It was only natural for us to recall the many instances we have ourselves known, during the past twenty years, or more, of sorrow and distress among those who sought distinction in the thorny labyrinths of literature;—those who

——"waged with Fortune an eternal war,
Checked by the scoff of Pride, by Envy's frown,
And Poverty's unconquerable bar;"

and those who, after a brief struggle with untoward fate, left the battle-field, to die, "unpitied and unknown!"

We have seen the career of a young literary man commenced with the first grand requisite of all excellence worth achieving—enthusiasm; high notions of moral honor, and a warm devotedness to that "calling" which lifts units to a pinnacle formed by the dry bones of hundreds slain. We have seen that enthusiasm frozen by disappointment—that honor corrupted by the contamination of dissipated men—that devotedness to the cause fade away before the great want of nature—want of bread—which it had failed to bestow. We have seen, ay, in one little year, the flashing eye dimmed—the round cheek flattened—the bright, hopeful creature, who went forth into the world—rejoicing like the sun to run his course—dragged from the waters of our leaden Thames, a discolored remnant of mortality—recognized only by the mother who looked to him for all the world could give!

This is horrible—but it is a tragedy soon played out. There are hundreds at this moment possessed of the consciousness of power without the strength to use it. To such, a little help might lead to a life of successful toil—perhaps the happiest life a man can lead. A heritage of usefulness is one of peace to the last. We knew another youth, of a more patient nature than he of whom we have just spoken. He seemed never weary. We have witnessed his nightly toil; his daily labor; the smiling patience with which he endured the sneers levelled, only in English society, against "mere literary men." We remember when, on the first day of every month, he used to haunt the booksellers' shops to look over the magazines, cast his eyes down the table of contents, just to see if "his poem" or "his paper" had been inserted—then lay them down one after another with a pale sickly smile, expressive of disappointment, and turn away with a look of gentle endurance. The insertion of a sonnet, for which perhaps he might receive seven shillings, would set him dreaming again of literary immortality; and at last the dream was realized by an accident, or rather, to speak advisedly, by a good Providence. He became known—known at once—blazed forth; something he had written attracted the town's attention, and ladies in crowded drawing-rooms stood upon chairs to see that poor, worn, pale man of letters: and magazines, and grave reviews, and gayly-bound albums, all waited for his contributions—charge what he pleased; and flushed with fame, and weighed down with money—money paid for the very articles that had been rejected without one civil line of courtesy—the great sustaining hope of his life was realized; he married one as worn and pale with the world's toil, as himself—married—and died within a month! The tide was too tardy in turning!

Who shall say how many men of genius have walked, like unhappy Chatterton, through the valley of the shadow of death, and found no guide, no consolation—no hope; if, the one Great Hope had not been most mercifully planted early in their hearts and minds?

It was with melancholy pleasure that, during the past summer, our Pilgrimage was made to the places connected with the boy's memory, in Bristol; first to Colston's school, in which he was educated;[1] next to the dull district in which he was either born or passed his boyhood; then to the Institution, where his "Will," a mad document, and other memoranda connected with his memory, are preserved with a degree of care, that seems—or is—a mockery, when contrasted with the worse than indifference of the city to all that concerned him when alive; next to the house of Master Canynge, and next to the monument (Redcliffe Church) with which his name will be associated as long as one of its stones remains upon another; chewing the cud of sweet and bitter fancies through its long-drawn aisles; pondering sadly in the muniment-room, where the cofres that suggested the forgeries, still lie rotting; and gazing with mingled sorrow and surprise on the "Cenotaph to Chatterton," which now, taken to pieces, occupies the corner of a damp vault—

"A solemn cenotaph to thee,
Sweet Harper of time-shrouded minstrelsy!"

Ah! such books as we have been reading, and such memories as we have been recalling, are, after all, unprofitable—a darkness without light. We closed our eyes upon the world, which, in our momentary bitterness, we likened to one great charnel-house, entombing all things glorious and bright. We walked to the window; the rain was descending in torrents—pour, pour; pattens clattered in the areas, and a solitary postman made the street echo with his impatient knocks. A poor organ-boy, whom we have long known, was moving, rather than walking, in the centre; his hat flapped over his eyes by the rain, yet still he turned the handle, and the damp music crawled forth: he paused opposite our door, turned up the leaf of his hat, and looked upward; we missed the family of white mice which usually crawled on the top of his organ: poor child, he had sheltered them in his bosom; it was nothing more than natural that he should do so, and the act was commonplace enough—but it pleased us—it diminished our gloom. And we thought, if the great ones of the land would but foster the talent that needs, and deserves, protection from the storms of life, as that lonely boy sheltered the creatures intrusted to his care, the world would be all the better. We do not mean to insult the memory of such a genius as Chatterton by saying that he required a patron—the very sound is linked with a servility that degrades a noble nature; but we do say he sadly wanted a friend—some one who could have understood and appreciated his wonderful intellectual gifts; and whose strength of mind and position in society would have given power to direct and control the overleaping and indomitable pride which ultimately destroyed "the Boy." His career teaches a lesson of such rare value to all who seek distinction in any sphere of life, that we would have it considered well—as a beacon to warn from ruin.

"Oh! what a tangled web we weave,
When first we practise to deceive!"