She first translated a little work from the French, called "Israel Defended;" she tried her pinions in "The Magic Wreath," and, feeling her mental strength, soared upwards in the cause of her people; she wrote "Home Influence," and "The Spirit of Judaism." But the triumphant spirit was, ere long, clogged by the body's weakness. In the spring of 1838, she was attacked by measles, and from that illness she never perfectly recovered. Soon, she commenced the work that of itself is sufficient to create and crown a reputation—"The Women of Israel." But while her mental powers increased in strength and activity, she became subject to repeated attacks of bodily prostration; and her once round and graceful form was but a shadow. The physician recommended change of air and scene: and sometimes she rallied, but there was no permanent improvement. Music was still, as it had ever been, her solace and delight; but she was obliged to relinquish her practice of the harp, and to exercise her voice but seldom; still her spirit cried "On, on," and every hour she could command was devoted to her pen.
"The Records of Israel," "The Women of Israel," and "The Jewish Faith," separately and together, show how, heart and soul, she labored in the cause she had so emphatically made her own. The first publication relating so particularly to her own people, met with but a cool reception from the English Jews; but in America (where the Hebrews enjoy perfect equality with their Christian brethren) they hailed this rising star with joy, and looked anxiously for its meridian. Letters and congratulations came to her across the Atlantic; and those who had read only her fugitive pieces, were astonished at the concentrated zeal and pious energy which animated her when writing of the Hebrews.
A little "History of the English Jews," published by the Messrs. Chambers, is perhaps superior to her other writings in style and finish—the sentences are more condensed—the information more full of interest. It was, we believe, her last labor of love, and she greatly rejoiced in its publication. When it was finished, she had resolved to visit the German baths, and enjoy, as much as her increased debility permitted, the society of her eldest brother, who at the time was studying music (the art in which he now so much excels) at Frankfort. Her youngest brother was at sea. There were times, even before her departure for Germany, that she felt as if her days were numbered; but this feeling she studiously concealed from her mother, and bore her sufferings with the sweet and placid patience which rendered it a privilege to see her and to hear her speak. At times she thought she might be spared a little longer to comfort her mother, to witness the distinction certain to reward her brother, and enjoy the reputation which now rushed upon her, especially from her own people, both here and in America.
Devotedly attached to her friends, she bitterly regretted that she could not take leave of them all; but her weakness increased daily; propped up by pillows she still continued to write, until her medical advisers expressly commanded that she should abstain from this—her "greatest and last luxury." She obeyed, though expressing her conviction that writing did her good, not harm; she frequently said that when oppressed by care, anxiety, and pain, her favorite pursuit drew her from herself, and she firmly believed that writing relieved her headaches,—and this at a period when she had grown too ill even to listen to music. But, all—all her sufferings were borne with angelic patience, as the will of her Heavenly Father, and she would console her mother with words of cheerfulness and hope.
We have said her life had in it nothing to render it remarkable; surely, we are in error, her patient, industrious, self-sacrificing life, was remarkable not only for its sanctity, its talent, and its high purpose, but for its earnest and beautiful simplicity, and perfect womanliness.
When the period of her departure for Germany had arrived, her friends found it difficult to bid her farewell; for they thought it would be the last time they should ever press her thin attenuated hand; but the brightness of her eyes, the hopefulness of her smile, made them hope against hope. She left England on the 16th of June, 1847, lingered in the brilliant city of Frankfort for a few weeks, and then went to the baths at Langen Schwalback. She persevered in her use of the baths and mineral waters, but they afforded no relief; she was seized one night with violent spasms, and the next day was removed to Frankfort. Convinced that recovery was now impossible, she calmly and collectedly awaited the coming of death: and though all power of speech was gone, she was able to make her wants and wishes known by conversing on her fingers. Her great anxiety was to soothe her mother; though her tongue refused to perform its office, those wasted fingers would entreat her to be patient, and trust in God. She would name some cherished verse in the Bible, or some dearly-loved psalm, that she desired might be read aloud. The last time her fingers moved it was to spell upon them feebly, "Though he slay me, yet will I trust in him;" when they could no longer perform her will, her loving eyes would seek her mother and then look upwards, intimating that they should meet hereafter. Amen!
Her death occasioned deep regret among the Hebrews both in Europe and America: foreign tabernacles poured forth their lamentations, private friends gave voice to their grief in prose and poetry, and the various journals of both hemispheres spoke of her with the respect and admiration she deserved. But to those who really knew Grace Aguilar, all eulogium falls short of her deserts; and she has left a blank in her particular walk of literature, which we never expect to see filled up! Her loss to her own people is immense; she was a golden light between the Christian and the Jew; respected and admired alike by both, she drew each in charity closer to the other; she was a proof, living and illustrious, of Jewish excellence and Jewish liberality, and loyalty, and intelligence. The sling of the son of Jesse was not wielded with more power and effect against the scorner of his people, than was her pen against the giant Prejudice.
We have dwelt more than may be thought necessary on Grace Aguilar's championship of her own people, because that distinguishes her from all other female authors of our time; and when writing of the "fold of Judah," there is a tone of feeling in all she has published which elevates and sustains her in a remarkable manner. In conversation, the mention of her people produced the same effect. Sometimes she seemed as one inspired; and the intense brightness of her eyes, the deep tones of her voice, the natural and unaffected eloquence of her words, when referring to the past history of the Jews,—and the positive radiance of her countenance when she spoke of the gathering of the tribes at Jerusalem, could never be forgotten by those who knew this young Jewish lady. In time, as we have said, her own people estimated her as she deserved. She received a very beautiful address from some of the "women of Israel" before she left this country for Germany. Among her works of a more general nature, "Home Influence" is perhaps the most popular; and its sequel, "The Mother's Recompense," though only lately published, was written as far back as the year 1836. "The Vale of Cedars" is a tale of Jewish faith and Jewish suffering, founded on singular facts that came to her knowledge through some of her own people: the arrangement of the story was difficult, as it is always difficult to embellish what is simple and dignified, without destroying its effect and beauty—but, as we have said, whenever Grace touched upon her own people, she wrote and spoke as one inspired; she condensed and spiritualized, and all her thoughts and feelings were steeped in the essence of celestial love and truth. We are persuaded that had this young woman lived in the perilous times of persecution, she would have gone to the stake for her faith's sake, and died praying for her murderers. And this heroism was not only for the great trials of life; she was also a heroine in her endurance of small sufferings, and petty annoyances, deeming it sinful to manifest impatience, and thinking it right to be afflicted.
Grace Aguilar had earnestly desired that we should have met her at Frankfort; and the only letter we received from her after her arrival there, was full of the pleasant hope that we should meet again—in that cheerful city; this was however impossible; but when we knew that we should see her no more in this world, we promised ourselves a pilgrimage to her grave: and over all the plans which mingled with our dreams of the splendid churches and vast cathedrals we were to see in Germany, would come a vision of Grace Aguilar's quiet grave in the Jewish burying-ground of Frankfort-on-the-Main; and all the reality of the animated handsome city, its merchant palaces in the Zeil, and Neue Mainzer Strasse, its old Dom, so full of interest, with its fine monument of Rudolph of Sachsenhausen, beside which you cannot but recall the time when St. Bernard preached the crusade within its walls,—not even when we stood alone beneath the roof of St. Leonhard's Church, and knew that there once stood the Palace of Charlemagne,—not there—nor anywhere—could we forget that we had vowed a pilgrimage to the grave of "the lost star of the house of Judah."
How wild and inharmonious is the mingling of sights, as you whirl through continental cities! Heroic monuments—dark and deep dungeons—magnificent palaces—pictures—flowers—instruments of torture—delicious operas—all crowded together into a few short days!