-faced gentleman, with his breeches, buckles, gold-headed cane and all. He laid aside his hat and cane with the air of a man who has walked a great way, and means to rest himself a while. I was very busy. It was one of my inspired moments. Half of a brilliant idea was already committed to paper. There it lay—a fragment—a flower cut off in the bud—a mere outline—an embryo; and my imagination cooling like a piece of red-hot iron in the open air. I raised my eyes to the old gentleman, with a look of solemn silence, retaining my pen ready for action, with my little finger extended, and hinting, in every way, that I was "not i' the vein." I kept my lips closed. I dipped the pen in the inkstand several times, and held it hovering over the sheet. It would not do. The old gentleman was not to be driven off his ground by shakes of the pen, ink-drops, or little fingers. He fumbled about in his pockets, and drew forth the red-covered "North American Thespian Magazine," devoted to the drama, &c., number twelve. He wanted "a good notice." The last was rather general. I had not specified its peculiar claims upon the public. I had copied nothing. That sort of critique did no good. He begged me to read this carefully—to analyze it—to give it a candid examination. I was borne down by his emphatic manner; and being naturally of a civil deportment, as well as, at that particular moment, in an impatient, feverish hurry to get on with my treatise on the "Advantages of Virtue," which I felt now oozing out of my subsiding brain with an alarming rapidity, I promised to read, notice, investigate, analyze, to the uttermost extent of his wishes, or at least of my ability.
I could scarcely keep myself screwed down to common courtesy till the moment of his departure; a proceeding which he accomplished with a most commendable self-possession and deliberate politeness. When he was fairly gone, I poked my head out, and called my boy.
"Peter."
"Sir."
"Did you see that little old gentleman, Peter?"