IV.
Yet when the first wild throb is past
Of anguish and despair,
To lift the eye of faith to heaven,
And think 'My child is there!'
This best can dry the gushing tear,
This yields the heart relief,
Until the Christian's pious hope
O'ercomes a mother's grief.
[EYES AND LIPS.]
FROM THE COMMON-PLACE BOOK OF A WESTERN BACHELOR.
An ingenious friend, who has a saturnine cast of complexion, maintains with great zeal, that dark eyes are indicative of a higher order of intellect than those of other colors. This doctrine meets with great favor from every one whose eyes are black, while those that are blue, hazel, or gray, kindle with indignation at such monstrous absurdity. Our friend borrows a very happy illustration from nature, and says, that as the wildest and most vivid flashes of lightning burst from the blackest clouds, so do the most brilliant emanations of mind glare from the darkest eyes. Whether there be any truth in this doctrine, or not, it must be admitted, that our friend has the authority of the poets on his side. From immemorial time, they have been sonnetizing dark and black eyes, to the almost utter neglect of all others. Your novelists never in painting a heroine, say she has gray eyes; but all their poetical fictions see with those that are large, languishing, lustrous, and dark.
The vividness of an eye's expression is not dependent on its color. The eye is most expressive, whose owner has the most thought and feeling. The eye expresses the language of the mind and heart; and whether light or dark, wherever there is strong emotion, it manifests it. A man is a better reader of the meaning of a woman's eye, than he is of one of his own gender; and a lady discovers more indications in the eyes of the opposite sex, than can the most scrutinizing man.
The eye is the most poetical of features; and ample testimony has been borne, in all time, to its superiority in this particular. There is much poetry in the smile of one we love; but there is more in the gleaming kindness of an eye from which the concentrated rays of feeling, thought, and sentiment, are looking forth. Did you never look into the tranquil depths of an eye, and see the shadows of thoughts winging their flight onward? Did you never read whole chapters about the sympathy of souls in them? If not, your observation has not been acute, nor your love very devout.
The sublime science of astrology, which once commanded the faith of the learned, has been laughed at by the wisdom or scepticism of more modern times. The doctrines and the devotion of those old readers of the stars have been discarded; and to the human eye the only relict of astrology now on earth has been confided. Lovers are the sole inheritors of the romantic doctrines bequeathed by elder astrologers to posterity. They do not cast devout looks toward the bespangled firmament, at night; but to them, the brow of a beloved being is a heaven, and the eye is the star that unfolds to them the shadows of their coming destinies. Their ancestors read the decrees of fate in the glittering watchers of the night-season, and they foresee the mysteries of the future in the expressions which shift and play upon the eye. If the eye of his mistress sparkles at his approach, it is the precursor of after joy. If the murky shadow of a frown rests upon it, it is the foreshadowing of the woe to come. To the lover, the eye of his mistress is ever eloquent, of hope or fear, of triumph or defeat. It is the polar star of his hope, the cynosure of his faith; and the complexion of the future changes, as her eye wanes into shadow, or waxes into the light of day.