There is a heart which throb’d to-day
To see thee weep alone.
And longed to wipe those drops away,
Or make that grief its own.
Plutarch Shaw: 1844.
LITERARY NOTICES.
Literary Remains of the late Willis Gaylord Clarke. Parts Three and Four. New-York: Burgess, Stringer and Company.
The reception given to our notice of this serial work in our last number, has emboldened us to refer to the issues which have since appeared, containing a copious variety of matter which will be new to great numbers of our readers. One of the best evidences of the naturalness and ease of our author’s writings, is to be found in the ready appreciation of them by all classes of readers. Whether the vein be a serious one, or the theme turn upon the humorous or the burlesque, it is not too much, we think, to say that the writer takes always with him the heart or the fancy of the reader. Without however pausing to characterize productions which bid fair to become very widely and favorably known, we shall venture, under favor of the reader, to present a few more extracts, ‘which it is hoped may please.’ The following illustration of a night-scene at the Kaatskill Mountain-House, on the evening of the Fourth of July, we can aver to be a faithful Daguerreotype sketch, for we saw it with the writer:
‘Take my arm, and step forth with me from the piazza of the Mountain-House. It is night. A few stars are peering from a dim azure field of western sky; the high-soaring breeze, the breath of heaven, makes a stilly music in the neighboring pines; the meek crest of Dian rolls along the blue depths of ether, tinting with silver lines the half dun, half fleecy clouds; they who are in the parlors make ‘considerable’ noise; there is an individual at the end of the portico discussing his quadruple julep, and another devotedly sucking the end of a cane, as if it were full of mother’s milk; he hummeth also an air from Il Pirata, and wonders, in the simplicity of his heart, ‘why the devil that there steam-boat from Albany doesn’t begin to show its lights down on the Hudson.’ His companion of the glass, however, is intent on the renewal thereof. Calling to him the chief ‘help’ of the place, he says: ‘Is that other antifogmatic ready?’
‘No, Sir.’
‘Well, now, person, what’s the reason? What was my last observation? Says I to you, says I, ‘Make me a fourth of them beverages;’ and moreover, I added, ‘Just you keep doing so; be constantly making them, till the order is countermanded.’ Give us another; go! vanish!—‘disappear and appear!”
‘The obsequious servant went; and returning with the desired draught, observed, probably for the thousandth time: ‘There! that’s what I call the true currency; them’s the ginooyne mint-drops; HA—ha—ha!’—these separate divisions of his laughter coming out of his mouth at intervals of about half a minute each.
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‘There is a bench near the verge of the Platform, where, when you sit at evening, the hollow-sounding air comes up from the vast vale below, like the restless murmurs of the ocean. Anchor yourself here for a while, reader, with me. It being the evening of the national anniversary, a few patriotic individuals are extremely busy in piling up a huge pyramid of dried pine branches, barrels covered with tar, and kegs of spirits, to a height of some fifteen or twenty feet—perhaps higher. A bonfire is premeditated. You shall see anon, how the flames will rise. The preparations are completed; the fire is applied. Hear how it crackles and hisses! Slowly but spitefully it mounts from limb to limb, and from one combustible to another, until the whole welkin is a-blaze, and shaking as with thunder! It is a beautiful sight. The gush of unwonted radiance rolls in effulgent surges adown the vale. How the owl hoots with surprise at the interrupting light! Bird of wisdom, it is the Fourth! and you may well add your voice to swell the choral honors of the time. How the tall old pines, withered by the biting scathe of Eld, rise to the view, afar and near; white shafts, bottomed in darkness, and standing like the serried spears of an innumerable army! The groups around the beacon are gathered together, but are forced to enlarge the circle of their acquaintance, by the growing intensity of the increasing blaze. Some of them, being ladies, their white robes waving in the mountain breeze, and the light shining full upon them, present, you observe, a beautiful appearance. The pale pillars of the portico flash fitfully into view, now seen and gone, like columns of mist. The swarthy African who kindled the fire regards it with perspiring face and grinning ivories; and lo! the man who hath mastered the quintupled glass of metamorphosed eau-de-vie, standing by the towering pile of flame, and, reaching his hand on high, he smiteth therewith his sinister pap, with a most hollow sound; the knell, as it were of his departing reason. In short, he is making an oration!
‘Listen to those voiceful currents of air, traversing the vast profound below the Platform! What a mighty circumference do they sweep! Over how many towns, and dwellings, and streams, and incommunicable woods! Murmurs of the dark, sources and awakeners of sublime imagination, swell from afar. You have thoughts of eternity and power here, which shall haunt you evermore. But we must be early stirrers in the morning. Let us to bed.
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‘You can lie on your pillow at the Kaatskill House, and see the god of day look upon you from behind the pinnacles of the White Mountains in New Hampshire, hundreds of miles away. Noble prospect! As the great orb heaves up in ineffable grandeur, he seems rising from beneath you, and you fancy that you have attained an elevation where may be seen the motion of the world. No intervening land to limit the view, you seem suspended in mid-air, without one obstacle to check the eye. The scene is indescribable. The chequered and interminable vale, sprinkled with groves, and lakes, and towns, and streams; the mountains afar off, swelling tumultuously heavenward, like waves of the ocean, some incarnadined with radiance, others purpled in shade; all these, to use the language of an auctioneer’s advertisement, ‘are too tedious to mention, but may be seen on the premises.’ I know of but one picture which will give the reader an idea of this etherial spot. It was the view which the angel Michael was polite enough, one summer morning, to point out to Adam, from the highest hill of Paradise.’
Many and many a young father will recognize, in the following, his own emotions, as he looks in moments of thoughtfulness upon the little ‘olive-branches’ around him, in whom he lives over again his own earliest years: