Drip and drip, and sting like pain,

Till my love grows live again,

Life of mine!

Home as an Emotional Adventure

Margaret C. Anderson

I was going Home!

It was seven o’clock on a clear, cold, snowless night in December—the ideal night for a journey. Behind me, Chicago:—noise, jangle, rush, and dirt; great crowds of people; a hall room of agonizing ugliness, with walks of a green tone that produces a sort of savage mental biliousness and furniture of striped oak that makes you pray for destruction by fire; frayed rugs the color of cold dishwater and painted woodwork that peels off like a healing sore; smells of impromptu laundry work, and dust that sticks like a hopeful creditor; an outlook of bare brick walls, and air through the window that should have been put through a sieve before entering. All these—and one thing more which makes them as nothing: the huge glory of accomplishment.

Before me?... It was snowing hard as we steamed in. There came a clanging of brakes, a cold blast of snowy air through the opened doors, a rush of expectant people; and then, shining in the glow of a flickering station light, one of the loveliest faces I’ve ever seen—my sister’s,—and one of the noblest—my “Dad’s.” Then a whirring taxi, a luxurious adjustment to comfort in its dark depths, a confusion of “So glad you’re here,” and “Mother’s waiting at home”; a surging of all my appreciation at the beauty of young Betty, with her rich furs and stunningly simple hat and exquisitely untouched face; a long dash through familiar streets until we reached the more open spaces—the Country Club district where there are only a few homes and a great expanse of park and trees; and finally a snorting and jerking as we drew up before a white house from which lights were shining.

Now this little house is all white, with green shutters and shingles, with a small formal entrance porch, like a Wallace Nutting print, in front, and a large white-pillared, glass-enclosed living-porch on one side. A red brick walk of the New England type leads up to it, and great trees stand like sentinels at the back. On a winter night, when the red walk and the terrace are covered with soft snow, when the little cedar trees massed around the entrance sparkle with icy frost, when the warm light from the windows touches the whiteness with an amethyst radiance—well, it’s the kind of house that all good dreamers sometimes have the reward of dreaming about. And when Mother opened the door, letting out another stream of light and showing her there against the warm red background of the hall, I was convinced that getting home was like being invited to paradise.

Of course we talked and laughed for an hour; and underneath it all I was conscious, above everything, of the red and white room in which we sat; of the roaring, singing fire; of the shadows it threw on the luxurious rugs and old mahogany; of the book-lined walls; of the scattered magazines on the long table; of the chiming grandfather’s clock; of the soft lights; and—more than all—of the vase of white roses against the red wall.