'O Sir! all sweet things!'
'Do they, little enthusiast? And, if they say so much without sound, what do they say when their lips move?'
The child lifts his hands from the keys, crosses them behind him, and says imperiously: 'Play!'
The man obeys, and evolves a slow movement from Cherubini. If the composer's soul never mirrored the extremest depths of Nature, or if the present performer has in his own soul no complete expression for the strain, there is yet enough. The child's eyes sparkle over cheeks whiter than snow, his quivering lips part, he shivers at each roll of harmony, he stands with self-forgetful, outstretched hands, and, as it closes, every pulse thrills beneath the surge of the silver thunders. He had found that day a new revelation, and unconsciously to himself had learned that in the organ—'great omnipotence of sound'—was slumbering all the delight and purpose of his life.
His mother had often taken him with her, when calling on an elderly lady who lived a few streets higher than herself, the town sloping up from the river; and during these visits he had amused himself with an old English piano that stood, neglected and forlorn, on very slender legs, in a corner of the room. Round the edges, ivory had once been damaskeened in the notes of an air in vogue at the time of its construction; but they, together with the harp of St. Cecilia, elaborately let into the centre of the lid, had long been yellow as gold. Opened, it displayed the delightful mysteries of the black and white key-board. But alas! what different sounds issued thence; what tormented sprites shrieked in short pain from the shrunken wires, and how many others refused to answer his summons at all. Just over it was a small window, which Fauntleroy incidentally noticed to be destitute of fastening. A few weeks after his first attendance at church, he learned from his mother that this neighbor was dead, and that the house would be closed until her heirs, who were foreign, should send an agent from Europe, preparatory to the settlement of her affairs, and the sale of household stuff. During these weeks, his mother had been greatly harassed by her son's evident propensity to music, for though he now learned and digested whatever was set before him, all his avidity was manifested in the former direction. In despair of his ever becoming a useful member of society, she took from him the precious sheet of Beethoven, forbade him to speak on the subject of his predilection, broke in pieces and consumed the violin left behind by his father, and, above all, commanded him never to approach the piano at the old lady's house, and, finally, since she saw the restless longings of the little face at every visit, ceased to go there at all herself. At last, when Fauntleroy heard the announcement, he resolved to attain the mastery of that valueless old piano, and revolved a thousand schemes by which his object could be effected. Music drew him as a magnet draws a needle; resistance never occurred to him, but concealment was absolutely necessary. The more his mother opposed, the more she pushed him forward: with a pertinacity equal to her own, Fauntleroy followed his bent. On his way home from school, he passed the deserted house, even opened the little gate, and took a quick but satisfactory survey of the premises, and as hasty a resolution.
That night at tea-time, his share was taken away untouched, he went early to bed, but not to sleep, frequently calling on his mother to put by her work. It seemed as if the evening would never end, while he tossed impatiently about, yet entertaining myriad fantastic presences, and marshaling an ever-shifting procession of varied song. At length his mother lay down by his side, and the candle was extinguished. Soon the regular breathing of the tired needle-woman announced her sleep, and her treacherous little boy slipped down the other side, silently donned his clothes, and stole from the house into the mid-night street, leaving the door and his mother at the mercy of the open bolt. Up the long street he ran till out of hearing distance, past the churchyard like a spirit, and over the garden-wall. He stopped at last on the moss-grown flags of the garden-walk to look about him. The softest brilliancy of a June moon, but two hours high, flooded all the nodding boughs with a silver frosting; the althea and flox and narcissi dropped their heads, heavy with dew, and spread their untrained fragrance on the sweet, cool wind—the wind that wandered in and out the darker green glooms of the aromatic alleys, and was the only stirring thing beside himself. How free he was, and how glorious such liberty! He hardly believed that another soul in the world was up and in a garden at this hour. The garden, which had been his admiration all his summers, with its beds of pansies and violets, and its great swinging boughs of juiciest fruit, down whose walks he had timidly stepped with dainty delight, this garden was now his own dominion, as much his as ever it had been any bee's; the people who owned it slept and forgot it, and cancelled their right in oblivion; any one of the flowers he could pluck if he chose. The universal hush and peace waited upon him. Truly he was Lord of the Night. At least, without having been stated in words to himself, this was the sum and meaning of his sensations. But when the first bloom of his midnight experience wore away, he remembered the piano, and sought the window that opened behind it. It was almost higher than he could reach, but by dint of an arbor-seat, which, inch by inch, the little burglar dragged along, he raised himself to a sufficient height. A sweet-brier climbed round this window, and, in feeling for the sash, the thorns tore and scratched his hands. When found, all his strength could not raise it. He hesitated a little while, and then took a big stone, deliberately broke through the space of two panes, inserted his head and arm, and drew himself through. In a moment, the mystic instrument was open and tinkling outrageously beneath his empiric hands. To his horror, this was not the music he wanted, and the connection between each separate key and the characters on his excommunicated sheet suddenly flashed upon him. Solving the riddle with a patience most wonderful, he sat working in the slowly-wheeling moonlight until the clock of the opposite church struck three: still delaying, minute after minute, till the last quarter warned him how near the day might be, he hastily closed the lid, and retreated as he had entered. Passing the graves, this time he was hardly so fearless, but scampered down the gray street at full speed. Nevertheless an unutterable satisfaction filled him, and noiselessly securing the door, he crept up the stair, tore off his clothes, and slipped into bed again, silently giving a little prayer of thanks that he had succeeded in his naughtiness. Having the first time accomplished so much, he on the next night lost no sleep, but woke when his mother retired, and again, when she slept, escaped. A half-dozen nights, while the moon lasted, the child continued his excursions, but at length was obliged to cease for want of the friendly light.
During the intervening space, he employed himself in running errands and gathering sixpences, till he had amassed a sum sufficient for the purchase of strings, which, in his search through the mechanism of the instrument, he had found requisite. One sunset he returned with them in his pocket, carefully secreted among peg-top, white ally, whittlings and ginger-bread, and great was his joy when the thin crescent of the new moon lay above a long orange cloud, but equally great his sorrow to see the slender boat float down the lucid currents of the west, and leave no sign. A few nights more, however, and she was again his leaguer, fortified and reïnforced by certain candles pillaged from his mother's scanty store. Meanwhile he had lost no time for ingratiating himself with the church organist, had not suffered a day to pass without seeing him, had beset him with flocks of questions, had received hints and instructions that seemed to him as comprehensive as a library, and had, as he soon found, acquired, in this interval of rest, real knowledge and satisfactory progress.
The June passed into the harvest moon, October began to array herself in all the beautiful decadence of the year, and still his new pleasure had not palled upon Fauntleroy. He had repaired to the best of his ability the injuries time had wrought on this mine of enjoyment, had tuned it according to his inventive skill, and, when in the latter business strength failed, had resorted to a thousand expedients, had contrived infantile levers and screws, and, at one time, had even secured the refractory subject by a cord to the jambs across the room, thinking that being thoroughly wetted it would contract, as he had seen his mother's clothes-line do, and draw the tone to the required pitch. And although I doubt if by these methods he effected much, still he met with a certain success that sufficed, and they were excellent schemes of instruction. Remembering as he did, every line and mark of his one-paged volume of Beethoven, he had compared with it what every hour over the instrument taught him, and having obtained a book of tunes from the organ-desk at church, together with much more assistance from the friend there, had found his knowledge to be perfectly accurate if small, and that from these notes he could produce, though in how much less degree! the same melodies that enraptured him on Sabbaths. Moreover, so much attained, he now by practice became to a great extent master of difficulties to which most pupils yield, and of a convenient if not always elegant style, in which his little fingers would twinkle over the keys at some prestissimo, or slowly oar along through what seemed to him a sea of solemn harmony.
Such frequent loss of sleep, as might be expected, soon showed its results in the boy. Languid and pale during day-light, with large purple shadows beneath his eyes, thin and without appetite, yet animated by a constant liveliness of mind, joyous and over-flowing with inner happiness, he grew the subject of his mother's tenderest anxieties, and often in her sleep she turned to take the truant into her bosom. Once or twice not touching him in her drowsiness, his absence did not occur to her, but another time she started up filled with keen alarm, as he closed the street-door. Her quick call was smothered in affright. It was the work of an instant to gather a few garments and follow him just as he turned the corner of the street. Never dreaming of looking behind him, Fauntleroy hurried on, scaled the wall, and for the last time entered his sanctuary. His mother, less nimble, toiled up the hill, and, despairing at the wall, ran round to the gate. In the tremor that ruled her, she found it locked, and succeeded only, after several minutes, in remembering a broken part of the inclosure. Here she effected an entrance, but Fauntleroy was no where to be seen. Down one aisle and up another, across grassy plots and weed-choked flower-beds she ran breathlessly, and perhaps had not found him to this day, if a thought of the old piano had not struck her simultaneously with its sound. With suddenly-illumined thoughts she turned to the window whither the thread of music led her, and bending from one side, looked in. There was the dark, old-fashioned book-case, filling one side of the room from floor to ceiling, with a white bust of some irate Apollo in a niche of the arched carving, like a crown; the curtains swept apart for all the light the night could give; the buffet yielding a sidelong gleam, half drowned in shade, of silver and glass and gorgeously-flowered china; the chancel-chairs and velvet-covered table; and the mysterious portrait above the chimney-piece, that gathered all the spare light into itself and leaned from the dingy frame a pale, witch-like face, in a net of golden hair. All this his mother received at a glance, although that glance lighted instantly on her child, where he sat rapt in a softly-improvised welcome to his Egeria. So motionless was he, with uplifted eyes in the clear moon-light that streamed upon and over him into the room, that she half-feared him to be in a somnambulic state. Yet those violet eyes, so dark, so lustrous, wore no fixed stare, nor any trace of sleep; they were rather filled with spirit, brimmed with the wakefulness of life, and the heavenly dream of music alone overshadowed the transfigured face. The mother felt this as she gazed, and hung on the sweetness that his fingers drew into the air. Did ever any one do so beautifully, she thought; and, as if to mock her, a golden robin stirred in his nest and trilled his mid-night song, as full of joy as the whippowil's of sorrow.
As Fauntleroy's fancy lightened from the theme he followed, his eye pursued a cloud across the sky, and falling, lay upon his mother's face. He ceased a moment in terrible dismay, then starting to his feet, looked back at the portrait on the wall, lest she had stolen out of her frame, mastered by all the charm of the old house. But as quietly as ever, in the Greek cap of vivid scarlet and gold zequins falling from her hair, she looked through her prison-door. Again his fascinated eyes sprung back to the white face pressed against the vacant panes. It was all quicker than thought, and hardly a minute had elapsed when he comprehended it. If his mother had been Solomon, he would have expected summary chastisement; as it was, he resumed his seat and played with his best execution the very piece upon which she had laid her ban. He fancied himself to have accomplished a fine revenge, but silly child! his mother no more understood his meaning than did the portrait, for of the identity between what he played and what the sheet contained his unskilled senses were ignorant. Hardly had he struck the closing chord, when the door behind him opened, and a tall gentleman, in flowing robes and with long, dark hair, entered, bearing a light, which the draught at once extinguished.