Now that data are affixed to our brief historical period, and the occurrences of yesterday, in comparison with the actual history of our land, have settled down into a succession of well-known events, it becomes us to look back into those of long-lost time, and to inquire into the memorials of our country's antiquity; to glance at what it was, rather than what it is. Here the field opens into boundless extent, and the mind becomes bewildered by the strange and diversified objects which it presents. Unlike any other in the 'world's wide range,' it is seen to be crowded with unique monumental relics, such as men of modern date had little dreamed of. No where else do the same curious and magnificent remnants of ancient art start into view. Britain has her antiquities, but her archæologists find them associated with a people to whom history had before introduced them. They are furnished with keys by which to gain access to the relics of by-gone times. The Druids and the Romans are known to them; but who were they who raised the tumuli of western America, or the Pyramids of Chollula and of Papantla? The antiquities of Egypt, wonderful as they are, point with an index well defined, to their origin; but who can decipher the hieroglyphics of Tultica?—who read the buried monuments of Anahuac? Egypt has her history told—if not distinctly upon her storied columns—in language which we are little disposed to doubt. The tablets of Rositta have revealed to inquiring antiquarians a flood of light; and the secret volumes inscribed upon the huge and elaborate piles of her arts, have suddenly opened to the wondering gaze their richly-stored contents. They said, emphatically, 'Let there be light, and there was light!' But no revelation has burst from the tombs of our western valleys. No Champolion, Young, Rossellina, nor Wilkinson, has preached the mysteries of Copan, Mitlan, or Palenque. No! Thick darkness still hangs over the vast continent of America. No voice answers to the anxious inquiry, 'Who were the Tultiques?' no lettered tablet is found to reveal the authors of the noble vestiges of architecture and of sculpture at Mitlan, Papantla, Chollula, Otumba, Oaxaca, Tlascala, Tescoca, Copan, or Palenque! The veil of oblivion shrouds, and may perhaps for ever shroud, these relics of an ancient and innumerable people in impenetrable obscurity. The researches of Del Rio, Cabrera, Dupaix, Waldrick, Neibel, Galinda, nor Corroy, are yet known to have developed the secrets of the buried cities of Central America, though they have labored for many years, 'silent and alone,' amid these massive fragments of ancient greatness.
'Cypress and ivy, weed and wall-flower grown,
Matted and mass'd together, hillocks heap'd
On what were chambers, arch-crush'd columns strown
In fragments, chok'd-up vaults and frescos steeped
In subterranean damps, where the owl peeped,
Deeming it midnight: temples, baths, or halls?
Pronounce, who can; for all that Learning reaped
From her research, hath been, that these are walls:
*** 'tis thus the mighty falls!'
The train of reflections which springs from a review of these magnificent specimens of skill, genius, and toil, is peculiarly exciting. If, in the vast field of observation which this continent presents, there is one subject that more than another claims attention—if there is one which is calculated to inspire an American with admiration and enthusiasm—it is the antiquities of his country. It may in truth be said, that were we to pronounce what are the great and peculiar charms of this 'new world,' we should say, at once, its antiquities—the antiquities of its buried cities—its long-lost relics of a great and ingenious people—the sublimity of ages that every where surrounds us, and the strange associations which, rush upon the mind, as we view ourselves in connection with an unknown and extinct species of men. Which way soever we turn our eyes, we behold the mighty remnants of their arts, and the wide waste of their mental and physical creations. We every where see the wonderful labors of those who, in times long gone by, gloried in these stupendous achievements, but whose might and inventions are told only in their far-spread destruction; a people, in short, of whom history has not left a solitary wreck behind! To describe the antique arts of such a people, strewed as they are over United and Central America, or buried for thousands of years beneath venerable forests, is a task which ages only can accomplish. An approach to this, therefore, is all our most ardent hopes can at present realize. Curiosity has indeed been awakened by the little which has lately been brought to light. The ambition of the learned has been excited, and the enthusiasm of the antiquarian enkindled; yet these are but the things of yesterday. The most industrious research, and the lapse of many years, are required, to develope the hidden treasures of art with which our continent abounds. For three hundred years have the most extraordinary of these slept in Central America, among strangers from another, not a newer world, as they had before slept for many thousands! Even now, comparatively little is known of their character. Sufficient, however, has recently been disclosed, to excite our wonder and admiration. In truth, had we fallen upon a new planet, crowded with strange memorials of a high order of genius, that for an indefinite time had survived their unknown authors, we should not be more amazed, than we are in gazing upon the anomalous relics of American antiquity.
America has been called 'the new world,' and we still designate it by this really unmeaning title, when, in point of fact, it is cöeval with the oldest. We are authorized, from its geological structure, to consider it the first great continent that sprang from 'the depths profound,' and are justified in believing, with Galinda, that it exhibits stronger proofs of senility, as the residence of man, than any other portion of our world. At another time, we shall speak more definitely of these facts, and present the evidence on which they are founded.
We have said that the subject of our antiquities has peculiar and important claims upon every American; but that these claims have been overlooked or disregarded. This will have appeared strikingly obvious to those who, in Central or United America, have had the satisfaction to examine the unique specimens of remote antiquity which characterize our continent. While the homage of the world has so long been paid to the monumental piles of transatlantic antiquity, and while voyages and pilgrimages have been performed to far distant quarters of the earth, to obtain a glance at oriental magnificence, and the ruined arts of primitive nations, here we find ourselves surrounded by those of a still more remarkable character. The wondrous cities of Pompeii, Herculaneum, Elephanta, Thebes, and Petra, are not more the subjects of just admiration than are those of our own America. The former have acquired universal notoriety, from the enthusiastic descriptions of numerous travellers, while the latter are possessed of all the charms of novelty. The first are confined to well known localities, and are intimately connected with a distinctive people, with dynasties, events, customs, and ceremonies, familiar to all who are acquainted with antiquarian literature. In fact, they tell their own stories, so that he who runs may read. Not so with the antiquities of America. These stretch from the great lakes of the north and west, to Central America, and the southern parts of Peru, on the south; from the Alleghany Mountains, on the east, throughout the great valleys, to the Rocky Mountains, on the west; and from the Pacific ocean to the Atlantic, through all the wide transverse central range of our continent. How immense this field of observation, and how rich in objects of antiquarian research! With what associations does the scene inspire us! Standing at any point in this vast space, and looking back through the long lapse of ages, a thousand thrilling emotions crowd upon us. If this spot, perchance, be in the midst of the massive and almost illimitable ruins of Palenque, who so insensible as not to be aroused by the scene around him? Here, strewed in one indiscriminate mass, lie the wrecks of unknown ages of toil and of mind. Here dwelt millions of people, enjoying happiness more complete than that of any other, since man made a part of creation. Surrounded by the most luxuriant soil, the purest air, and, in fine, by every gift of nature that ever blessed our earth—politically and socially constituted by laws the most mild and effective that were ever devised—this city, unsurpassed in magnitude by any other of the eastern continent, may, in truth, be thought the great paradise of the western world. But the reflections arising from a glance at this part of our subject, though now seemingly irresistible, would follow, more appropriately, perhaps, the description; and so it may be with those arising from a view of the extraordinary relics of antiquity which every where meet the eye in the great western valleys of United America.
Trusting, by these preliminary observations—not, we hope, indulged at too much length—to have awakened attention to the importance of our subject, we shall pass to particulars, which seem to us to possess no common interest. It should be sufficient to induce popular research, when it is remembered, that these facts are connected with the most interesting portions of the history of man—with great and signal epocha of the world; that they involve the relative condition of the intellectual and moral state of our species, with their comparative local and general happiness, during all time.
Aside, however, from the associations which the subject of antiquities generally excites, our own antique arts will be seen to have peculiar and striking characteristics. They are not hackneyed, like others, but come to us with all the freshness of romance. They are singularly unique; and, what is not less important, they reveal to us a hitherto unknown people, which, amid the world's alarms, the wars and revolutions that have destroyed a great proportion of the human population, have quietly remained for thousands of years, if not from the origin of man, on this continent. Of these strange people, not a scrap of recorded truth is known to have been left us. Not a traditionary story, nor a symbol, is yet brought to light, that clearly tells us, as we have long anxiously hoped, of the manners and customs of this large division of our race. Their arts, it is true, develope extraordinary facts, and, in the very language of the people, reveal faint records of their character and origin; but to us they are a sealed book; and so they must remain, until some bold and gifted spirit, with untiring research, removes the veil. This lack of historical evidence, however, does not add essentially to the interest of this subject. It gives an additional spur to our inquiries; it incites us to an examination of the only testimonials which yet remain, of the numbers, character, and origin, of these lost nations.
Aside from the historical interest of American antiquities, the ingenuity and magnitude of those specimens of art already discovered, are well calculated to inspire national admiration. We need only turn, in proof of this position, to the extraordinary works on Paint Creek, and Licking River, in Ohio, Mount Joliet, in Illinois; the Great Mounds at St. Louis, in Missouri; the ruined walls and cities in Wisconsin and Arkansas; the three hundred tumuli of the Mississippi, or the stupendous pyramids of ancient Mexico and Tultica, some of which exceed in dimensions the largest of Egypt; and the vast ruins of immense Tultican cities. Surely, these are enough to convince us, that American antiquities are not less worthy of admiration, and of philosophical inquiry, than those of the eastern continent, the descriptions of which have so much astonished the learned world. A knowledge of the principal monuments of Egyptian antiquity is now deemed essential to a fashionable education, particularly to a liberal one; yet few Americans, professedly fashionable or literary, avow an acquaintance with the antiquities of our own country. This far-fetched knowledge, at the sacrifice of that which relates to ourselves, is ridiculous, and ought no longer to be imputed to our countrymen. That it is a just imputation, is sufficiently apparent, in the surprise manifested by distinguished strangers, who make inquiries of us respecting our antiquities, and who have made voyages across the Atlantic for the sole purpose of examining them. Of the recently discovered antiquities of Central America, little is known which has not come to us through a foreign channel. The ambition displayed by scientific men in Europe, in exploring these ruins, is worthy both of them and of the subject. Since the first voyages were undertaken, for the investigation of these relics, great anxiety has been manifested by the learned in France, England and Spain, to gain a knowledge of the facts which enthusiastic explorers might disclose. These facts have now been before us for many years; and yet not an effort has been made either to explore them ourselves, or to procure the results of those ambitious inquirers, in this country. Of the three voyages of discovery by Dupaix, the twelve years' devotion among these antiquities by Waldrick, the archæology of Neibel, or the discoveries of Del Rio, little or nothing is here known. Few among us have ventured a league out of our way to obtain a sight of those relics which more immediately surround us, notwithstanding the great interest of the subject, the important facts which it involves, and the local feelings which, in this country, it might be supposed natural for us to manifest. Is not this indifference a national shame?
The first step in our inquiries is marked by peculiar developments; and each successive remove will be seen to advance in interest. The nature of the subject leads us first to investigate the history of the ancient Tultiques, the most recently discovered, though most remote, people of our continent. These are to be distinctly understood as independent, and more ancient than the arts and the population of Mexico. The half-buried cities, still extraordinary fabrics, existing among the wide-spread piles of huge architectural fragments, and the singular specimens of antique workmanship, to which our attention is at the outset attracted, are found on the eastern portion of Central America, and south of the Gulf of Mexico. Surprising as is the fact, these remained unexplored by the Spanish conquerors, until toward the close of the last century; or, if at all noticed, they excited little attention or curiosity among the invaders previous to that time. They were intent only on conquest and plunder; their minds were absorbed in the treasures with which the newly-conquered country was stored; and all inquiry was for the buried resources of nature, or the acquired riches of the people. Gold dazzled their eyes, bewildered their judgment, and inflamed their passions, at every point of their unrighteous conquests. The swarms of desperate and adventurous priests, battening on the spoils of victory, were only content in the grossest luxuries, or in destroying, 'for the sake of the holy religion,' every vestige of antiquity which fell in their way. The manner in which this 'holy zeal' was carried out, and to which we shall hereafter allude, is revolting to reason, and sickening to humanity.
Thus in the early history of Spanish discovery, or aggression, every nobler purpose was sacrificed by the clergy and the soldiery to their base idols, and every Christian virtue made subservient to wanton indulgence, or cruel bigotry. In view of this, it is not surprising that the singular ruins of ancient Mexican and Tultican cities should have had little attraction for the selfish and barbarous victors, or that many curious and antique relics should have disappeared before the superstitious phrenzy of religious zealots. It is more than probable, that the monumental ruins of Chiapa, of Yucatan, and particularly those of the great Palenquan city, were, in fact, unknown to the European invaders, and to their descendants, until about the time we have mentioned.