THE SCULPTURE GALLERY.
"The old state-rooms, which form the upper floors of the south front, occupy the same position as those which were appropriated to the unfortunate Mary Queen of Scots during her long residence here. There is, however, but little to see of her period; if we except some needlework at the back of a canopy representing hunting scenes, worked by the hand of the famous Countess of Shrewsbury, popularly known as 'Bess of Hardwick.'
"The gallery, ninety feet by twenty-two, originally constructed for dancing, has been fitted up by the present Duke as a library. Among the books which formed the original library at Chatsworth, are several which belonged to the celebrated Hobbes, who was many years a resident at the old hall. The library of Henry Cavendish, and the extensive and valuable collection at Devonshire House have aided to swell its stores. Thin quartos of the rarest order, unique volumes of old poetry, scarce and curious pamphlets by the early printers, first editions of Shakspeare, early pageants, and the rarest dramatic and other popular literature of the Elizabethan era, may be found in this well-ordered room—not to speak of its great treasure, the Liber Veritalus of Claude.
QUEEN MARY'S BOWER.
"The statue gallery, a noble room erected by the present Duke, contains a judiciously-selected series of sculptures. The gem of the collection is the famous seated statue of Madame Bonaparte, mother of Napoleon, by Canova. The same style characterizes that of Pauline Borghese, by Campbell. Other works of Canova are here—his statue of Hebe, and Endymion sleeping; a bust of Petrarch's Laura, and the famous Lions, copied by Benaglia from the colossal originals on the monument of Clement XIV., at Rome. Thorwaldsen is abundantly represented by his Night and Morning, and his bas-reliefs of Priam Petitioning for the Body of Hector, and Briseis, taken from Achilles by the Heralds. Schadow's Filatrice, or Spinning Girl, and his classic bas-reliefs are worthy of all admiration. The English school of sculpture appears to advantage in Gibson's fine group, Mars and Cupid, and his bas-relief of Hero and Leander—Chantry's busts of George IV. and Canning—Westmacott's Cymbal Plaery—Wyatt's Musidora, and many others.
"Our visit to the mansion may conclude with a brief notice of one of its most interesting relics. Queen Mary's Bower is a sad memorial of the unhappy Queen's fourteen years' imprisonment here. It has been quaintly described as 'an island plat, on the top of a square tower, built in a large pool.' It is reached by a bridge, and in this lonely island-garden did Mary pass many days of a captivity, rendered doubly painful by the jealous bickerings of the Countess of Shrewsbury, who openly complained to Elizabeth of the Queen's intimacy with her husband; an unfounded aspersion, which Mary's urgent solicitations to Elizabeth obliged the Countess to retract, but which led to Mary's removal from the Earl's custody to that of Sir Amias Pawlet.
THE HUNTING TOWER.
"To the Hunting-Tower on the hill above the house, the ascent is by a road winding gracefully among venerable trees, planted 'when Elizabeth was Queen,' and occasionally passing beside a fall of water, which dashes among rocks from the moors above. The tower stands on the edge of the steep and thickly-wooded hill; it is built on a platform of stone, reached by a few steps; it is one of the relics of old Chatsworth, and is a characteristic and curious feature of the scene. Such towers were frequently placed near lordly residences in the olden time, for the purpose 'of giving the ladies of those days an opportunity of enjoying the sport of hunting,' which, from the heights above, they saw in the vales beneath. The view from the tower is one of the finest in England. The house and grounds below, embosomed in foliage, peep through the umbrage far beneath your feet; the rapid Derwent courses along through the level valley. The wood opposite crowns the rising ground, above Edensor—the picturesque and beautiful village within whose humble church many members of the noble family are buried. The village itself may be considered as a model of taste; it resembles a group of Italian and Gothic villas, the utmost variety and the most picturesque styles of architecture being adopted for their construction, while the little flower-gardens before them are as carefully tended as those at Chatsworth itself. Upon the hills above are traces of Roman encampments, and from the summit you look down upon the beautiful village of Bakewell, and far-famed Haddon Hall—the antique residence of the dukes of Rutland, an unspoiled relic of the sixteenth century. Looking toward the north, the eye traverses the fertile and beautiful valley of the Derwent, with the quiet little villages of Pilsley, Hassop, and Baslow, consisting of groups of cottages and quiet homesteads, speaking of pastoral life in its most favorable aspect. The eye, following the direction of the stream, is carried over the village of Calver, beyond which the rocks of Stony Middleton converge and shut in the prospect, with their gates of stone; amid distant trees, the village of Eyam, celebrated for its mournful story of the plague, and the heroism of its pastor, is embosomed. The ridge of rock stretches around the plain to the right, and upon the moors are traces of the early Britons in circles of stones and tumuli, with various other singular and deeply-interesting relics of 'the far off past.' Turning to the south, the prospect is bounded by the hills of Matlock; the villages of Darley-le-Dale, and Rowsley, reposing in mid-distance; the entire prospect comprising a series of picturesque mountains, fertile plains, wood, water, and rock, which cannot be surpassed in the world for variety and beauty. The noble domain in the foreground forming the grand centre of the whole: