The Red Rover followed The Prairie. Its success surpassed that of any of its predecessors. It was written and printed in Paris, and all in a few months. Its merits and its reception prove the accuracy of those gentlemen who allege that "Mr. Cooper never wrote a successful book after he left the United States." It is certainly a stronger work than The Pilot, though not without considerable faults.
The Wept of Wish-ton-Wish was the next novel. The author I believe regards this and Lionel Lincoln as the poorest of his works. It met with no great success.
The Water Witch succeeded, but is inferior to any of the other nautical tales. It was the first attempt by Mr. Cooper—the first by any author—to lay the scene of a tale of witchcraft on the coast of America. It has more imagination than any other of Mr. Cooper's works, but the blending of the real with the ideal was in some parts a little incongruous. The Water Witch was written in Italy and first printed in Germany.
Of all Americans who ever visited Europe, Mr. Cooper contributed most to our country's good reputation. His high character made him every where welcome; there was no circle, however aristocratic or distinguished, in which, if he appeared in it, he was not observed of all observers; and he had the somewhat singular merit of never forgetting that he was an American. Halleck, in his admirable poem of Red Jacket, says well of him:
Cooper, whose name is with his country's woven,
First in her fields, her pioneer of mind,
A wanderer now in other lands, has proven
His love for the young land he left behind.
After having been in Europe about two years he published his Notions of the Americans, in which he "endeavored to repel some of the hostile opinions of the other hemisphere, and to turn the tables on those who at that time most derided and calumniated us." It contained some unimportant errors, from having been written at a distance from necessary documentary materials, but was altogether as just as it was eloquent in vindication of our institutions, manners, and history. It shows how warm was his patriotism; how fondly, while receiving from strangers an homage withheld from him at home, he remembered the scenes of his first trials and triumphs, and how ready he was to sacrifice personal popularity and profit in defence of his country.
He was not only the first to defend and to praise America, but the first to whom appeals were made for information in regard to her by statesmen who felt an interest in our destiny. Following the revolution of the Three Days, in Paris, a fierce controversy took place between the absolutists, the republicans, and the constitutionalists. Among the subjects introduced in the Chambers was the comparative cheapness of our system of government; the absolutists asserting that the people of the United States paid more direct and indirect taxes than the French. La Fayette appealed to Mr. Cooper, who entered the arena, and though, from his peculiar position, at a heavy pecuniary loss, and the danger of incurring yet greater misfortunes, by a masterly exposé silenced at once the popular falsehoods. So in all places, circumstances, and times, he was the "American in Europe," as jealous of his country's reputation as his own.
Immediately after, he published The Bravo, the success of which was very great: probably equal to that of The Red Rover. It is one of the best, if not the very best of the works Mr. Cooper had then written. Although he selected a foreign scene on this occasion, no one of his works is more American in its essential character. It was designed not only to extend the democratical principle abroad, but to confirm his countrymen in the opinion that nations "cannot be governed by an irresponsible minority without involving a train of nearly intolerable abuses." It gave aristocracy some hits, which aristocracy gave back again. The best notice which appeared of it was in the famous Paris gazette entitled Figaro, before Figaro was bought out by the French government. The change from the biting wit which characterized this periodical, to the grave sentiment of such an article, was really touching, and added an indescribable grace to the remarks.
The Heidenmaur followed. It is impossible for one to understand this book who has not some acquaintance with the scenes and habits described. It was not very successful.
The Headsman of Berne did much better. It is inferior to The Bravo, though not so clashing to aristocracy. It met with very respectable success. It was the last of Mr. Cooper's novels written in Europe, and for some years the last of a political character.