"And then the oyster itself—the soul and body of the shell—is there no philosophy in him or her? For now we know that oysters are really he and she, and that Bishop Sprat, when he gravely proposed the study of oyster-beds as a pursuit worthy of the sages who, under the guidance of his co-Bishop, Wilkins, and Sir Christopher Wren, were laying the foundation stones of the Royal Society, was not so far wrong when he discriminated between lady and gentleman oysters. The worthy suggester, it is true, knew no better than to separate them according to the color of their beards; as great a fallacy, as if, in these days of Bloomerism, we should propose to distinguish between males and females by the fashion of their waistcoats or color of their pantaloons; or, before this last great innovation of dress, to, diagnose between a dignitary episcopal and an ancient dame by the comparative length of their respective aprons. In that soft and gelatinous body lies a whole world of vitality and quiet enjoyment. Somebody has styled fossiliferous rocks 'monuments of the felicity of past ages.' An undisturbed oyster-bed is a concentration of happiness in the present. Dormant though the several creatures there congregated seem, each individual is leading the beatified existence of an epicurean god. The world without—its cares and joys, its storms and calms, its passions, evil and good—all are indifferent to the unheeding oyster. Unobservant even of what passes in its immediate vicinity, its whole soul is concentrated in itself; yet not sluggishly and apathetically, for its body is throbbing with life and enjoyment. The mighty ocean is subservient to its pleasures. The rolling waves waft fresh and choice food within its reach, and the flow of the current feeds it without requiring an effort. Each atom of water that comes in contact with its delicate gills involves its imprisoned air to freshen and invigorate the creature's pellucid blood. Invisible to human eye, unless aided by the wonderful inventions of human science, countless millions of vibrating cilia are moving incessantly with synchronic beat on every fibre of each fringing leaflet. Well might old Leeuwenhoek exclaim, when he looked through his microscope at the beard of a shell-fish, 'The motion I saw in the small component parts of it was so incredibly great, that I could not be satisfied with the spectacle; and it is not in the mind of conceive all the motions which I beheld within the compass of a grain of sand.' And yet the Dutch naturalist, unaided by the finer instruments of our time, beheld but a dim and misty indication of the exquisite cilliary apparatus by which these motions are effected. How strange to reflect that all this elaborate and inimitable contrivance has been devised for the well-being of a despised shell-fish? Nor is it merely in the working members of the creature that we find its wonders comprised. There are portions of its frame which seem to serve no essential purpose in its economy: which might be omitted without disturbing the course of its daily duties, and yet so constant in their presence and position, that we cannot doubt their having had their places in the original plan according to which the organization of the mollusk was first put together. These are symbols of organs to be developed in creatures higher in the scale of being; antitypes, it may be, of limbs, and anticipations of undeveloped senses. These are the first draughts of parts to be made out in their details elsewhere; serving, however, an end by their presence, for they are badges of relationship and affinity between one creature and another. In them the oyster-eater and the oyster may find some common bond of sympathy and distant cousinhood.
"Had the disputatious and needle-witted schoolmen known of these most curious mysteries of vitality, how vainly subtle would have been their speculations concerning the solution of such enigmas?"
THE RECLAIMING OF THE ANGEL.
WRITTEN FOR THE INTERNATIONAL MONTHLY MAGAZINE.
BY ALICE CAREY.
Oh smiling land of the sunset,
How my heart to thy beauty thrills—
Veiled dimly to-day with the shadow
Of the greenest of all thy hills!
Where daisies lean to the sunshine,
And the winds a plowing go,
And break into shining furrows
The mists in the vale below;
Where the willows hang out their tassels,
With the dews, all white and cold,
Strung over their wands so limber,
Like pearls upon chords of gold;
Where in milky hedges of hawthorn
The red-winged thrushes sing,
And the wild vine, bright and flaunting,
Twines many a scarlet ring;
Where, under the ripened billows
Of the silver-flowing rye,
We ran in and out with the zephyrs—
My sunny-haired brother and I.
Oh, when the green kirtle of May time,
Again o'er the hill-tops is blown,
I shall walk the wild paths of the forest,
And climb the steep headlands alone—
Pausing not where the slopes of the meadows
Are yellow with cowslip beds,
Nor where, by the wall of the garden,
The hollyhocks lift their bright heads.
In hollows that dimple the hill-sides,
Our feet till the sunset had been,
Where pinks with their spikes of red blossoms,
Hedged beds of blue violets in,
While to the warm lip of the sunbeam
The check of the blush rose inclined,
And the pansy's white bosom was flushed with
The murmurous love of the wind.
But when 'neath the heavy tresses
That swept o'er the dying day,
The star of the eve like a lover
Was hiding his blushes away,
As we came to a mournful river
That flowed to a lovely shore,
"Oh, sister," he said, "I am weary—
I cannot go back any more!"
And seeing that round about him
The wings of the angels shone—
I parted the locks from his forehead
And kissed him and left him alone.
But a shadow comes over my spirit
Whenever I think of the hours
I trusted his feet to the pathway
That winds through eternity's flowers.