The London Leader demands attention to the scholarship of the homœopathic physicians, to their respectability as thinkers and as men, and to the character of their writings; and surveying the extraordinary and steady advances of the homœopathic sect, urges that every thing, which has at any time won for itself a broad footing in the world, must have been possessed by some spirit of truth. Every thoughtful person knows that no system stands fast in virtue of the errors about it. It is the amount of truth it contains, however little and overlaid that may be, which enables an institution or a doctrine to keep its ground. The extent and quality of that ground, taken together with the length of time it is kept, constitute a measure of the quantity of truth by which a militant institute is inspired and sustained.
Ladies' Fashions for the Season.
In Paris and London the chief novelties have been preparations for the London season. Head-dress is particularly rich, by no means lacking lively colors, and ornamented with gold, silver, and beads. We only speak here of fancy head-dress; for diamonds are always very much admired for a rare and recherchée parure. Never have they been so well set as at the present day, both as regards elegance, lightness, and convenience. Thus, each night a lady may change the disposition of her brilliants: to-day she may form them into a band, like a diadem; to-morrow, a row of pins for the body of her dress; another time she can place them on a velvet necklace, and so forth.
Fancy head-dresses are made of lace, blond, silk, gold, or silver. Flowers of all kinds are also worn, and above all foliage of velvet and satin, deep shaded, enriched with white or gold beads, and gold or silver fruit. We have also seen a coiffure of gold blond, forming a small point at the top of the head, and ornamented on each side with a branch of green foliage and golden fruit in little flexible bunches.
Ball dresses have nearly all two skirts, which are ornamented with a profusion of flounces, trimmed with ribbons or flowers, which follow the shade of the first or upper skirt; or they are used to raise it at the sides, or on one side only. We have also seen a dress of white net with two skirts, the first (the under) trimmed with two net flounces at the extremity with two gathers through the middle, and satin ribbon. On each of these flounces was a trimming of Brussels application lace, with a gather of ribbon at the top, of the same width as those of the extremity. The second skirt was trimmed at the bottom with two gathers of ribbon, and one lace flounce with a ribbon gathering at the top; the body was an intermixture of gathered ribbons and lace flounces.
Capotes will be more in vogue than bonnets, their style allowing spangling, for which bonnets are not suited. We have seen capotes of taffeta, and ribbon applied like flounces as ornaments to the crown; these ribbons are cut into teeth or plain, but with a narrow border of much brighter shade. We have also seen very pretty capotes covered with net, made of very lively colored taffeta. The tops of all these bonnets are widened more than they are high; however, they are drawn near the bottom, and are quite closed.
Dresses, it is certain, will be open in front and heart-shaped to the bottom of the waist. Low square-fronted chemisettes suit this kind of bodice, with breast-plates of embroidery and lace. At concerts, many dresses are seen either with flounces or apron-shaped fronts; that is to say, the front breadth has a much richer pattern, and different from the other breadths of the skirt. This pattern is generally an immense bouquet, whose branches entwine to the top, diminishing in size; or there are two large columns of stripes, which form undulating wreaths.