"What a figure will this our Augustan age make! Garrick's prologues, epilogues, and verses, Sir W. Chambers's Gardening, Dr. Nowel's Sermon, Whittington and his Cat, Sir John Dalrymple's History and Life of Henry II. What a library of poetry, taste, good sense, veracity, and vivacity! Ungrateful Shebbear! indolent Smollett! trifling Johnson! piddling Goldsmith! how little have they contributed to the glory of a period in which all arts, all sciences are encouraged and rewarded! Guthrie buried his mighty genius in a review, and Mallet died of the first effusions of his loyalty. The retrospect makes one melancholy, but Ossian has appeared, and were Paradise once more lost, we should not want an epic poem!"
We take other passages from the letters exhibiting the same spirit—now simply entertaining:
"Dr. Goldsmith has written a comedy—no, it is the lowest of all farces, it is not the subject I condemn, though very vulgar, but the execution. The drift tends to no moral, no edification of any kind—the situations, however, are well imagined, and make one laugh in spite of the grossness of the dialogue, the forced witticisms, and total improbability of the whole plan and conduct. But what disgusts me most is, that though the characters are very low, and aim at low humor, not one of them says a sentence that is natural or marks any character at all. It is set up in opposition to sentimental comedy, and is as bad as the worst of them. Garrick would not act it, but bought himself off by a poor prologue.
"You will be diverted to hear that Mr. Gibbon has quarrelled with me. He lent me his second volume in the middle of November. I returned it with a most civil panegyric. He came for more incense, I gave it, but alas! with too much sincerity, I added, 'Mr. Gibbon, I am sorry you should have pitched on so disgusting a subject as the Constantinopolitan history. There is so much of the Arians and Eunomians, and semi-Pelagians; and there is such a strange contrast between Roman and Gothic manners, and so little harmony between a Consul Sabinus and a Ricimer, Duke of the Palace, that though you have written the story as well as it could be written, I fear few will have patience to read it.' He colored; all his round features squeezed themselves into sharp angles; he screwed up his button-mouth, and rapping his snuff-box, said, "It had never been put together before'—'so well,' he meant to add, but gulped it. He meant 'so well,' certainly, for Tillemont, whom he quotes in every page, has done the very thing. Well, from that hour to this, I have never seen him, though he used to call once or twice a week: nor has sent me the third volume, as he promised. I well knew his vanity, even about his ridiculous face and person, but thought he had too much sense to avow it so palpably.
"I have read Sheridan's Critic, but not having seen it, for they say it is admirably acted, it appeared wondrously flat and old, and a poor imitation; it makes me fear I shall not be so much charmed with the School for Scandal, on reading, as I was when I saw it."
There is of course no denying that these attempts to make "small beer" of the Gibbons, Humes, Goldsmiths, Johnsons, Smolletts, and other spirits already secure and serene among the immortals, however amusing in themselves, become mighty ridiculous by the side of as perpetual praise of the writer's own clique.