The Royal University of Berlin has lost by death since Christmas, MM. Lachmann, Stuhr, Jacobi, Erman, and Dr. Charles Theodore Franz, who died at Breslaw early in January, at the untimely age of forty-five. For eleven years Dr. Franz occupied the chair of Classical Philology in the University of Berlin. He is the author of a variety of works: in the first rank of which stand his Criticisms on the Greek Tragic Poets, and his several collections of Greek and Latin inscriptions before unpublished. The London Morning Chronicle remarks that the continent never before lost so many great scholars in one year as in 1851.
William Jacob, F.R.S., a profound writer on science and agriculture, was born in 1762. His work, An Inquiry into the Precious Metals, has been held in high estimation. His other principal productions were Considerations on the Price of Corn; Tracts on Corn-Laws; and a View of Agriculture in Germany. Mr. Jacob, who was formerly Comptroller of Corn Returns in the Board of Trade, died on the 17th of December, at his residence in London, aged eighty-eight.
Mr. Paul Barras, died in Paris from wounds received in the contests between the people and the military, on the second day of the usurpation of Louis Napoleon. M. Barras resided in New-York about twenty years, and was engaged here as a teacher of his native language, and as a correspondent of one of the Parisian journals. He was an amiable man, of considerable talents, and enthusiastic in his attachment to Republicanism. He wrote several articles on American subjects in the Revue de Paris.
Ladies' Fashions for February.
In matters of fashion there have been very few changes since our last publication. We are in the midst of the gay season, but its modes, until disturbed by the approach of spring, were fixed before the holidays, and for the most part have already been reported. The Paris journals, we may remark, however, dwell much on the unusual ascendency of black, in furs, velvets, cloths, and other heavy stuffs, for walking and carriage dresses, and on the greater demand than in recent winters for every species of embroidery.
In the first of the above figures, representing a promenade costume, we have a high dress of rich silk; the skirt has plaided tucks woven in the material; it is long, and very full. Manteau of velvet, very richly embroidered; a broad black lace is set on round the shoulders in the style of a cape, and the cloak is embroidered above it. Capote of white silk, of a very elegant form, with deep bavolet or curtain; a droop of small feathers on the left side.
The second figure, or visiting costume, of heavy silk, with four flounces, and corresponding waistcoat. The waistcoat now takes the first place in a lady's toilette, and may be considered a triumph of luxury and elegance, reviving every description of embroidery, and forcing the jewellers to be constantly bringing out some novelty in buttons, &c. It is made very simple or very richly ornamented: for instance, those of the most simple description are made either of black velvet, embroidered with braid, and fastened with black jet buttons, or of cachemire; and a pretty style, of straw color, embroidered in the same colored silk, and closed with fancy silk bell buttons, whilst a few may be seen in white, quilted and embroidered with oak leaves and rose-buds. The rich style of waistcoat being covered with embroideries, and being closed up the front with buttons of brilliants. As a general rule, the waistcoat is made high up the throat, round which is a fall of lace, or opens en cœur, having a fichu à plastron of embroidery, worn under. The waistcoat has also two pockets.