"The author's view of life," said Davis, "as expressed in these beautiful lines, will help us to fit our shoulders for the heavy burden of life, by bringing to our realization those profound truths of philosophy which find hope in despair and pleasure in pain. When he shall see fit to give to the wider world, in fuller form, the thoughts of which we have been vouchsafed this foretaste, let us hope that some little ray of his fame may rest upon the Bodleian, from which can never be taken away the proud privilege of saying that he was one of its members."

I then pointed out the beauties of the volume as a piece of bookmaking. I knew, from conversation with the publication committee, the style of type and rubrication, and could see the cover through the wrapper of my sealed copy. The dark green morocco, I said, in summing up, typified the author's serious view of life, as a thing to be endured as patiently as might be. The cap-and-bells border was significant of the shams by which the optimist sought to delude himself into the view that life was a desirable thing. The intricate blind-tooling of the doublure shadowed forth the blind fate which left us in ignorance of our future and our past, or of even what the day itself might bring forth. The black-letter type, with rubricated initials, signified a philosophic pessimism enlightened by the conviction that in duty one might find, after all, an excuse for life and a hope for humanity. Applying this test to the club, this work, which might be said to represent all that the Bodleian stood for, was in itself sufficient to justify the club's existence. If the Bodleian had done nothing else, if it should do nothing more, it had produced a masterpiece.

There was a sealed copy of the Procrustes, belonging, I believe, to one of the committee, lying on the table by which I stood, and I had picked it up and held it in my hand for a moment, to emphasize one of my periods, but had laid it down immediately. I noted, as I sat down, that young Hunkin, our English visitor, who sat on the other side of the table, had picked up the volume and was examining it with interest. When the last review was read, and the generous applause had subsided, there were cries for Baxter.

"Baxter! Baxter! Author! Author!"

Baxter had been sitting over in a corner during the reading of the reviews, and had succeeded remarkably well, it seemed to me, in concealing, under his mask of cynical indifference, the exultation which I was sure he must feel. But this outburst of enthusiasm was too much even for Baxter, and it was clear that he was struggling with strong emotion when he rose to speak.

"Gentlemen, and fellow members of the Bodleian, it gives me unaffected pleasure—sincere pleasure—some day you may know how much pleasure—I cannot trust myself to say it now—to see the evident care with which your committee have read my poor verses, and the responsive sympathy with which my friends have entered into my views of life and conduct. I thank you again, and again, and when I say that I am too full for utterance,—I'm sure you will excuse me from saying any more."

Baxter took his seat, and the applause had begun again when it was broken by a sudden exclamation.

"By Jove!" exclaimed our English visitor, who still sat behind the table, "what an extraordinary book!"

Every one gathered around him.

"You see," he exclaimed; holding up the volume, "you fellows said so much about the bally book that I wanted to see what it was like; so I untied the ribbon, and cut the leaves with the paper knife lying here, and found—and found that there wasn't a single line in it, don't you know!"