Letters from Rome speak in high terms of an alto relievo monument just modelled there by the German sculptor Steinhauser for a family in Philadelphia. The monument was designed to commemorate two sisters and a brother, and to be erected in a chapel built specially for the purpose. The artist has represented the three persons as gently sleeping, in a partially sitting posture, at the foot of a cross. The elder sister leans against the cross, and clasps the younger sister with one arm and the brother with the other. This sister is made the personation of Love, the younger of Faith, with one hand on an open book, and the boy of Hope, bearing a pomegranate flower in his hand. Above them floats the angel of the resurrection. The figures are of the size of life, and are said happily to combine the classical antique in form with Christian sentiment in expression. The whole is to be executed in marble, and surrounded with a frame-work of Gothic architecture. The work was awarded to Steinhauser as the result of a public competition, in which Crawford was one of the participants.
Adolf Schrödter, one of the first painters of the Düsseldorf School, has just produced a series of nine colored sketches by way of illustrations to a poem of A. von Marens entitled "The Court of Wine." He represents King Wine as leading a triumphal march enthroned on a wine-press, wreathed with vine leaves and drawn with grape vines by jolly vintagers of every age and sex. Behind follow as chamberlains a band of coopers, a jester dancing on a cask, and a troop of gay youths full of all "quips and cranks and youthful wiles." Then come, represented by most happily conceived figures, the German rivers on whose shores are the world-famous vineyards whose names make epicures smack their lips; then the German impersonations of Saus and Braus, or Joviality and Good Living; after them a troop of cooks, and next a queer company of dancers. We see a poet crowned with vine leaves, a tipsy-happy Capuchin monk and a jester laughing at him. The series closes with a love-scene, broken in upon by a watchman armed with a big spit hung with herrings, beer-cans, sausages, and other furniture of a German restaurant. The whole are treated with that affluence of national humor for which Schrödter is unequalled.
Mr. Hill, a retired clergyman residing near the Cattskill mountains, where he has given his leisure to the study of photography, after numerous experiments, has succeeded in obtaining colored pictures of extraordinary beauty. Portraits and landscapes, by his process, are said to be as fresh and vivid in color as those produced by the best camera obscura. The subject is an interesting one, and will have an important bearing upon the arts. We have noticed it more fully under the head of Scientific Miscellany.
Mr. Hackett, or Baron Hackett, as we believe he is entitled to be called, is now in England. We have seen no announcements of his appearance in the theatres, but believe that like Macready, he had engagements, and was to make a "last appearance" in London during the present season. As the originator of the line of Yankee characters, he has, like the originators of almost every thing else, seen others step in and divide the palm with him. As an artist, he is more finished than his competitors, and as a general actor he is above all comparison with them. They confine themselves to one range of characters, he shows a versatility of talent, and goes through a variety which it requires some genius to conceive, as well as mere talent at imitation. His Falstaff—though we cannot concede it to be exactly the character drawn by Shakspeare—is the best delineation in its way given by any actor now on the stage, and his Monsieur Mallet is in all respects admirable.
The Statue of Giovanni Di Medici, by Baccio Bandinelli, has just been placed on its pedestal in the place before the church of San Lorenzo at Florence. It is three hundred years since this statue was made, and during all this time it has been kept in the great council hall of the Palazzo Vecchio, while its proper pedestal has been vacant. It represents Giovanni (the famous leader of the bande nere, or black bands, the Bayard of Italy, and the father of Cosmo I., the first Grand Duke of Florence) in a sitting posture, with the commander's baton in his hand. It is of little value as a work of art.