Mr. Roebuck, the radical member of Parliament, is continuing his History of the Whigs.
It is not be denied that Miss Martineau is one of the cleverest women of our time; deafness and ugliness have induced her to cultivate to the utmost degree her intellectual faculties, and several of her books are illustrations of a mind even masculine in its power and activity; but the constitutional feebleness, waywardness, and wilfulness of woman is nevertheless not unfrequently evinced by her, and as she grows older the infirmities of her nature are more and more conspicuous; vexed with neglect, without the kindly influences of home or friendship, without the consolations or hopes of religion, she seems now ambitious of attention only, and willing to sacrifice every thing womanly or respectable to attract to herself the eyes of the world—the last thing, in her case, one would think desirable. In the book she has just published—Letters on Man's Nature and Development, by Harriet Martineau and H. G. Atkinson—she avows the most positive and shameless atheism: Christians have had little regard for Pagan deities—she will have as little for theirs! The sun rose yesterday; the fishes still swim in the sea; all the world goes on as before; but she cares not a fig for any deities, Christian or pagan—and don't believe a word of the immortality of the soul! In this new book, of which she is the chief author, the interlocutors place implicit credence in all the phenomena of mesmerism, and they cannot believe there is any thing in man's being or existence or conscience beyond what the senses reach, beyond what the scalpel discloses in the brain. They trace acts and motions and even inclinations to the brain, and deny that there is or can be any thing in contact which can influence it. Cerebrum et præterea nihil is their motto. The book is the apotheosis of that lump of marrow and fibre. And yet this brain, which is so jealously guarded from any spiritual or immaterial influence, is declared to be completely under the direction of any man or woman who may pass a hand, with faith, backwards and forwards over the skull. The extremities of the body—the fingers—send forth and radiate certain electric, or galvanic, or invisible influences, and thus one has full power over another's organization and volition! But as to any influence beyond the sensible world, that Miss Martineau stoutly denies. The following passage is not an uninteresting specimen of this foolish production:
"I observed that under the influence of mesmerism some patients would spontaneously place their hand, or rather the ends of their fingers, on that part of the brain in action; and these were persons wholly ignorant of phrenology. In some cases the hand would pass very rapidly from part to part, as the organs became excited. If the habit of action was encouraged, they would follow every combination with precision: and if one hand would not do they would use both to cover distant parts in action at the same time. I was delighted with their effects; but did not consider them very extraordinary, because I had been accustomed to observe the same phenomena, in a lesser degree, in the ordinary or normal condition. I know some, who on any excitement of their love of approbation, will rub their hand over the organ immediately. Others, I have observed, when irritated, pass the hand over destructiveness. I have observed others hold their hand over the region of the attachments, as they gazed on the object of their affections. I have watched the poet inspired to write with the fingers pressing on the region of ideality, and those listening to music leaning upon the elbow, with the fingers pressing on the organ of music; and I catch myself performing those actions continually, as if I were a puppet moved by strings. You will observe, besides, how the head follows the excited organ. The proud man throws his head back; the fine man carries his head erect; vanity draws the head on one side, with the hat on the opposite side; the intellect presses the head forward; the affections throw it back on the shoulders; and so with the rest."
The Right Honorable Sir John Cam Hobhouse is created a peer with the title of Baron Broughton de Gyfford, in the county of Wilts. His fame in literature has long been lost, in England, in his reputation as a politician; but in this country we know him only as rather a clever man of letters. His most noticeable works that we remember, are, A Journey through Albania, in 1809, Illustrations of the Fourth Canto of Childe Harold, The State of Literature in Italy, and two volumes entitled Letters from Paris during the last Reign of Napoleon. His lordship must be in the vicinity of seventy-five years of age.
Of "Junius" there is still another book—though many good libraries contain not so many volumes as have been written upon the subject—and the journals have almost every month some new contributions to the mystery, increasing the accumulation by which the face of the author is hidden. The last work is entitled "Fac-simile Autograph Letters of Junius, Lord Chesterfield and Mrs. C. Dayrolles, showing that the wife of Mr. Solomon Dayrolles was the amanuensis employed in copying the letters of Junius for the printer; with a Postscript to the first Essay on Junius and his Works: by William Cramp, author of 'The Philosophy of Language.'"