"Tell him who waits to come," said she to the servant.
The woman left, and soon after came in with a man whom the Duchess made sit beside her. The woman left the room. We will leave the Duchess with the stranger and go to No. 13 rue de Babylonne, where one month after we shall find Mlle. Celestine Crepineau, a prey to the tenderest emotions. We must say for about two months the heart of that lady had been speaking. This lady's heart, like that of old thorough-bred horses, of whom we read every once in a while, had a return of ardor, and laid aside all its ascetic devotion to become intense living and burning, as it had been in youth. This was the sure premonition of old age. If anything could justify this resurrection, it is what we are about to tell.
A new star shone in la rue de Babylonne. A beautiful stranger calling himself a Spaniard, a statement made probable by his dark complexion, sun-burnt brow, black hair, and brilliant eyes, established himself in a modest garret of No. 12, just opposite the house of the hangman, now occupied by Matheus. The charming Spaniard had no decided profession. His dress was that of an artisan in his Sunday best: and his velvet vest covered a prominent and Herculean torso. He was tall; and walked squarely on his large feet; a circumstance which made Mlle. Crepineau think him majestic. He said he was a bear-hunter from the Pyrenees, who had been forced to expatriate himself because in a duel he had wounded the governor of his province. It may be imagined that so rare a profession excited much admiration among the natives of la rue Babylonne, especially as the famous Nimrod passed his time at the door of No. 12, under the pretext that he was accustomed to the pure mountain air, and that he did not wish any of the neighbors anxious to make inquiries about his terrible profession, to have the trouble of asking for him. At one of these hall-door entertainments one summer night, the handsome Nuñez saw and captivated Mlle. Celestine Crepineau. Do not let any one fancy the modest girl had given any encouragement to the stranger. They had restricted themselves to glances, double entendres, and the countless amiable pioneers of the army of Cupid. Mlle. Crepineau saw the stranger come every day to assist her in opening the heavy door of No. 13. Nuñez took charge of the watering pot of which the commissaries are so fond, and dispersed an agreeable freshness in front of the house during the warm hours of the day, to protect, he said, the color and complexion of his mistress. Often Mlle. Celestine's nerves were refreshed by a delicate perfume which strayed through the bars of her lodge, and on inquiry saw a sprig of some sweet and odorous plant which had been placed there by the Spaniard. At last Mlle. Crepineau gave him permission to visit her. This was an important favor, and was the passage of the rubicon. By doing so, Celestine placed her reputation in the power of her evil-disposed neighbors. She was, however, in love. "Besides," said she, with noble pride, "my conscience sustains me, and envy will fall abashed before the sacred torch of hymen." This respectable phrase was the last remnant of the romances of Ducray-Dumenil, the first books Celestine ever read when she was cook of the advocate her god-father.
But this interesting love passion was suddenly brought to a close by a very painful circumstance for the vanity of the young lady. Whether Mlle. Crepineau had laced herself more tightly even than usual, or that in aspirations after sylphic grace, she had been rather too active when Señor Nuñez was by—she was seized one fine day with a pain in the small of her back, translatable only by the word rheumatism—a constant attendant of her delicate organization. A forced construction was put on the pain—which became a cold or a strain, but she had, in spite of the effort to get rid of it by an euphonism, to go to bed. Then the devotion of the Spaniard became heroic. He was unwilling that Mlle. Celestine should intrust any one else with her daily occupation, and undertook to replace her in the menage of Doctor Matheus. The proposition did not awaken much of the doctor's gratitude; and though he accepted the substitute, he promised to watch him very closely. One morning the doctor was forced to leave very suddenly, just as the Spaniard was cleaning and dusting the consultation room. Matheus had been sent for by the Duke d'Harcourt, and apprehending some new indisposition of his young patient, Von Apsberg, for the first time left the Señor Nuñez in his room.
For a few moments, the Spaniard continued his occupation. When, however, he saw the doctor leave, and from the window saw him turn down the rue de Bac, he said, "Now what I have so long sought for is in my grasp." Looking on every side of the room, lifting up the papers, opening the portfolios and examining the furniture, he discovered a secret drawer in a bureau, within which he found a key.
"Here," said he, "is the key of the laboratory—of the mysterious room in which I shall find all I need. This is it," said he, looking anxiously at the key, "I know it by its shape." Hurrying to the third floor of the house, he paused at the door. His hand trembled—the key entered—turned—the wards moved, and the stranger entered the laboratory.
The table which, when we paid our first visit to Matheus, was covered with maps, pamphlets, etc., now had nothing on it. "All is locked up," said the man. "I have bad luck." He soon, however, aroused himself, and taking a ball of wax from his pocket, and pointing to a massive secretary, said, "There they are—there are their plans and papers, their lists and names." Approaching the secretary again, he took an exact impression of the lock, and also made a copy of the key of the laboratory. He then uttered a cry of joy. "I have them all," said he. "I am their master, and not one of the accursed Carbonari can escape me." He then left the room as expeditiously as he had entered, went to the first story, replaced the key where he had found it in the secret drawer, and hurried to find Mlle. Celestine Crepineau, who had become very uneasy about her lover.
XVIII. RUIN.
A few days after the pretended bear-hunter, the handsome Spaniard, adored by the amiable Mlle. Crepineau, had gone stealthily into the studio of Dr. Matheus to obtain possession of the secrets of the Carbonari, our three friends Taddeo Rovero, Von Apsberg, and the Vicomte d'Harcourt, were at the Count's hotel. The house of Monte-Leone was in Verneuil street. It was small, mysterious, and recherché. The court-yard was of modest size, with turf in the centre, and sanded walks around it. The steps had a balcony at the top and several marble vases, from which grew geraniums in summer and heath in the winter. It was a regular bachelor's house, having every thing demanded by the exigencies of a tenant of that condition. It had all the broad, tall, low, narrow, visible, and invisible doors, for troublesome cases and exits, for the actors and actresses of the every day drama of the life of a young, rich, and independent man. No love drama was ever performed, though, on this theatre. One of another and more brilliant kind was being prepared. He gave a dinner to young men, a regular one, without a single woman. Men alone were welcomed by the noble Amphytrion. The house was furnished as luxuriously as possible, for only recently have people conceived the happy idea of making dining-rooms comfortable. Of this our fathers were entirely ignorant. Once people eat much or little, well or badly; they breakfasted, dined, or took tea—that was all. They sat on straw or hair chairs; they were warmed by bad stoves, the smell of which was intolerable; the feet rested on marble blocks, bright, but cold as ice. Such was the gastronomical trilogy of Parisians. The large hotels, and even the smaller establishments of our renowned libertines had a more splendid refectory, which, however, was not more favorable to the comfort of the guests. The dark and rich tapestries which hung on the walls, the marble on the floor, the pictures, though by Boucher or Watteau, were artistic and costly, but nothing less than the eyes of La Guimard, the lips of Sophie Arnould, those of La Maupin or La Duthé, could warm those cold arenas, where Bernis, Larenaudie, Fronsac, Bouret, and Beaujon sacrificed to Comus in the company of the Loves. Now all is changed. Not only gastronomy, but the art of living well has been discovered not to exist alone in wines and cookery, and it has become a proverb, that "beans in china are better than truffles in earthenware." In 1819 Count Monte-Leone had a presentiment of our taste in 1848, and he was therefore spoken of as a foreign sybarite, whose extravagant tastes never would be imitated. Though people blamed, they envied, and tried to imitate.
The dining-room of the Count, therefore, glittered with lights, and around a table filled with the rarest glass, from which was exhaled the perfume of a dinner fit for Lucullus, were about a dozen men, some of whom, Matheus, Taddeo, and d'Harcourt, we know already. The others, of whom we will hereafter speak more fully, were famous Carbonari, the founders of the French order, General A...., the banker H...., Count de Ch...., the merchant Ober, the Avocat C...., and the illustrious Professor C.... Two of these gentlemen had come from Italy, and brought to Monte-Leone new orders from the central Venta of Naples, and also curious details about the progress or rather maturity of Carbonarism in the Two Sicilies and the neighboring countries. It had however been by common consent determined among the guests that none of the grave secrets of the order should be revealed at their joyous repast—that political questions should be postponed to more serious conferences: not that the members were not satisfied of the prudence of each other, but inquisitive ears hovered around this table, and with the exception of those of the prudent old Giacomo none could be trusted. There was especial reason for this, as vague rumors had for some time made the Carbonari distrustful. It was said that the Minister of Police had placed Count Monte-Leone under the strictest surveillance in consequence of his previous history. The objects of this dinner, which beyond doubt was subjected to some particular notice, was to prove that all the persons assembled were men of pleasure, and not agents of discord or conspirators.