The second volume of The Works of John Adams, we understand, has been very well received by the book-buyers. It is frequently observed of it, that it vindicates the title of its eminent author and subject to a higher distinction than has commonly been awarded to him in our day. It certainly is one of the most interesting biographies of the revolutionary period that we have read. The third and fourth volumes will be published by Little & Brown about the beginning of May.
"The Cæsars," by De Quincy, is the last of the works by that great author issued by Ticknor, Reed, & Fields, who promise us in their beautiful typography all that the "Opium Eater" has written. "The Cæsars" is a very remarkable book.
Of The Edition Of The Writings of Washington by Jared Sparks, we published some years ago in the Philadelphia North American an opinion which was amply vindicated by citations and comparisons, and more recently, in the International for last December, we substantially repeated our judgment in the following words, in reply to some observations on the subject in the Paris Journal des Debats:
"But the omissions by Mr. Sparks—sometimes from carelessness, sometimes from ignorance, and sometimes from an indisposition to revive memories of old feuds, or to cover with disgrace names which should be dishonored, and his occasional verbal alterations of Washington's letters, prevent satisfaction with his edition of Washington."
Since then an able and ingenious writer in the Evening Post has criticised the labors of Mr. Sparks in the same manner, and in a second paper conclusively replied to his defenders. We profess thoroughly to understand this matter; we have carefully compared the original letters of Washington, as they are preserved in the Department of State, in the Charleston Library, the New-York Historical Society's Library, and in numerous other public and private collections, and we have come to the conclusion that instead of having done any service to American History by his editions of Morris, Franklin, and Washington, Mr. Sparks has done positive and scarcely reparable injury; since by his incomplete, inaccurate and injudicious publications, he has prevented the preparation of such as are necessary for the illustration of the characters of these persons and the general history of their times. We shall not at present enter into any particulars for the vindication of our dissent from the very common estimation of the character of Mr. Sparks as a historian; but we may gratify some students in our history by stating that A Complete Collection of the Writings of Washington, chronologically arranged, and amply illustrated with Introductions, Notes, &c., is in hand, and will be published with all convenient expedition. It will embrace about twice as much matter as the edition by Sparks, but will be much more compactly printed. It would have appeared before the present time, but for an absurd misapprehension in regard to certain assumed copyrights, which one of our most eminent justices, and several lawyers of the highest distinction, have declared null and impossible.
Mr. Isaac C. Pray is the author of a beautiful volume on the eve of publication, on the History of the Musical Drama. One hundred and sixty pages are devoted to "Parodi and the Opera." Mr. Pray is a capital critic in this department; he has been many years familiar with the various schools of musical art, and at home behind the scenes in the great opera houses of Europe: so that probably no writer in America has more ample material for such a work as he has undertaken. He proposes a series of some half-dozen volumes on the subject.