They were wending their way towards a gate, at the very extreme limit of the park, which opened upon a path leading by a much shorter way to Mr. Marlow's own dwelling than the road he usually pursued. He had that morning come to spend but an hour at the house of Sir Philip Hastings, and he had an engagement at his own house at noon. He had spent two hours instead of one with Emily and her mother, and therefore short paths were preferable to long ones for his purpose, Emily had offered to show him the way to the gate, and her company was sure to shorten the road, though it might lengthen the time it took to travel.
Now in describing the park of Sir Philip Hastings, I have said that there was a wide open space around the mansion; but I have also said, that at some distance the trees gathered thick and sombre. Those nearest the house gathered together in clumps, confusing the eye in a wilderness of hawthorns, and bushes, and evergreen oaks, while beyond appeared a dense mass of wood; and, through the scattered tufts of trees and thick woodland at the extreme of the park ran several paths traced by deer, and park-keepers, and country folk. Thus for various reasons some guidance was needful to Marlow on his way, and for more reasons still he was well pleased that the guide should be Emily Hastings. In the course of their walk, amongst many other subjects they spoke of Mrs. Hazleton, and Marlow expatiated warmly on her beauty, and grace, and kindness of heart. How different was the effect of all this upon Emily Hastings from that which his words in her praise had produced upon her of whom he spoke! Emily's heart was free. Emily had no schemes, no plans, no purposes. She knew not that there was one feeling in her bosom with which praise of Mrs. Hazleton could ever jar. She loved her well. Such eyes as hers are not practised in seeing into darkness. She had divined the Italian singer—perhaps by instinct, perhaps by some distinct trait, which occasionally will betray the most wily. But Mrs. Hazleton was a fellow-woman—a woman of great brightness and many fine qualities. Neither had she any superficial defects to indicate a baser metal or a harder within. If she was not all gold, she was doubly gilt.
Emily praised her too, warmed with the theme; and eagerly exclaimed, "She always seems to me like one of those dames of fairy tales, upon whom some enchanter has bestowed a charm that no one can resist. It is not her beauty; for I feel the same when I hear her voice and shut my eyes. It is not her conversation; for I feel the same when I look at her and she is silent. It seems to breathe from her presence like the odor of a flower. It is the same when she is grave as when she is gay."
"Aye, and when she is melancholy," replied Marlow. "I never felt it more powerfully than a few days ago when I spent an hour with her, and she was not only grave but sad."
"Melancholy!" exclaimed Emily. "I never saw her so. Grave I have seen her—thoughtful, silent—but never sad; and I do not know that she has not seemed more charming to me in those grave, stiller moods, than in more cheerful ones. Do you know that in looking at the beautiful statues which I have seen in London, I have often thought they might lose half their charm if they would move and speak? Thus, too, with Mrs. Hazleton; she seems to me even more lovely, more full of grace, in perfect stillness than at any other time. My father," she added, after a moment's pause, "is the only one who in her presence seems spell-proof."
Her words threw Marlow into a momentary fit of thought. "Why," he asked himself, "was Sir Philip Hastings spell-proof when all others were charmed?"
Men have a habit of depending much upon men's judgment, whether justly or unjustly I will not stop to inquire. They rely less upon woman's judgment in such matters; and yet women are amongst the keenest discerners—when they are unbiassed by passion. But are they often so? Perhaps it is from a conviction that men judge less frequently from impulse, decide more generally from cause, that this presumption of their accuracy exists. Woman—perhaps from seclusion, perhaps from nature—is more a creature of instincts than man. They are given her for defence where reason would act too slowly; and where they do act strongly, they are almost invariably right. Man goes through the slower process, and naturally relies more firmly on the result; for reason demonstrates where instinct leads blindfold. Marlow judged Sir Philip Hastings by himself, and fancied that he must have some cause for being spell-proof against the fascinations of Mrs. Hazleton. This roused the first doubt in his mind as to her being all that she seemed. He repelled the doubt as injurious, but it returned from time to time in after days, and at length gave him a clue to an intricate labyrinth.
The walk came to an end, too soon he thought. Emily pointed out the gate as soon as it appeared in sight, shook hands with him and returned homeward. He thought more of her after they had parted, than when she was with him. There are times when the most thoughtful do not think—when they enjoy. But now, every word, every look of her who had just left him, came back to memory. Not that he would admit to himself that there was the least touch of love in his feelings. Oh no! He had known her too short a time for such a serious passion as love to have any thing to do with his sensations. He only thought of her—mused—pondered—recalled all she had said and done, because she was so unlike any thing he had seen or heard of before—a something new—a something to be studied.
She was but a girl—a mere child, he said; and yet there was something more than childish grace in that light, but rounded form, where beauty was more than budding, but not quite blossomed, like a moss-rose in its loveliest state of loveliness. And her mind too; there was nothing childish in her thoughts except their playfulness. The morning dew-drops had not yet exhaled; but the day-star of the mind was well up in the sky.
She was one of those, on whom it is dangerous for a man afraid of love to meditate too long. She was one the effect of whose looks and words is not evanescent. That of mere beauty passes away. How many a face do we see and think it the loveliest in the world; yet shut the eyes an hour after, and try to recall the features—to paint them to the mind's eye. You cannot. But there are others that link themselves with every feeling of the heart, that twine themselves with constantly recurring thoughts, that never can be effaced—never forgotten—on which age or time, disease or death, may do its work without effecting one change in the reality embalmed in memory. Destroy the die, break the mould, you may; but the medal and the cast remain. Had Marlow lived a hundred years—had he never seen Emily Hastings again, not one line of her bright face, not one speaking look, would have passed from his memory. He could have painted a portrait of her had he been an artist. Did you ever gaze long at the sun, trying your eyes against the eagle's? If so, you have had the bright orb floating before your eyes the whole day after. And so it was with Marlow: throughout the long hours that followed, he had Emily Hastings ever before him. But yet he did not love her. Oh dear no, not in the least. Love he thought was very different from mere admiration. It was a plant of slower growth. He was no believer in love at first sight. He was an infidel as to Romeo and Juliet, and he had firmly resolved if ever he did fall in love, it should be done cautiously.